Timbuctoo book cover

Timbuctoo

"Timbuctoo" is a novella by French author Guy de Maupassant, published in 1880. The story follows a group of characters on an expedition to the fabled city of Timbuktu, reflecting Maupassant's fascination with exploration and the exotic. It explores themes of adventure, cultural encounters, and the inherent quest for knowledge amid the challenges and intricacies of distant lands. The narrative captures the allure of the unknown and the often disillusioning nature of dreams versus reality, showcasing Maupassant's sharp observational style and his ability to convey the complexities of human experience.


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Submitted by davidb on February 03, 2025


								
The boulevard, that river of humanity, was alive with people in the golden light of the setting sun. The whole sky was red, blinding, and behind the Madeleine an immense bank of flaming clouds cast a shower of light the whole length of the boulevard, vibrant as the heat from a brazier. The gay, animated crowd went by in this golden mist and seemed to be glorified. Their faces were gilded, their black hats and clothes took on purple tints, the patent leather of their shoes cast bright reflections on the asphalt of the sidewalk. Before the cafes a mass of men were drinking opalescent liquids that looked like precious stones dissolved in the glasses. In the midst of the drinkers two officers in full uniform dazzled all eyes with their glittering gold lace. They chatted, happy without asking why, in this glory of life, in this radiant light of sunset, and they looked at the crowd, the leisurely men and the hurrying women who left a bewildering odor of perfume as they passed by. All at once an enormous negro, dressed in black, with a paunch beneath his jean waistcoat, which was covered with charms, his face shining as if it had been polished, passed before them with a triumphant air. He laughed at the passers-by, at the news venders, at the dazzling sky, at the whole of Paris. He was so tall that he overtopped everyone else, and when he passed all the loungers turned round to look at his back. But he suddenly perceived the officers and darted towards them, jostling the drinkers in his path. As soon as he reached their table he fixed his gleaming and delighted eyes upon them and the corners of his mouth expanded to his ears, showing his dazzling white teeth like a crescent moon in a black sky. The two men looked in astonishment at this ebony giant, unable to understand his delight. With a voice that made all the guests laugh, he said: “Good-day, my lieutenant.” One of the officers was commander of a battalion, the other was a colonel. The former said: “I do not know you, sir. I am at a loss to know what you want of me.” “Me like you much, Lieutenant Vedie, siege of Bezi, much grapes, find me.” The officer, utterly bewildered, looked at the man intently, trying to refresh his memory. Then he cried abruptly: “Timbuctoo?” The negro, radiant, slapped his thigh as he uttered a tremendous laugh and roared: “Yes, yes, my lieutenant; you remember Timbuctoo, ya. How do you do?” The commandant held out his hand, laughing heartily as he did so. Then Timbuctoo became serious. He seized the officer's hand and, before the other could prevent it, he kissed it, according to negro and Arab custom. The officer embarrassed, said in a severe tone: “Come now, Timbuctoo, we are not in Africa. Sit down there and tell me how it is I find you here.” Timbuctoo swelled himself out and, his words falling over one another, replied hurriedly: “Make much money, much, big restaurant, good food; Prussians, me, much steal, much, French cooking; Timbuctoo cook to the emperor; two thousand francs mine. Ha, ha, ha, ha!” And he laughed, doubling himself up, roaring, with wild delight in his glances. When the officer, who understood his strange manner of expressing himself, had questioned him he said: “Well, au revoir, Timbuctoo. I will see you again.” The negro rose, this time shaking the hand that was extended to him and, smiling still, cried: “Good-day, good-day, my lieutenant!” He went off so happy that he gesticulated as he walked, and people thought he was crazy. “Who is that brute?” asked the colonel. “A fine fellow and a brave soldier. I will tell you what I know about him. It is funny enough. “You know that at the commencement of the war of 1870 I was shut up in Bezieres, that this negro calls Bezi. We were not besieged, but blockaded. The Prussian lines surrounded us on all sides, outside the reach of cannon, not firing on us, but slowly starving us out. “I was then lieutenant. Our garrison consisted of soldier of all descriptions, fragments of slaughtered regiments, some that had run away, freebooters separated from the main army, etc. We had all kinds, in fact even eleven Turcos [Algerian soldiers in the service of France], who arrived one evening no one knew whence or how. They appeared at the gates of the city, exhausted, in rags, starving and dirty. They were handed over to me. “I saw very soon that they were absolutely undisciplined, always in the street and always drunk. I tried putting them in the police station, even in prison, but nothing was of any use. They would disappear, sometimes for days at a time, as if they had been swallowed up by the earth, and then come back staggering drunk. They had no money. Where did they buy drink and how and with what? “This began to worry me greatly, all the more as these savages interested me with their everlasting laugh and their characteristics of overgrown frolicsome children. “I then noticed that they blindly obeyed the largest among them, the one you have just seen. He made them do as he pleased, planned their mysterious expeditions with the all-powerful and undisputed authority of a leader. I sent for him and questioned him. Our conversation lasted fully three hours, for it was hard for me to understand his remarkable gibberish. As for him, poor devil, he made unheard-of efforts to make himself intelligible, invented words, gesticulated, perspired in his anxiety, mopping his forehead, puffing, stopping and abruptly beginning again when he thought he had found a new method of explaining what he wanted to say. “I gathered finally that he was the son of a big chief, a sort of negro king of the region around Timbuctoo. I asked him his name. He repeated something like 'Chavaharibouhalikranafotapolara.' It seemed simpler to me to give him the name of his native place, 'Timbuctoo.' And a week later he was known by no other name in the garrison. “But we were all wildly anxious to find out where this African ex-prince procured his drinks. I discovered it in a singular manner. “I was on the ramparts one morning, watching the horizon, when I perceived something moving about in a vineyard. It was near the time of vintage, the grapes were ripe, but I was not thinking of that. I thought that a spy was approaching the town, and I organized a complete expedition to catch the prowler. I took command myself, after obtaining permission from the general. “I sent out by three different gates three little companies, which were to meet at the suspected vineyard and form a cordon round it. In order to cut off the spy's retreat, one of these detachments had to make at least an hour's march. A watch on the walls signalled to me that the person I had seen had not left the place. We went along in profound silence, creeping, almost crawling, along the ditches. At last we reached the spot assigned. “I abruptly disbanded my soldiers, who darted into the vineyard and found Timbuctoo on hands and knees travelling around among the vines and eating grapes, or rather devouring them as a dog eats his sop, snatching them in mouthfuls from the vine with his teeth.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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