Mechanical Justice book cover

Mechanical Justice

"Mechanical Justice" is a thought-provoking novel by Aleksandr Kuprin that explores the intersection of morality, law, and human emotion in a rapidly industrializing society. Set against the backdrop of early 20th-century Russia, the story follows a courtroom drama that examines the implications of mechanized justice versus true moral understanding. Through compelling characters and intricate plot developments, Kuprin delves into themes of corruption, the failings of the legal system, and the quest for personal redemption, ultimately questioning what constitutes justice in an increasingly mechanized world. The novel serves as both a critique of societal norms and a poignant reflection on the human condition.


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Submitted by davidb on February 02, 2025


								
The large hall of the principal club of one of our provincial towns was packed with people. Every box, every seat in pit and stalls was taken, and in spite of the excitement the public was so attentive and quiet that, when the lecturer stopped to take a mouthful of water, everyone could hear a solitary belated fly buzzing at one of the windows. Amongst the bright dresses of the ladies, white and pink and blue, amongst their bare shoulders and gentle faces shone smart uniforms, dress coats, and golden epaulettes in plenty. The lecturer, who was clad in the uniform of the Department of Education--a tall man whose yellow face seemed to be made up of a black beard only and glimmering black spectacles--stood at the front of the platform resting his hand on a table. But the attentive eyes of the audience were directed, not so much on him as on a strange, high, massive-looking contrivance which stood beside him, a grey pyramid covered with canvas, broad at its base, pointed at the top. Having quenched his thirst, the lecturer went on: "Let me briefly sum up. What do we see, ladies and gentlemen? We see that the encouraging system of marks, prizes, distinctions, leads to jealousy, pride and dissatisfaction. Pedagogic suggestion fails at last through repetition. Standing culprits in the corner, on the form, under the clock, making them kneel, is often quite ineffectual as an example, and the victim is sometimes the object of mirth. Shutting in a cell is positively harmful, quite apart from the fact that it uses up the pupil's time without profit. Forced work, on the other hand, robs the work of its true value. Punishment by hunger affects the brain injuriously. The stopping of holidays causes malice in the mind of pupils, and often evokes the dissatisfaction of parents. What remains? Expulsion of the dull or mischievous child from the school--as advised in Holy Writ--the cutting off of the offending member lest, through him, the whole body of the school be infected. Yes, alas! such a measure is, I admit, inevitable on certain occasions now, as inevitable as is capital punishment, I regret to say, even in the best of states. But before resorting to this last irreparable means, let us see what else there may be...." "And flogging!" cried a deep bass voice from the front row of the stalls. It was the governor of the town fortress, a deaf old man, under whose chair a pug-dog growled angrily and hoarsely. The governor was a familiar figure about town with his stick, ear trumpet, and old panting pug-dog. The lecturer bowed, showing his teeth pleasantly. "I did not intend to express myself as shortly and precisely, but in essence his Excellency has guessed my thought. Yes, ladies and gentlemen, there is one good old Russian method of which we have not yet spoken--corporal punishment. Yes, corporal punishment is part and parcel of the very soul of the great Russian people, of its mighty national sense, its patriotism and deep faith in Providence. Even the apostle said: 'Whom the Lord loveth He chasteneth.' The unforgotten monument of mediaeval culture--Domostroi--enjoins the same with paternal firmness. Let us call to mind our inspired Tsar-educator, Peter the Great, with his famous cudgel. Let us call to mind the speech of our immortal Pushkin: "'Our fathers, the further back you go, The more the cudgels they used up.' "Finally, let us call to mind our wonderful Gogol, who put into the mouth of a simple, unlearned serving-man the words: 'The peasant must be beaten, for the peasant is being spoiled.' Yes, ladies and gentlemen, I boldly affirm that punishment with rods upon the body goes like a red thread throughout the whole immense course of Russian history, and takes its rise from the very depths of primitive Russian life. "Thus delving in thought into the past, ladies and gentlemen, I appear a conservative, yet I go forward with outstretched hands to meet the most liberal of humanitarians. I freely allow, loudly confess, that corporal punishment, in the way in which it has been practised until now, has much in it that is insulting for the person being chastised as well as humiliating for the person chastising. The personal confrontment of the two men inevitably awakens hate, fear, irritation, revengefulness, contempt, and what is more, a competitive stubbornness in the repetition of crime and punishment. So you no doubt imagine that I renounce corporal punishment. Yes, I do renounce it, though only to introduce it anew, replacing man by a machine. After the labours, thoughts and experiments of many years, I have at last worked out a scheme of mechanical justice, and have realised it in a machine. Whether I have been successful or not I shall in a minute leave this most respected audience to judge." The lecturer nodded towards the wings of the stage. A fine-looking attendant came forward and took off the canvas cover from the strange object standing at the footlights. To the eyes of those present, the bright gleaming machine was rather like an automatic weighing-machine, though it was obviously more complex and was much larger. There was a murmur of astonishment among the audience in the hall. The lecturer extended his hand, and pointed to the apparatus. "There is my offspring," said he in an agitated voice. "There is an apparatus which may fairly be called the instrument of mechanical justice. The construction is uncommonly simple, and in price it would be within the reach of even a modest village school. Pray consider its construction. In the first place you remark the horizontal platform on springs, and the wooden platform leading to it. On the platform is placed a narrow chair, the back of which has also a powerful spring and is covered with soft leather. Under the chair, as you see, is a system of crescent-shaped levers turning on a hinge. Proportionately with the pressure on the springs of the chair and platform these levers, departing from their equipoise, describe half circles, and close in pairs at a height of from five to eighteen vershoks[1] above the level of the chair--varying with the force of pressure. [1] A vershok is 1/16 of an arshin, i.e., 1¾ inches. "Behind the chair rises a vertical cast-iron pillar, with a cross bar. Within the pillar is contained a powerful mechanism resembling that of a watch, having a 160-lb. balance and a spiral spring. On the side of the column observe a little door, that is for cleaning or mending the mechanism. This door has only two keys, and I ask you to note, ladies and gentlemen, that these keys are kept, one by the chief district inspector of mechanical flogging machines, and the other by the head master of the school. So this apparatus, once brought into action, cannot be stopped until it has completed the punishment intended--except, of course, in the eventuality of its being forcibly broken, which is a hardly likely possibility seeing the simplicity and
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Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

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