Queen Hortense

"Queen Hortense" is a novel by Guy de Maupassant that delves into the life of Hortense Schneider, a celebrated actress of the Second Empire in France. The story captures the complexities of her character—a blend of ambition, beauty, and vulnerability—as she navigates the intricate social and political landscapes of her time. Through a rich tapestry of relationships and personal struggles, Maupassant explores themes of love, fame, and the pursuit of happiness, ultimately revealing the challenges faced by a woman in a male-dominated world. The novel reflects Maupassant's keen observations of human nature and societal norms, showcasing his signature style of blending realism with poignant character studies.

• Short story

								
In Argenteuil she was called Queen Hortense. No one knew why. Perhaps it was because she had a commanding tone of voice; perhaps because she was tall, bony, imperious; perhaps because she governed a kingdom of servants, chickens, dogs, cats, canaries, parrots, all so dear to an old maid's heart. But she did not spoil these familiar friends; she had for them none of those endearing names, none of the foolish tenderness which women seem to lavish on the soft fur of a purring cat. She governed these beasts with authority; she reigned.

She was indeed an old maid—one of those old maids with a harsh voice and angular motions, whose very soul seems to be hard. She never would stand contradiction, argument, hesitation, indifference, laziness nor fatigue. She had never been heard to complain, to regret anything, to envy anyone. She would say: “Everyone has his share,” with the conviction of a fatalist. She did not go to church, she had no use for priests, she hardly believed in God, calling all religious things “weeper's wares.”

For thirty years she had lived in her little house, with its tiny garden running along the street; she had never changed her habits, only changing her servants pitilessly, as soon as they reached twenty-one years of age.

When her dogs, cats and birds would die of old age, or from an accident, she would replace them without tears and without regret; with a little spade she would bury the dead animal in a strip of ground, throwing a few shovelfuls of earth over it and stamping it down with her feet in an indifferent manner.

She had a few friends in town, families of clerks who went to Paris every day. Once in a while she would be invited out, in the evening, to tea. She would inevitably fall asleep, and she would have to be awakened, when it was time for her to go home. She never allowed anyone to accompany her, fearing neither light nor darkness. She did not appear to like children.

She kept herself busy doing countless masculine tasks—carpentering, gardening, sawing or chopping wood, even laying bricks when it was necessary.

She had relatives who came to see her twice a year, the Cimmes and the Colombels, her two sisters having married, one of them a florist and the other a retired merchant. The Cimmes had no children; the Colombels had three: Henri, Pauline and Joseph. Henri was twenty, Pauline seventeen and Joseph only three.

There was no love lost between the old maid and her relatives.

In the spring of the year 1882 Queen Hortense suddenly fell sick. The neighbors called in a physician, whom she immediately drove out. A priest then having presented himself, she jumped out of bed, in order to throw him out of the house.

The young servant, in despair, was brewing her some tea.

After lying in bed for three days the situation appeared so serious that the barrel-maker, who lived next door, to the right, acting on advice from the doctor, who had forcibly returned to the house, took it upon himself to call together the two families.

They arrived by the same train, towards ten in the morning, the Colombels bringing little Joseph with them.

When they got to the garden gate, they saw the servant seated in the chair against the wall, crying.

The dog was sleeping on the door mat in the broiling sun; two cats, which looked as though they might be dead, were stretched out in front of the two windows, their eyes closed, their paws and tails stretched out at full length.

A big clucking hen was parading through the garden with a whole regiment of yellow, downy chicks, and a big cage hanging from the wall and covered with pimpernel, contained a population of birds which were chirping away in the warmth of this beautiful spring morning.

In another cage, shaped like a chalet, two lovebirds sat motionless side by side on their perch.

M. Cimme, a fat, puffing person, who always entered first everywhere, pushing aside everyone else, whether man or woman, when it was necessary, asked:

“Well, Celeste, aren't things going well?”

The little servant moaned through her tears:

“She doesn't even recognize me any more. The doctor says it's the end.”

Everybody looked around.

Mme. Cimme and Mme. Colombel immediately embraced each other, without saying a word. They looked very much alike, having always worn their hair in Madonna bands, and loud red French cashmere shawls.

Cimme turned to his brother-in-law, a pale, sallow-complexioned, thin man, wasted by stomach complaints, who limped badly, and said in a serious tone of voice:

“Gad! It was high time.”

But no one dared to enter the dying woman's room on the ground floor. Even Cimme made way for the others. Colombel was the first to make up his mind, and, swaying from side to side like the mast of a ship, the iron ferule of his cane clattering on the paved hall, he entered.

The two women were the next to venture, and M. Cimmes closed the procession.

Little Joseph had remained outside, pleased at the sight of the dog.

A ray of sunlight seemed to cut the bed in two, shining just on the hands, which were moving nervously, continually opening and closing. The fingers were twitching as though moved by some thought, as though trying to point out a meaning or idea, as though obeying the dictates of a will. The rest of the body lay motionless under the sheets. The angular frame showed not a single movement. The eyes remained closed.

The family spread out in a semi-circle and, without a word, they began to watch the contracted chest and the short, gasping breathing. The little servant had followed them and was still crying.

At last Cimme asked:

“Exactly what did the doctor say?”

The girl stammered:

“He said to leave her alone, that nothing more could be done for her.”

But suddenly the old woman's lips began to move. She seemed to be uttering silent words, words hidden in the brain of this dying being, and her hands quickened their peculiar movements.

Then she began to speak in a thin, high voice, which no one had ever heard, a voice which seemed to come from the distance, perhaps from the depths of this heart which had always been closed.

Cimme, finding this scene painful, walked away on tiptoe. Colombel, whose crippled leg was growing tired, sat down.

The two women remained standing.

Queen Hortense was now babbling away, and no one could understand a word. She was pronouncing names, many names, tenderly calling imaginary people.

“Come here, Philippe, kiss your mother. Tell me, child, do you love your mamma? You, Rose, take care of your little sister while I am away. And don't leave her alone. Don't play with matches!”

She stopped for a while, then, in a louder voice, as though she were calling someone: “Henriette!” then waited a moment and continued:

“Tell your father that I wish to speak to him before he goes to business.” And suddenly: “I am not feeling very well to-day, darling; promise not to come home late. Tell your employer that I am sick. You know, it isn't safe to leave the children alone when I am in bed. For dinner I will fix you up a nice dish of rice. The little ones like that very much. Won't Claire be happy?”

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