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"Mechanical Justice" is a thought-provoking novel by Aleksandr Kuprin that explores the intersection of morality, law, and human emotion in a rapidly industrializing society. Set against the backdrop of early 20th-century Russia, the story follows a courtroom drama that examines the implications of mechanized justice versus true moral understanding. Through compelling characters and intricate plot developments, Kuprin delves into themes of corruption, the failings of the legal system, and the quest for personal redemption, ultimately questioning what constitutes justice in an increasingly mechanized world. The novel serves as both a critique of societal norms and a poignant reflection on the human condition.


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Submitted by davidb on February 02, 2025


								
increase or diminish the celerity, until that moment when justice has been accomplished. It would be physically impossible, not having the key. "Officer! Bring in the mannikin! "Will the esteemed audience kindly indicate the number of the strokes.... Just a number, please ... three figures if you wish, but not more than 350. Please...." "Five hundred," shouted the governor of the fortress. "Reff," barked the dog under his chair. "Five hundred is too many," gently objected the lecturer, "but to go as far as we can towards meeting his Excellency's wish let us say 350. We throw into the urn all the coupons." Whilst he was speaking, the attendant brought in under his arm a monstrous-looking leathern mannikin, and stood it on the floor, holding it up from behind. There was something suggestive and ridiculous in the crooked legs, outstretched arms, and forward-hanging head of this leathern dummy. Standing on the platform of the machine, the lecturer continued: "Ladies and gentlemen, one last word. I do not doubt that my mechanical self-flogger will be most widely used. Slowly but surely it will find its way into all schools, colleges and seminaries. It will be introduced in the army and navy, in the village, in military and civil prisons, in police stations and for fire-brigades, and in all truly Russian families. "The coupons are inevitably replaced by coins, and in that way not only is the cost of the machine redeemed, but a fund is commenced which can be used for charitable and educative ends. Our eternal financial troubles will pass, for, by the aid of this machine, the peasant will be forced to pay his taxes. Sin will disappear, crime, laziness, slovenliness, and in their stead will flourish industry, temperance, sobriety and thrift. "It is difficult to probe further the possible future of this machine. Did Gutenberg foresee the contribution which book-printing was going to make to the history of human progress when he made his first naïve wooden printing-press? But I am, however, far from airing a foolish self-conceit in your eyes, ladies and gentlemen. The bare idea belongs to me. In the practical details of the invention I have received most material help from Mr. N----, the teacher of physics in the Fourth Secondary School of this town, and from Mr. X----, the well-known engineer. I take the opportunity of acknowledging my indebtedness." The hall thundered with applause. Two men in the front of the stalls stood up timidly and awkwardly, and bowed to the public. "For me personally," continued the lecturer, "there has been the greatest satisfaction to consider the good I was doing my beloved fatherland. Here, ladies and gentlemen, is a token which I have lately received from the governor and nobility of Kursk--with the motto: Similia similibus." He detached from its chain and held aloft an immense antique chronometer, about half a pound in weight. From the watch dangled also a massive gold medal. "I have finished, ladies and gentlemen," added the lecturer in a low and solemn voice, bowing as he spoke. But the applause had not died down before there happened something incredible, appalling. The chronometer suddenly slipped from the raised hand of the pedagogue, and fell with a metallic clash right into the urn. At once the machine began to hum and click. The platform inverted, and the lecturer was suddenly hoist with his own petard. His coat-tails waved in the air; there was a sudden thwack and a wild cry. 2901, indicated the mechanical reckoner. It is difficult to describe rapidly and definitely what happened in the meeting. For a few seconds everyone was turned to stone. In the general silence sounded only the cries of the victim, the whistling of the rods, and the clicking of the counting machine. Then suddenly everyone rushed up on to the stage. "For the love of the Lord!" cried the unfortunate man, "for the love of the Lord!" But it was impossible to help him. The valorous physics teacher put out a hand to catch one of the rods as they came, but drew it back at once, and the blood on his fingers was visible to all. No efforts could raise the cross-beam. "The key! Quick, the key!" cried the pedagogue. "In my trouser pocket." The devoted attendant dashed in to search his pockets, with difficulty avoiding blows from the machine. But the key was not to be found. 2950, 2951, 2952, 2953, clicked the counting machine. "Oh, your honour!" cried the attendant through his tears. "Let me take your trousers off. They are quite new, and they will be ruined.... Ladies can turn the other way." "Go to blazes, idiot! Oey, o, O!... Gentlemen, for God's sake!... Oey, oey!... I forgot.... The keys are in my overcoat.... Oey! Quickly!" They ran to the ante-room for his overcoat. But neither was there any key there. Evidently the inventor had left it at home. Someone was sent to fetch it. A gentleman present offered his carriage. And the sharp blows registered themselves every second with mathematical precision; the pedagogue shouted; the counting machine went indifferently on. 3180, 3181, 3182.... One of the garrison lieutenants drew his sword and began to hack at the apparatus, but after the fifth blow there remained only the hilt, and a jumping splinter hit the president of the Zemstvo. Most dreadful of all was the fact that it was impossible to guess to what point the flogging would go on. The chronometer was proving itself weighty. The man sent for the key still did not return, and the counter, having long since passed the figure previously indicated by the inventor, went on placidly. 3999, 4000, 4001. The pedagogue jumped no longer. He just lay with gaping mouth and protruding eyes, and only twitched convulsively. At last, the governor of the fortress, boiling with indignation, roared out to the accompaniment of the barking of his dog: "Madness! Debauch! Unheard of! Order up the fire-brigade!" This idea was the wisest. The governor of the town was an enthusiast for the fire-brigade, and had smartened the firemen to a rare pitch. In less than five minutes, and at that moment when the indicator showed stroke No. 4550, the brave young fellows of the fire-brigade broke on the scene with choppers and hooks. The magnificent mechanical self-flogger was destroyed for ever and ever. With the machine perished also the idea. As regards the inventor, it should be said that, after a considerable time of feeling sore in a corporal way and of nervous weakness, he returned to his occupation. But the fatal occasion completely changed his character. He became for the rest of his life a calm, sweet, melancholy man, and though he taught Latin and Greek he was a favourite with the schoolboys. He has never returned to his invention.
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Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

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