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"Mechanical Justice" is a thought-provoking novel by Aleksandr Kuprin that explores the intersection of morality, law, and human emotion in a rapidly industrializing society. Set against the backdrop of early 20th-century Russia, the story follows a courtroom drama that examines the implications of mechanized justice versus true moral understanding. Through compelling characters and intricate plot developments, Kuprin delves into themes of corruption, the failings of the legal system, and the quest for personal redemption, ultimately questioning what constitutes justice in an increasingly mechanized world. The novel serves as both a critique of societal norms and a poignant reflection on the human condition.


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Submitted by davidb on February 02, 2025


								
solidity of every part of the machine. "The watch mechanism, once set going, communicates with a little horizontally-placed axle. The axle has eight sockets in which may be mounted eight long supple bamboo or metal rods. When worn out these can be replaced by new ones. It must be explained also that, by a regulation of the axle, the force of the strokes may be varied. "And so we see the axle in motion, and moving with it the eight rods. Each rod goes downward perfectly freely, but coming upward again it meets with an obstacle--the cross-beam--and meeting it, bends and is at tension from its point, bulges to a half-circle, and then, breaking free, deals the blow. Then, since the position of the cross-beam can be adjusted, raised or lowered, it will be evident that the tension of the bending rods can be increased or decreased, and the blow given with a greater or less degree of severity. In that way it has been possible to make a scale of severity of punishment from 0 degrees to 24 degrees. No. 0 is when the cross-beam is at its highest point, and is only employed when the punishment bears a merely nominal, or shall I say, symbolical, character. By the time we come to No. 6, a certain amount of pain has become noticeable. We indicate a maximum for use in elementary schools, that would be up to No. 10; in secondary schools up to 15. For soldiers, village prisons, and students, the limit is set at 20 degrees, and, finally, for houses of correction and workmen on strike, the maximum figure, namely, 24. "There, ladies and gentlemen, is the substance of my invention. There remain the details. That handle at the side, like the handle of a barrel organ, serves to wind up the spiral spring of the mechanism. The arrow here in this slot regulates the celerity of the strokes. At the height of the pillar, in a little glass case, is a mechanical meter or indicator. This enables one to check the accuracy of the working of the machine, and is also useful for statistical and revisionary purposes. In view of this latter purpose, the indicator is constructed to show a maximum total of 60,000 strokes. Finally, ladies and gentlemen, please to observe something in the nature of an urn at the foot of the pillar. Into this are thrown metal coupons with numbers on them, and this momentarily sets the whole machine in action. The coupons are of various weights and sizes. The smallest is about the size of a silver penny,[1] and effects the minimum punishment--five strokes. The largest is about the size of a hundred-copeck bit--a rouble--and effects a punishment of just one hundred strokes. By using various combinations of metal coupons you can effect a punishment of any number of strokes in a multiple of five, from five to three hundred and fifty. But"--and here the lecturer smiled modestly--"but we should not consider that we had completely solved our problem if it were necessary to stop at that limited figure. [1] Five copecks silver--the smallest silver coin in Russia. "I will ask you, ladies and gentlemen, to note the figure at which the indicator at present stands, and that which it reaches after the punishment has been effected. What is more, the respected public will observe that, up to the moment when the coupons are thrown into the urn, there is no danger whatever in standing on the platform. "And so ... the indicator shows 2900. Consequently, having thrown in all the coupons, the pointer will show, at the end of the execution ... 3250.... I fancy I make no mistake! "And it will be quite sufficient to throw into the urn anything round, of whatever size, and the machine will go on to infinity, if you will, or, if not to infinity, to 780 or 800, at which point the spring would have run down and the machine need re-winding. What I had in view in using these small coupons was that they might commonly be replaced by coins, and each mechanical self-flogger has a comparative table of the stroke values of copper, silver and gold money. Observe the table here at the side of the main pillar. "It seems I have finished.... There remain just a few particulars concerning the construction of the revolving platform, the swinging chair, and the crescent-shaped levers. But as it is a trifle complicated, I will ask the respected public to watch the machine in action, and I shall now have the honour to give a demonstration. "The whole procedure of punishment consists in the following. First of all, having thoroughly sifted and got to the bottom of the motives of the crime, we fix the extent of the punishment, that is, the number of strokes, the celerity with which they shall be given, and the force and, in some cases, the material of the rods. Then we send a note to the man in charge of the machine, or communicate with him by telephone. He puts the machine in readiness and then goes away. Observe, the man goes, the machine remains alone, the impartial, unwavering, calm and just machine. "In a minute I shall come to the experiment. Instead of a human offender we have, on this occasion, a leather mannikin. In order to show the machine at its best we will imagine that we have before us a criminal of the most stubborn type. 'Officer!'" cried the lecturer to someone behind the scenes. "'Prepare the machine, force 24, minimum celerity.'" In a tense silence the audience watched the attendant wind the handle, push down the cross-beam, turn round the celerity arrow, and then disappear behind the scenes again. "Now all is in order," the lecturer went on, "and the room in which the flogging machine stands is quite empty. There only remains to call up the man who is to be punished, explain to him the extent of his guilt and the degree of his punishment, and he himself--remark, ladies and gentlemen, himself!--takes from the box the corresponding coupon. Of course, it might be arranged that he, there and then, drops the coupon through a slot in the table and lets it fall into the urn; that is a mere detail. "From that moment the offender is entirely in the hands of the machine. He goes to the dressing-room, he opens the door, stands on the platform, throws the coupon or coupons into the urn, and ... done! The door shuts mechanically after him, and cannot be re-opened. He may stand a moment, hesitating, on the brink, but in the end he simply must throw the coupons in. For, ladies and gentlemen"--exclaimed the pedagogue with a triumphant laugh--"for the machine is so constructed that the longer he hesitates the greater becomes the punishment, the number of strokes increasing in a ratio of from five to thirty per minute according to the weight of the person hesitating.... However, once the offender is off, he is caught by the machine at three points, neck, waist and feet, and the chair holds him. All this is accomplished literally in one moment. The next moment sounds the first stroke, and nothing can stop the action of the machine, nor weaken the blows, nor
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Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

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