The First Snowfall book cover

The First Snowfall

"The First Snowfall" is a poignant short story by Guy de Maupassant that captures the emotional depth and complexity of human relationships through the lens of a winter's first snowfall. The narrative follows the protagonist, who reflects on themes of love, loss, and memory as he encounters a woman mourning her deceased son during a picturesque yet somber snowfall. Through Maupassant's evocative prose, the story explores how nature can evoke deep feelings and memories, ultimately revealing the fragility of life and the enduring nature of grief. The tale encapsulates the beauty and sorrow intertwined in human experience.

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Submitted by davidb on February 02, 2025


								
The long promenade of La Croisette winds in a curve along the edge of the blue water. Yonder, to the right, Esterel juts out into the sea in the distance, obstructing the view and shutting out the horizon with its pretty southern outline of pointed summits, numerous and fantastic. To the left, the isles of Sainte Marguerite and Saint Honorat, almost level with the water, display their surface, covered with pine trees. And all along the great gulf, all along the tall mountains that encircle Cannes, the white villa residences seem to be sleeping in the sunlight. You can see them from a distance, the white houses, scattered from the top to the bottom of the mountains, dotting the dark greenery with specks like snow. Those near the water have gates opening on the wide promenade which is washed by the quiet waves. The air is soft and balmy. It is one of those warm winter days when there is scarcely a breath of cool air. Above the walls of the gardens may be seen orange trees and lemon trees full of golden fruit. Ladies are walking slowly across the sand of the avenue, followed by children rolling hoops, or chatting with gentlemen. A young woman has just passed out through the door of her coquettish little house facing La Croisette. She stops for a moment to gaze at the promenaders, smiles, and with an exhausted air makes her way toward an empty bench facing the sea. Fatigued after having gone twenty paces, she sits down out of breath. Her pale face seems that of a dead woman. She coughs, and raises to her lips her transparent fingers as if to stop those paroxysms that exhaust her. She gazes at the sky full of sunshine and swallows, at the zigzag summits of the Esterel over yonder, and at the sea, the blue, calm, beautiful sea, close beside her. She smiles again, and murmurs: “Oh! how happy I am!” She knows, however, that she is going to die, that she will never see the springtime, that in a year, along the same promenade, these same people who pass before her now will come again to breathe the warm air of this charming spot, with their children a little bigger, with their hearts all filled with hopes, with tenderness, with happiness, while at the bottom of an oak coffin, the poor flesh which is still left to her to-day will have decomposed, leaving only her bones lying in the silk robe which she has selected for a shroud. She will be no more. Everything in life will go on as before for others. For her, life will be over, over forever. She will be no more. She smiles, and inhales as well as she can, with her diseased lungs, the perfumed air of the gardens. And she sinks into a reverie. She recalls the past. She had been married, four years ago, to a Norman gentleman. He was a strong young man, bearded, healthy-looking, with wide shoulders, narrow mind, and joyous disposition. They had been united through financial motives which she knew nothing about. She would willingly have said No. She said Yes, with a movement of the head, in order not to thwart her father and mother. She was a Parisian, gay, and full of the joy of living. Her husband brought her home to his Norman chateau. It was a huge stone building surrounded by tall trees of great age. A high clump of pine trees shut out the view in front. On the right, an opening in the trees presented a view of the plain, which stretched out in an unbroken level as far as the distant, farmsteads. A cross-road passed before the gate and led to the high road three kilometres away. Oh! she recalls everything, her arrival, her first day in her new abode, and her isolated life afterward. When she stepped out of the carriage, she glanced at the old building, and laughingly exclaimed: “It does not look cheerful!” Her husband began to laugh in his turn, and replied: “Pooh! we get used to it! You'll see. I never feel bored in it, for my part.” That day they passed their time in embracing each other, and she did not find it too long. This lasted fully a month. The days passed one after the other in insignificant yet absorbing occupations. She learned the value and the importance of the little things of life. She knew that people can interest themselves in the price of eggs, which cost a few centimes more or less according to the seasons. It was summer. She went to the fields to see the men harvesting. The brightness of the sunshine found an echo in her heart. The autumn came. Her husband went out shooting. He started in the morning with his two dogs Medor and Mirza. She remained alone, without grieving, moreover, at Henry's absence. She was very fond of him, but she did not miss him. When he returned home, her affection was especially bestowed on the dogs. She took care of them every evening with a mother's tenderness, caressed them incessantly, gave them a thousand charming little names which she had no idea of applying to her husband. He invariably told her all about his sport. He described the places where he found partridges, expressed his astonishment at not having caught any hares in Joseph Ledentu's clover, or else appeared indignant at the conduct of M. Lechapelier, of Havre, who always went along the edge of his property to shoot the game that he, Henry de Parville, had started. She replied: “Yes, indeed! it is not right,” thinking of something else all the while. The winter came, the Norman winter, cold and rainy. The endless floods of rain came down on the slates of the great gabled roof, rising like a knife blade toward the sky. The roads seemed like rivers of mud, the country a plain of mud, and no sound could be heard save that of water falling; no movement could be seen save the whirling flight of crows that settled down like a cloud on a field and then hurried off again. About four o'clock, the army of dark, flying creatures came and perched in the tall beeches at the left of the chateau, emitting deafening cries. During nearly an hour, they flew from tree top to tree top, seemed to be fighting, croaked, and made a black disturbance in the gray branches. She gazed at them each evening with a weight at her heart, so deeply was she impressed by the lugubrious melancholy of the darkness falling on the deserted country. Then she rang for the lamp, and drew near the fire. She burned heaps of wood without succeeding in warming the spacious apartments reeking with humidity. She was cold all day long, everywhere, in the drawing-room, at meals, in her own apartment. It seemed to her she was cold to the marrow of her bones. Her husband only came in to dinner; he was always out shooting, or else he was superintending sowing the seed, tilling the soil, and all the work of the country. He would come back jovial, and covered with mud, rubbing his hands as he exclaimed: “What wretched weather!” Or else: “A fire looks comfortable!” Or sometimes: “Well, how are you to-day? Are you in good spirits?” He was happy, in good health, without desires, thinking of nothing save this simple, healthy, and quiet life.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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