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"Madame Hermet" is a short story by Guy de Maupassant that explores themes of love, desire, and societal constraints. The narrative revolves around Madame Hermet, a woman who experiences a profound transformation as she grapples with her emotions and the nature of her relationships. Maupassant’s keen observations of human behavior and social norms are evident as he delves into the complexities of passion and fidelity, ultimately revealing the intricacies of the human psyche. The story encapsulates Maupassant's masterful storytelling and his ability to evoke deep emotional resonance in a concise format.


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Submitted by davidb on February 03, 2025


								
Did she weep, distractedly, on her knees, her forehead to the ground, and pray, pray, pray to Him who thus slays his creatures and gives them youth only that he may render old age more unendurable, and lends them beauty only that he may withdraw it almost immediately? Did she pray to Him, imploring Him to do for her what He has never yet done for any one, to let her retain until her last day her charm, her freshness and her gracefulness? Then, finding that she was imploring in vain an inflexible Unknown who drives on the years, one after another, did she roll on the carpet in her room, knocking her head against the furniture and stifling in her throat shrieks of despair? Doubtless she suffered these tortures, for this is what occurred: One day (she was then thirty-five) her son aged fifteen, fell ill. He took to his bed without any one being able to determine the cause or nature of his illness. His tutor, a priest, watched beside him and hardly ever left him, while Mme. Hermet came morning and evening to inquire how he was. She would come into the room in the morning in her night wrapper, smiling, all powdered and perfumed, and would ask as she entered the door: “Well, George, are you better?” The big boy, his face red, swollen and showing the ravages of fever, would reply: “Yes, little mother, a little better.” She would stay in the room a few seconds, look at the bottles of medicine, and purse her lips as if she were saying “phew,” and then would suddenly exclaim: “Oh, I forgot something very important,” and would run out of the room leaving behind her a fragrance of choice toilet perfumes. In the evening she would appear in a decollete dress, in a still greater hurry, for she was always late, and she had just time to inquire: “Well, what does the doctor say?” The priest would reply: “He has not yet given an opinion, madame.” But one evening the abbe replied: “Madame, your son has got the small-pox.” She uttered a scream of terror and fled from the room. When her maid came to her room the following morning she noticed at once a strong odor of burnt sugar, and she found her mistress, with wide-open eyes, her face pale from lack of sleep, and shivering with terror in her bed. As soon as the shutters were opened Mme. Herrnet asked: “How is George?” “Oh, not at all well to-day, madame.” She did not rise until noon, when she ate two eggs with a cup of tea, as if she herself had been ill, and then she went out to a druggist’s to inquire about prophylactic measures against the contagion of small-pox. She did not come home until dinner time, laden with medicine bottles, and shut herself up at once in her room, where she saturated herself with disinfectants. The priest was waiting for her in the dining-room. As soon as she saw him she exclaimed in a voice full of emotion: “Well?” “No improvement. The doctor is very anxious:” She began to cry and could eat nothing, she was so worried. The next day, as soon as it was light, she sent to inquire for her son, but there was no improvement and she spent the whole day in her room, where little braziers were giving out pungent odors. Her maid said also that you could hear her sighing all the evening. She spent a whole week in this manner, only going out for an hour or two during the afternoon to breathe the air. She now sent to make inquiries every hour, and would sob when the reports were unfavorable. On the morning of the eleventh day the priest, having been announced, entered her room, his face grave and pale, and said, without taking the chair she offered him: “Madame, your son is very ill and wishes to see you.” She fell on her knees, exclaiming: “Oh, my God! Oh, my God! I would never dare! My God! My God! Help me!” The priest continued: “The doctor holds out little hope, madame, and George is expecting you!” And he left the room. Two hours later as the young lad, feeling himself dying, again asked for his mother, the abbe went to her again and found her still on her knees, still weeping and repeating: “I will not.... I will not.... I am too much afraid.... I will not....” He tried to persuade her, to strengthen her, to lead her. He only succeeded in bringing on an attack of “nerves” that lasted some time and caused her to shriek. The doctor when he came in the evening was told of this cowardice and declared that he would bring her in himself, of her own volition, or by force. But after trying all manner of argument and just as he seized her round the waist to carry her into her son’s room, she caught hold of the door and clung to it so firmly that they could not drag her away. Then when they let go of her she fell at the feet of the doctor, begging his forgiveness and acknowledging that she was a wretched creature. And then she exclaimed: “Oh, he is not going to die; tell me that he is not going to die, I beg of you; tell him that I love him, that I worship him...” The young lad was dying. Feeling that he had only a few moments more to live, he entreated that his mother be persuaded to come and bid him a last farewell. With that sort of presentiment that the dying sometimes have, he had understood, had guessed all, and he said: “If she is afraid to come into the room, beg her just to come on the balcony as far as my window so that I may see her, at least, so that I may take a farewell look at her, as I cannot kiss her.” The doctor and the abbe, once more, went together to this woman and assured her: “You will run no risk, for there will be a pane of glass between you and him.” She consented, covered up her head, and took with her a bottle of smelling salts. She took three steps on the balcony; then, all at once, hiding her face in her hands, she moaned: “No... no... I would never dare to look at him... never.... I am too much ashamed... too much afraid.... No... I cannot.” They endeavored to drag her along, but she held on with both hands to the railings and uttered such plaints that the passers-by in the street raised their heads. And the dying boy waited, his eyes turned towards that window, waited to die until he could see for the last time the sweet, beloved face, the worshiped face of his mother.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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