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"Queen Hortense" is a novel by Guy de Maupassant that delves into the life of Hortense Schneider, a celebrated actress of the Second Empire in France. The story captures the complexities of her character—a blend of ambition, beauty, and vulnerability—as she navigates the intricate social and political landscapes of her time. Through a rich tapestry of relationships and personal struggles, Maupassant explores themes of love, fame, and the pursuit of happiness, ultimately revealing the challenges faced by a woman in a male-dominated world. The novel reflects Maupassant's keen observations of human nature and societal norms, showcasing his signature style of blending realism with poignant character studies.


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Submitted by davidb on February 03, 2025


								
And she broke into a happy, joyous laugh, such as they had never heard: “Look at Jean, how funny he looks! He has smeared jam all over his face, the little pig! Look, sweetheart, look; isn't he funny?” Colombel, who was continually lifting his tired leg from place to place, muttered: “She is dreaming that she has children and a husband; it is the beginning of the death agony.” The two sisters had not yet moved, surprised, astounded. The little maid exclaimed: “You must take off your shawls and your hats! Would you like to go into the parlor?” They went out without having said a word. And Colombel followed them, limping, once more leaving the dying woman alone. When they were relieved of their travelling garments, the women finally sat down. Then one of the cats left its window, stretched, jumped into the room and on to Mme. Cimme's knees. She began to pet it. In the next room could be heard the voice of the dying woman, living, in this last hour, the life for which she had doubtless hoped, living her dreams themselves just when all was over for her. Cimme, in the garden, was playing with little Joseph and the dog, enjoying himself in the whole hearted manner of a countryman, having completely forgotten the dying woman. But suddenly he entered the house and said to the girl: “I say, my girl, are we not going to have luncheon? What do you ladies wish to eat?” They finally agreed on an omelet, a piece of steak with new potatoes, cheese and coffee. As Mme. Colombel was fumbling in her pocket for her purse, Cimme stopped her, and, turning to the maid: “Have you got any money?” She answered: “Yes, monsieur.” “How much?” “Fifteen francs.” “That's enough. Hustle, my girl, because I am beginning to get very hungry:” Mme. Cimme, looking out over the climbing vines bathed in sunlight, and at the two turtle-doves on the roof opposite, said in an annoyed tone of voice: “What a pity to have had to come for such a sad occasion. It is so nice in the country to-day.” Her sister sighed without answering, and Colombel mumbled, thinking perhaps of the walk ahead of him: “My leg certainly is bothering me to-day:” Little Joseph and the dog were making a terrible noise; one was shrieking with pleasure, the other was barking wildly. They were playing hide-and-seek around the three flower beds, running after each other like mad. The dying woman continued to call her children, talking with each one, imagining that she was dressing them, fondling them, teaching them how to read: “Come on! Simon repeat: A, B, C, D. You are not paying attention, listen—D, D, D; do you hear me? Now repeat—” Cimme exclaimed: “Funny what people say when in that condition.” Mme. Colombel then asked: “Wouldn't it be better if we were to return to her?” But Cimme dissuaded her from the idea: “What's the use? You can't change anything. We are just as comfortable here.” Nobody insisted. Mme. Cimme observed the two green birds called love-birds. In a few words she praised this singular faithfulness and blamed the men for not imitating these animals. Cimme began to laugh, looked at his wife and hummed in a teasing way: “Tra-la-la, tra-la-la” as though to cast a good deal of doubt on his own, Cimme's, faithfulness: Colombel was suffering from cramps and was rapping the floor with his cane. The other cat, its tail pointing upright to the sky, now came in. They sat down to luncheon at one o'clock. As soon as he had tasted the wine, Colombel, for whom only the best of Bordeaux had been prescribed, called the servant back: “I say, my girl, is this the best stuff that you have in the cellar?” “No, monsieur; there is some better wine, which was only brought out when you came.” “Well, bring us three bottles of it.” They tasted the wine and found it excellent, not because it was of a remarkable vintage, but because it had been in the cellar fifteen years. Cimme declared: “That is regular invalid's wine.” Colombel, filled with an ardent desire to gain possession of this Bordeaux, once more questioned the girl: “How much of it is left?” “Oh! Almost all, monsieur; mamz'elle never touched it. It's in the bottom stack.” Then he turned to his brother-in-law: “If you wish, Cimme, I would be willing to exchange something else for this wine; it suits my stomach marvellously.” The chicken had now appeared with its regiment of young ones. The two women were enjoying themselves throwing crumbs to them. Joseph and the dog, who had eaten enough, were sent back to the garden. Queen Hortense was still talking, but in a low, hushed voice, so that the words could no longer be distinguished. When they had finished their coffee all went in to observe the condition of the sick woman. She seemed calm. They went outside again and seated themselves in a circle in the garden, in order to complete their digestion. Suddenly the dog, who was carrying something in his mouth, began to run around the chairs at full speed. The child was chasing him wildly. Both disappeared into the house. Cimme fell asleep, his well-rounded paunch bathed in the glow of the shining sun. The dying woman once more began to talk in a loud voice. Then suddenly she shrieked. The two women and Colombel rushed in to see what was the matter. Cimme, waking up, did not budge, because, he did not wish to witness such a scene. She was sitting up, with haggard eyes. Her dog, in order to escape being pursued by little Joseph, had jumped up on the bed, run over the sick woman, and entrenched behind the pillow, was looking down at his playmate with snapping eyes, ready to jump down and begin the game again. He was holding in his mouth one of his mistress' slippers, which he had torn to pieces and with which he had been playing for the last hour. The child, frightened by this woman who had suddenly risen in front of him, stood motionless before the bed. The hen had also come in, and frightened by the noise, had jumped up on a chair and was wildly calling her chicks, who were chirping distractedly around the four legs of the chair. Queen Hortense was shrieking: “No, no, I don't want to die, I don't want to! I don't want to! Who will bring up my children? Who will take care of them? Who will love them? No, I don't want to!—I don't——” She fell back. All was over. The dog, wild with excitement, jumped about the room, barking. Colombel ran to the window, calling his brother-in-law: “Hurry up, hurry up! I think that she has just gone.” Then Cimme, resigned, arose and entered the room, mumbling “It didn't take as long as I thought it would!”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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