Madame Hermet

"Madame Hermet" is a short story by Guy de Maupassant that explores themes of love, desire, and societal constraints. The narrative revolves around Madame Hermet, a woman who experiences a profound transformation as she grapples with her emotions and the nature of her relationships. Maupassant’s keen observations of human behavior and social norms are evident as he delves into the complexities of passion and fidelity, ultimately revealing the intricacies of the human psyche. The story encapsulates Maupassant's masterful storytelling and his ability to evoke deep emotional resonance in a concise format.

• Short story

								
Crazy people attract me. They live in a mysterious land of weird dreams, in that impenetrable cloud of dementia where all that they have witnessed in their previous life, all they have loved, is reproduced for them in an imaginary existence, outside of all laws that govern the things of this life and control human thought.

For them there is no such thing as the impossible, nothing is improbable; fairyland is a constant quantity and the supernatural quite familiar. The old rampart, logic; the old wall, reason; the old main stay of thought, good sense, break down, fall and crumble before their imagination, set free and escaped into the limitless realm of fancy, and advancing with fabulous bounds, and nothing can check it. For them everything happens, and anything may happen. They make no effort to conquer events, to overcome resistance, to overturn obstacles. By a sudden caprice of their flighty imagination they become princes, emperors, or gods, are possessed of all the wealth of the world, all the delightful things of life, enjoy all pleasures, are always strong, always beautiful, always young, always beloved! They, alone, can be happy in this world; for, as far as they are concerned, reality does not exist. I love to look into their wandering intelligence as one leans over an abyss at the bottom of which seethes a foaming torrent whose source and destination are both unknown.

But it is in vain that we lean over these abysses, for we shall never discover the source nor the destination of this water. After all, it is only water, just like what is flowing in the sunlight, and we shall learn nothing by looking at it.

It is likewise of no use to ponder over the intelligence of crazy people, for their most weird notions are, in fact, only ideas that are already known, which appear strange simply because they are no longer under the restraint of reason. Their whimsical source surprises us because we do not see it bubbling up. Doubtless the dropping of a little stone into the current was sufficient to cause these ebullitions. Nevertheless crazy people attract me and I always return to them, drawn in spite of myself by this trivial mystery of dementia.

One day as I was visiting one of the asylums the physician who was my guide said:

“Come, I will show you an interesting case.”

And he opened the door of a cell where a woman of about forty, still handsome, was seated in a large armchair, looking persistently at her face in a little hand mirror.

As soon as she saw us she rose to her feet, ran to the other end of the room, picked up a veil that lay on a chair, wrapped it carefully round her face, then came back, nodding her head in reply to our greeting.

“Well,” said the doctor, “how are you this morning?”

She gave a deep sigh.

“Oh, ill, monsieur, very ill. The marks are increasing every day.”

He replied in a tone of conviction:

“Oh, no; oh, no; I assure you that you are mistaken.”

She drew near to him and murmured:

“No. I am certain of it. I counted ten pittings more this morning, three on the right cheek, four on the left cheek, and three on the forehead. It is frightful, frightful! I shall never dare to let any one see me, not even my son; no, not even him! I am lost, I am disfigured forever.”

She fell back in her armchair and began to sob.

The doctor took a chair, sat down beside her, and said soothingly in a gentle tone:

“Come, let me see; I assure you it is nothing. With a slight cauterization I will make it all disappear.”

She shook her head in denial, without speaking. He tried to touch her veil, but she seized it with both hands so violently that her fingers went through it.

He continued to reason with her and reassure her.

“Come, you know very well that I remove those horrid pits every time and that there is no trace of them after I have treated them. If you do not let me see them I cannot cure you.”

“I do not mind your seeing them,” she murmured, “but I do not know that gentleman who is with you.”

“He is a doctor also, who can give you better care than I can.”

She then allowed her face to be uncovered, but her dread, her emotion, her shame at being seen brought a rosy flush to her face and her neck, down to the collar of her dress. She cast down her eyes, turned her face aside, first to the right; then to the left, to avoid our gaze and stammered out:

“Oh, it is torture to me to let myself be seen like this! It is horrible, is it not? Is it not horrible?”

I looked at her in much surprise, for there was nothing on her face, not a mark, not a spot, not a sign of one, nor a scar.

She turned towards me, her eyes still lowered, and said:

“It was while taking care of my son that I caught this fearful disease, monsieur. I saved him, but I am disfigured. I sacrificed my beauty to him, to my poor child. However, I did my duty, my conscience is at rest. If I suffer it is known only to God.”

The doctor had drawn from his coat pocket a fine water-color paint brush.

“Let me attend to it,” he said, “I will put it all right.”

She held out her right cheek, and he began by touching it lightly with the brush here and there, as though he were putting little points of paint on it. He did the same with the left cheek, then with the chin, and the forehead, and then exclaimed:

“See, there is nothing there now, nothing at all!”

She took up the mirror, gazed at her reflection with profound, eager attention, with a strong mental effort to discover something, then she sighed:

“No. It hardly shows at all. I am infinitely obliged to you.”

The doctor had risen. He bowed to her, ushered me out and followed me, and, as soon as he had locked the door, said:

“Here is the history of this unhappy woman.”

Her name is Mme. Hermet. She was once very beautiful, a great coquette, very much beloved and very much in-love with life.

She was one of those women who have nothing but their beauty and their love of admiration to sustain, guide or comfort them in this life. The constant anxiety to retain her freshness, the care of her complexion, of her hands, her teeth, of every portion of body that was visible, occupied all her time and all her attention.

She became a widow, with one son. The boy was brought up as are all children of society beauties. She was, however, very fond of him.

He grew up, and she grew older. Whether she saw the fatal crisis approaching, I cannot say. Did she, like so many others, gaze for hours and hours at her skin, once so fine, so transparent and free from blemish, now beginning to shrivel slightly, to be crossed with a thousand little lines, as yet imperceptible, that will grow deeper day by day, month by month? Did she also see slowly, but surely, increasing traces of those long wrinkles on the forehead, those slender serpents that nothing can check? Did she suffer the torture, the abominable torture of the mirror, the little mirror with the silver handle which one cannot make up one’s mind to lay down on the table, but then throws down in disgust only to take it up again in order to look more closely, and still more closely at the hateful and insidious approaches of old age? Did she shut herself up ten times, twenty times a day, leaving her friends chatting in the drawing-room, and go up to her room where, under the protection of bolts and bars, she would again contemplate the work of time on her ripe beauty, now beginning to wither, and recognize with despair the gradual progress of the process which no one else had as yet seemed to perceive, but of which she, herself, was well aware. She knows where to seek the most serious, the gravest traces of age. And the mirror, the little round hand-glass in its carved silver frame, tells her horrible things; for it speaks, it seems to laugh, it jeers and tells her all that is going to occur, all the physical discomforts and the atrocious mental anguish she will suffer until the day of her death, which will be the day of her deliverance.

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