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"Knock, Knock, Knock" is a lesser-known work by the acclaimed Russian author Ivan Sergeevich Turgenev, known for his deep insights into human nature and societal dynamics. This narrative centers around the themes of love, existential reflection, and the complexities of personal relationships within the backdrop of 19th-century Russia. Turgenev’s lyrical prose and keen psychological exploration invite readers to delve into the characters’ motivations and emotions, making it a poignant examination of life’s enduring questions.

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faintheartedness. He is very fond of her." "What is she like then, pretty?" I inquired. Semyon assumed a grave air. "She is the sort that the gentry like." "And you?" "She is not the right sort for us at all." "How so?" "Very thin in the body." "If she died," I began, "do you think Ilya Stepanitch would not survive her?" Semyon heaved a sigh again. "I can't venture to say that--there's no knowing with gentlemen ... but our master is a deep one." I took up from the table the big, rather thick letter that Tyeglev had given me and turned it over in my hands.... The address to "his honour the Commanding Officer of the Battery, Colonel So and So" (the name, patronymic, and surname) was clearly and distinctly written. The word urgent, twice underlined, was written in the top left-hand corner of the envelope. "Listen, Semyon," I began. "I feel uneasy about your master. I fancy he has some mischief in his mind. We must find him." "Yes, sir," answered Semyon. "It is true there is such a fog that one cannot see a couple of yards ahead; but all the same we must do our best. We will each take a lantern and light a candle in each window--in case of need." "Yes, sir," repeated Semyon. He lighted the lanterns and the candles and we set off. XV I can't describe how we wandered and lost our way! The lanterns were of no help to us; they did not in the least dissipate the white, almost luminous mist which surrounded us. Several times Semyon and I lost each other, in spite of the fact that we kept calling to each other and hallooing and at frequent intervals shouted--I: "Tyeglev! Ilya Stepanitch!" and Semyon: "Mr. Tyeglev! Your honour!" The fog so bewildered us that we wandered about as though in a dream; soon we were both hoarse; the fog penetrated right into one's chest. We succeeded somehow by help of the candles in the windows in reaching the hut again. Our combined action had been of no use--we merely handicapped each other--and so we made up our minds not to trouble ourselves about getting separated but to go each our own way. He went to the left, I to the right and I soon ceased to hear his voice. The fog seemed to have found its way into my brain and I wandered like one dazed, simply shouting from time to time, "Tyeglev! Tyeglev!" "Here!" I heard suddenly in answer. Holy saints, how relieved I was! How I rushed in the direction from which the voice came.... A human figure loomed dark before me.... I made for it. At last! But instead of Tyeglev I saw another officer of the same battery, whose name was Tyelepnev. "Was it you answered me?" I asked him. "Was it you calling me?" he asked in his turn. "No; I was calling Tyeglev." "Tyeglev? Why, I met him a minute ago. What a fool of a night! One can't find the way home." "You saw Tyeglev? Which way did he go?" "That way, I fancy," said the officer, waving his hand in the air. "But one can't be sure of anything now. Do you know, for instance, where the village is? The only hope is the dogs barking. It is a fool of a night! Let me light a cigarette ... it will seem like a light on the way." The officer was, so I fancied, a little exhilarated. "Did Tyeglev say anything to you?" I asked. "To be sure he did! I said to him, 'good evening, brother,' and he said, 'good-bye.' 'How good-bye? Why good-bye.' 'I mean to shoot myself directly with a pistol.' He is a queer fish!" My heart stood still. "You say he told you ..." "He is a queer fish!" repeated the officer, and sauntered off. I hardly had time to recover from what the officer had told me, when my own name, shouted several times as it seemed with effort, caught my ear. I recognised Semyon's voice. I called back ... he came to me. XVI "Well?" I asked him. "Have you found Ilya Stepanitch?" "Yes, sir." "Where?" "Here, not far away." "How ... have you found him? Is he alive?" "To be sure. I have been talking to him." (A load was lifted from my heart.) "His honour was sitting in his great-coat under a birch tree ... and he was all right. I put it to him, 'Won't you come home, Ilya Stepanitch; Alexandr Vassilitch is very much worried about you.' And he said to me, 'What does he want to worry for! I want to be in the fresh air. My head aches. Go home,' he said, 'and I will come later.'" "And you left him?" I cried, clasping my hands. "What else could I do? He told me to go ... how could I stay?" All my fears came back to me at once. "Take me to him this minute--do you hear? This minute! O Semyon, Semyon, I did not expect this of you! You say he is not far off?" "He is quite close, here, where the copse begins--he is sitting there. It is not more than five yards from the river bank. I found him as I came alongside the river." "Well, take me to him, take me to him." Semyon set off ahead of me. "This way, sir.... We have only to get down to the river and it is close there." But instead of getting down to the river we got into a hollow and found ourselves before an empty shed. "Hey, stop!" Semyon cried suddenly. "I must have come too far to the right.... We must go that way, more to the left...." We turned to the left--and found ourselves among such high, rank weeds that we could scarcely get out.... I could not remember such a tangled growth of weeds anywhere near our village. And then all at once a marsh was squelching under our feet, and we saw little round moss-covered hillocks which I had never noticed before either.... We turned back--a small hill was sharply before us and on the top of it stood a shanty--and in it someone was snoring. Semyon and I shouted several times into the shanty; something stirred at the further end of it, the straw rustled--and a hoarse voice shouted, "I am on guard." We turned back again ... fields and fields, endless fields.... I felt ready to cry.... I remembered the words of the fool in King Lear: "This night will turn us all to fools or madmen." "Where are we to go?" I said in despair to Semyon. "The devil must have led us astray, sir," answered the distracted servant. "It's not natural ... there's mischief at the bottom of it!" I would have checked him but at that instant my ear caught a sound, distinct but not loud, that engrossed my whole attention. There was a faint "pop" as though someone had drawn a stiff cork from a narrow bottle-neck. The sound came from somewhere not far off. Why the sound seemed to me strange and peculiar I could not say, but at once I went towards it. Semyon followed me. Within a few minutes something tall and broad
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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