SatireA literary approach that ridicules or examines human vice or weakness. |
Sentence StructureThe grammatical arrangement of words in sentences. A complete sentence must contain a subject and a predicate and express a complete thought. The structure of a sentence may be simple, complex, compound, or compound‐complex. |
Sentence TypesA simple sentence consists of one independent clause and no subordinate clauses. e.g., Kathy likes to dance. |
Sentence VarietyVarious sentence structures, styles, and lengths that can enhance the rhythm of or add emphasis to a piece of text. The presence of multiple sentence structures in a text (simple, complex, compound, compound-complex) and/or various sentence beginnings (e.g., dependent and independent clauses, phrases, single words). |
Sequence of StepsA literary organizational form that presents the order in which tasks are to be performed. |
SettingThe time and place in which a story unfolds. |
SimileA comparison of two different things that utilizes “like” or “as”. |
SoliloquyA dramatic speech, revealing inner thoughts and feelings, spoken aloud by one character while alone on the stage. |
SonnetA 14 line poem written in iambic pentameter. There are two types of sonnets: Shakespearean and Italian. The Shakespearean sonnet is written with 3 quatrain and a couplet in abab, cdcd, efef, gg rhythmic pattern. An Italian sonnet is written in 2 stanzas with an octave followed by a septet in abba, abba, cdecde or cdcdcd rhythmic pattern. |
Sound DevicesElements of literature that emphasize sound (e.g., assonance, consonance, alliteration, rhyme, onomatopoeia). |
SpeakerThe voice used by an author to tell/narrate a story or poem. The speaker is often a created identity, and should not automatically be equated with the author. See also narrator and point of view. |
SpondeeA foot consisting of two syllables of approximately equal stress. |
Stage DirectionA playwright’s written instructions provided in the text of a play about the setting or how the actors are to move and behave in a play. |
StanzaGroup of lines offset by a space and then continuing with the next group of lines with a set pattern or number of lines. |
StichicAdjective describing poetry with lines of the same meter and length throughout, but not organized into regular stanzas. Example: Form of Samuel Taylor Coleridge's "Frost at Midnight" |
Structure of PoemThe rhyming pattern, meter, grammar, and imagery used by a poet to convey meaning. |
StyleThe author’s choices regarding language, sentence structure, voice, and tone in order to communicate with the reader. |
Stylistic TechniquesThe ways in which the writer may employ multiple elements of writing to distinguish and strengthen a piece of writing. |
Subject‐Verb AgreementA grammatical rule in which the subject of a sentence must agree with its verb in both number and tense. e.g., The women at the ticket booth buy their tickets. |
SubjunctiveSubjunctive forms of verbs are typically used to express various states of unreality such as wish, emotion, possibility, judgment, opinion, necessity, or action that has not yet occurred. Subjunctive verbs are often found in "that" clauses. The verb requires "that" to follow it e.g. 'He insisted that was the wrong way'. |
SublimeAdjective meaning an immeasurable experience, unable to be rationalized. |
SuffixGroups of letters placed after a word to alter its meaning or change it into a different kind of word, from an adjective to an adverb, etc. |
SummarizeTo capture all of the most important parts of the original text (paragraph, story, poem), but express them in a much shorter space, and as much as possible in the reader’s own words. |
SymbolismA device in literature where an object represents an idea. |
SynecdocheA term where an entire idea is expressed by something smaller, such as a phrase or a single word; one part of the idea expresses the whole. This concept can also be reversed. |
SynonymA word that is similar in meaning to another word (e.g., sorrow, grief, sadness). |
SyntaxThe study of how words are arranged in a sentence. Ex.- Line 68 of Coleridge’s “Dejection: An Ode,” is difficult to determine its syntax because of the way the words are arranged: “Which wedding Nature to us gives in dower.” The word “wedding” could be seen as a verb or a noun. |
SatireA literary approach that ridicules or examines human vice or weakness. |
Sentence StructureThe grammatical arrangement of words in sentences. A complete sentence must contain a subject and a predicate and express a complete thought. The structure of a sentence may be simple, complex, compound, or compound‐complex. |
Sentence TypesA simple sentence consists of one independent clause and no subordinate clauses. e.g., Kathy likes to dance. |
Sentence VarietyVarious sentence structures, styles, and lengths that can enhance the rhythm of or add emphasis to a piece of text. The presence of multiple sentence structures in a text (simple, complex, compound, compound-complex) and/or various sentence beginnings (e.g., dependent and independent clauses, phrases, single words). |
Sequence of StepsA literary organizational form that presents the order in which tasks are to be performed. |
SettingThe time and place in which a story unfolds. |
SimileA comparison of two different things that utilizes “like” or “as”. |
SoliloquyA dramatic speech, revealing inner thoughts and feelings, spoken aloud by one character while alone on the stage. |
SonnetA 14 line poem written in iambic pentameter. There are two types of sonnets: Shakespearean and Italian. The Shakespearean sonnet is written with 3 quatrain and a couplet in abab, cdcd, efef, gg rhythmic pattern. An Italian sonnet is written in 2 stanzas with an octave followed by a septet in abba, abba, cdecde or cdcdcd rhythmic pattern. |
Sound DevicesElements of literature that emphasize sound (e.g., assonance, consonance, alliteration, rhyme, onomatopoeia). |
SpeakerThe voice used by an author to tell/narrate a story or poem. The speaker is often a created identity, and should not automatically be equated with the author. See also narrator and point of view. |
SpondeeA foot consisting of two syllables of approximately equal stress. |
Stage DirectionA playwright’s written instructions provided in the text of a play about the setting or how the actors are to move and behave in a play. |
StanzaGroup of lines offset by a space and then continuing with the next group of lines with a set pattern or number of lines. |
StichicAdjective describing poetry with lines of the same meter and length throughout, but not organized into regular stanzas. Example: Form of Samuel Taylor Coleridge's "Frost at Midnight" |
Structure of PoemThe rhyming pattern, meter, grammar, and imagery used by a poet to convey meaning. |
StyleThe author’s choices regarding language, sentence structure, voice, and tone in order to communicate with the reader. |
Stylistic TechniquesThe ways in which the writer may employ multiple elements of writing to distinguish and strengthen a piece of writing. |
Subject‐Verb AgreementA grammatical rule in which the subject of a sentence must agree with its verb in both number and tense. e.g., The women at the ticket booth buy their tickets. |
SubjunctiveSubjunctive forms of verbs are typically used to express various states of unreality such as wish, emotion, possibility, judgment, opinion, necessity, or action that has not yet occurred. Subjunctive verbs are often found in "that" clauses. The verb requires "that" to follow it e.g. 'He insisted that was the wrong way'. |
SublimeAdjective meaning an immeasurable experience, unable to be rationalized. |
SuffixGroups of letters placed after a word to alter its meaning or change it into a different kind of word, from an adjective to an adverb, etc. |
SummarizeTo capture all of the most important parts of the original text (paragraph, story, poem), but express them in a much shorter space, and as much as possible in the reader’s own words. |
SymbolismA device in literature where an object represents an idea. |
SynecdocheA term where an entire idea is expressed by something smaller, such as a phrase or a single word; one part of the idea expresses the whole. This concept can also be reversed. |
SynonymA word that is similar in meaning to another word (e.g., sorrow, grief, sadness). |
SyntaxThe study of how words are arranged in a sentence. Ex.- Line 68 of Coleridge’s “Dejection: An Ode,” is difficult to determine its syntax because of the way the words are arranged: “Which wedding Nature to us gives in dower.” The word “wedding” could be seen as a verb or a noun. |