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"The First Snowfall" is a poignant short story by Guy de Maupassant that captures the emotional depth and complexity of human relationships through the lens of a winter's first snowfall. The narrative follows the protagonist, who reflects on themes of love, loss, and memory as he encounters a woman mourning her deceased son during a picturesque yet somber snowfall. Through Maupassant's evocative prose, the story explores how nature can evoke deep feelings and memories, ultimately revealing the fragility of life and the enduring nature of grief. The tale encapsulates the beauty and sorrow intertwined in human experience.

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Submitted by davidb on February 02, 2025


								
About December, when the snow had come, she suffered so much from the icy-cold air of the chateau which seemed to have become chilled in passing through the centuries just as human beings become chilled with years, that she asked her husband one evening: “Look here, Henry! You ought to have a furnace put into the house; it would dry the walls. I assure you that I cannot keep warm from morning till night.” At first he was stunned at this extravagant idea of introducing a furnace into his manor-house. It would have seemed more natural to him to have his dogs fed out of silver dishes. He gave a tremendous laugh from the bottom of his chest as he exclaimed: “A furnace here! A furnace here! Ha! ha! ha! what a good joke!” She persisted: “I assure you, dear, I feel frozen; you don't feel it because you are always moving about; but all the same, I feel frozen.” He replied, still laughing: “Pooh! you'll get used to it, and besides it is excellent for the health. You will only be all the better for it. We are not Parisians, damn it! to live in hot-houses. And, besides, the spring is quite near.” About the beginning of January, a great misfortune befell her. Her father and mother died in a carriage accident. She came to Paris for the funeral. And her sorrow took entire possession of her mind for about six months. The mildness of the beautiful summer days finally roused her, and she lived along in a state of sad languor until autumn. When the cold weather returned, she was brought face to face, for the first time, with the gloomy future. What was she to do? Nothing. What was going to happen to her henceforth? Nothing. What expectation, what hope, could revive her heart? None. A doctor who was consulted declared that she would never have children. Sharper, more penetrating still than the year before, the cold made her suffer continually. She stretched out her shivering hands to the big flames. The glaring fire burned her face; but icy whiffs seemed to glide down her back and to penetrate between her skin and her underclothing. And she shivered from head to foot. Innumerable draughts of air appeared to have taken up their abode in the apartment, living, crafty currents of air as cruel as enemies. She encountered them at every moment; they blew on her incessantly their perfidious and frozen hatred, now on her face, now on her hands, and now on her back. Once more she spoke of a furnace; but her husband listened to her request as if she were asking for the moon. The introduction of such an apparatus at Parville appeared to him as impossible as the discovery of the Philosopher's Stone. Having been at Rouen on business one day, he brought back to his wife a dainty foot warmer made of copper, which he laughingly called a “portable furnace”; and he considered that this would prevent her henceforth from ever being cold. Toward the end of December she understood that she could not always live like this, and she said timidly one evening at dinner: “Listen, dear! Are we not going to spend a week or two in Paris before spring:” He was stupefied. “In Paris? In Paris? But what are we to do there? Ah! no by Jove! We are better off here. What odd ideas come into your head sometimes.” She faltered: “It might distract us a little.” He did not understand. “What is it you want to distract you? Theatres, evening parties, dinners in town? You knew, however, when you came here, that you ought not to expect any distractions of this kind!” She saw a reproach in these words, and in the tone in which they were uttered. She relapsed into silence. She was timid and gentle, without resisting power and without strength of will. In January the cold weather returned with violence. Then the snow covered the earth. One evening, as she watched the great black cloud of crows dispersing among the trees, she began to weep, in spite of herself. Her husband came in. He asked in great surprise: “What is the matter with you?” He was happy, quite happy, never having dreamed of another life or other pleasures. He had been born and had grown up in this melancholy district. He felt contented in his own house, at ease in body and mind. He did not understand that one might desire incidents, have a longing for changing pleasures; he did not understand that it does not seem natural to certain beings to remain in the same place during the four seasons; he seemed not to know that spring, summer, autumn, and winter have, for multitudes of persons, fresh amusements in new places. She could say nothing in reply, and she quickly dried her eyes. At last she murmured in a despairing tone: “I am—I—I am a little sad—I am a little bored.” But she was terrified at having even said so much, and added very quickly: “And, besides—I am—I am a little cold.” This last plea made him angry. “Ah! yes, still your idea of the furnace. But look here, deuce take it! you have not had one cold since you came here.” Night came on. She went up to her room, for she had insisted on having a separate apartment. She went to bed. Even in bed she felt cold. She thought: “It will be always like this, always, until I die.” And she thought of her husband. How could he have said: “You—have not had one cold since you came here”? She would have to be ill, to cough before he could understand what she suffered! And she was filled with indignation, the angry indignation of a weak, timid being. She must cough. Then, perhaps, he would take pity on her. Well, she would cough; he should hear her coughing; the doctor should be called in; he should see, her husband, he should see. She got out of bed, her legs and her feet bare, and a childish idea made her smile: “I want a furnace, and I must have it. I shall cough so much that he'll have to put one in the house.” And she sat down in a chair in her nightdress. She waited an hour, two hours. She shivered, but she did not catch cold. Then she resolved on a bold expedient. She noiselessly left her room, descended the stairs, and opened the gate into the garden. The earth, covered with snows seemed dead. She abruptly thrust forward her bare foot, and plunged it into the icy, fleecy snow. A sensation of cold, painful as a wound, mounted to her heart. However, she stretched out the other leg, and began to descend the steps slowly. Then she advanced through the grass saying to herself: “I'll go as far as the pine trees.” She walked with quick steps, out of breath, gasping every time she plunged her foot into the snow. She touched the first pine tree with her hand, as if to assure herself that she had carried out her plan to the end; then she went back into the house. She thought two or three times that she was going to fall, so numbed and weak did she feel. Before going in, however, she sat down in that icy fleece, and even took up several handfuls to rub on her chest. Then she went in and got into bed. It seemed to her at the end of an hour that she had a swarm of ants in her throat, and that other ants were running all over her limbs. She slept, however.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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