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The Spasm

"The Spasm" is a short story by the renowned French author Guy de Maupassant that delves into themes of psychological turmoil and existential crisis. The narrative follows a man grappling with intense emotional and physical spasms, which serve as metaphors for the inner struggles and anguish he faces in his life. Maupassant's exploration of the human condition is marked by his signature realism and insight into mental distress, ultimately inviting readers to reflect on the fragility of the human psyche and the weight of personal despair.

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Submitted by davidb on February 02, 2025


								
The hotel guests slowly entered the dining-room and took their places. The waiters did not hurry themselves, in order to give the late comers a chance and thus avoid the trouble of bringing in the dishes a second time. The old bathers, the habitues, whose season was almost over, glanced, gazed toward the door whenever it opened, to see what new faces might appear. This is the principal distraction of watering places. People look forward to the dinner hour in order to inspect each day's new arrivals, to find out who they are, what they do, and what they think. We always have a vague desire to meet pleasant people, to make agreeable acquaintances, perhaps to meet with a love adventure. In this life of elbowings, unknown strangers assume an extreme importance. Curiosity is aroused, sympathy is ready to exhibit itself, and sociability is the order of the day. We cherish antipathies for a week and friendships for a month; we see people with different eyes, when we view them through the medium of acquaintanceship at watering places. We discover in men suddenly, after an hour's chat, in the evening after dinner, under the trees in the park where the healing spring bubbles up, a high intelligence and astonishing merits, and a month afterward we have completely forgotten these new friends, who were so fascinating when we first met them. Permanent and serious ties are also formed here sooner than anywhere else. People see each other every day; they become acquainted very quickly, and their affection is tinged with the sweetness and unrestraint of long-standing intimacies. We cherish in after years the dear and tender memories of those first hours of friendship, the memory of those first conversations in which a soul was unveiled, of those first glances which interrogate and respond to questions and secret thoughts which the mouth has not as yet uttered, the memory of that first cordial confidence, the memory of that delightful sensation of opening our hearts to those who seem to open theirs to us in return. And the melancholy of watering places, the monotony of days that are all alike, proves hourly an incentive to this heart expansion. Well, this evening, as on every other evening, we awaited the appearance of strange faces. Only two appeared, but they were very remarkable, a man and a woman —father and daughter. They immediately reminded me of some of Edgar Poe's characters; and yet there was about them a charm, the charm associated with misfortune. I looked upon them as the victims of fate. The man was very tall and thin, rather stooped, with perfectly white hair, too white for his comparatively youthful physiognomy; and there was in his bearing and in his person that austerity peculiar to Protestants. The daughter, who was probably twenty-four or twenty-five, was small in stature, and was also very thin, very pale, and she had the air of one who was worn out with utter lassitude. We meet people like this from time to time, who seem too weak for the tasks and the needs of daily life, too weak to move about, to walk, to do all that we do every day. She was rather pretty; with a transparent, spiritual beauty. And she ate with extreme slowness, as if she were almost incapable of moving her arms. It must have been she, assuredly, who had come to take the waters. They sat facing me, on the opposite side of the table; and I at once noticed that the father had a very singular, nervous twitching. Every time he wanted to reach an object, his hand described a sort of zigzag before it succeeded in reaching what it was in search of, and after a little while this movement annoyed me so that I turned aside my head in order not to see it. I noticed, too, that the young girl, during meals, wore a glove on her left hand. After dinner I went for a stroll in the park of the bathing establishment. This led toward the little Auvergnese station of Chatel-Guyon, hidden in a gorge at the foot of the high mountain, from which flowed so many boiling springs, arising from the deep bed of extinct volcanoes. Over yonder, above our heads, the domes of extinct craters lifted their ragged peaks above the rest in the long mountain chain. For Chatel-Guyon is situated at the entrance to the land of mountain domes. Beyond it stretches out the region of peaks, and, farther on again the region of precipitous summits. The “Puy de Dome” is the highest of the domes, the Peak of Sancy is the loftiest of the peaks, and Cantal is the most precipitous of these mountain heights. It was a very warm evening, and I was walking up and down a shady path, listening to the opening, strains of the Casino band, which was playing on an elevation overlooking the park. And I saw the father and the daughter advancing slowly in my direction. I bowed as one bows to one's hotel companions at a watering place; and the man, coming to a sudden halt, said to me: “Could you not, monsieur, tell us of a nice walk to take, short, pretty, and not steep; and pardon my troubling you?” I offered to show them the way toward the valley through which the little river flowed, a deep valley forming a gorge between two tall, craggy, wooded slopes. They gladly accepted my offer. And we talked, naturally, about the virtue of the waters. “Oh,” he said, “my daughter has a strange malady, the seat of which is unknown. She suffers from incomprehensible nervous attacks. At one time the doctors think she has an attack of heart disease, at another time they imagine it is some affection of the liver, and at another they declare it to be a disease of the spine. To-day this protean malady, that assumes a thousand forms and a thousand modes of attack, is attributed to the stomach, which is the great caldron and regulator of the body. This is why we have come here. For my part, I am rather inclined to think it is the nerves. In any case it is very sad.” Immediately the remembrance of the violent spasmodic movement of his hand came back to my mind, and I asked him: “But is this not the result of heredity? Are not your own nerves somewhat affected?” He replied calmly: “Mine? Oh, no-my nerves have always been very steady.” Then, suddenly, after a pause, he went on: “Ah! You were alluding to the jerking movement of my hand every time I try to reach for anything? This arises from a terrible experience which I had. Just imagine, this daughter of mine was actually buried alive!” I could only utter, “Ah!” so great were my astonishment and emotion. He continued: “Here is the story. It is simple. Juliette had been subject for some time to serious attacks of the heart. We believed that she had disease of that organ, and were prepared for the worst. “One day she was carried into the house cold, lifeless, dead. She had fallen down unconscious in the garden. The doctor certified that life was extinct. I watched by her side for a day and two nights. I laid her with my own hands in the coffin, which I accompanied to the cemetery, where she was deposited in the family vault. It is situated in the very heart of Lorraine.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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