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"Knock, Knock, Knock" is a lesser-known work by the acclaimed Russian author Ivan Sergeevich Turgenev, known for his deep insights into human nature and societal dynamics. This narrative centers around the themes of love, existential reflection, and the complexities of personal relationships within the backdrop of 19th-century Russia. Turgenev’s lyrical prose and keen psychological exploration invite readers to delve into the characters’ motivations and emotions, making it a poignant examination of life’s enduring questions.

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loomed in the fog. "The copse! here is the copse!" Semyon cried, delighted. "Yes, here ... and there is the master sitting under the birch-tree.... There he is, sitting where I left him. That's he, surely enough!" I looked intently. A man really was sitting with his back towards us, awkwardly huddled up under the birch-tree. I hurriedly approached and recognised Tyeglev's great-coat, recognised his figure, his head bowed on his breast. "Tyeglev!" I cried ... but he did not answer. "Tyeglev!" I repeated, and laid my hand on his shoulder. Then he suddenly lurched forward, quickly and obediently, as though he were waiting for my touch, and fell onto the grass. Semyon and I raised him at once and turned him face upwards. It was not pale, but was lifeless and motionless; his clenched teeth gleamed white--and his eyes, motionless, too, and wide open, kept their habitual, drowsy and "different" look. "Good God!" Semyon said suddenly and showed me his hand stained crimson with blood.... The blood was coming from under Tyeglev's great-coat, from the left side of his chest. He had shot himself from a small, single-barreled pistol which was lying beside him. The faint pop I had heard was the sound made by the fatal shot. XVII Tyeglev's suicide did not surprise his comrades very much. I have told you already that, according to their ideas, as a "fatal" man he was bound to do something extraordinary, though perhaps they had not expected that from him. In the letter to the colonel he asked him, in the first place, to have the name of Ilya Tyeglev removed from the list of officers, as he had died by his own act, adding that in his cash-box there would be found more than sufficient money to pay his debts,--and, secondly, to forward to the important personage at that time commanding the whole corps of guards, an unsealed letter which was in the same envelope. This second letter, of course, we all read; some of us took a copy of it. Tyeglev had evidently taken pains over the composition of this letter. "You know, Your Excellency" (so I remember the letter began), "you are so stern and severe over the slightest negligence in uniform when a pale, trembling officer presents himself before you; and here am I now going to meet our universal, righteous, incorruptible Judge, the Supreme Being, the Being of infinitely greater consequence even than Your Excellency, and I am going to meet him in undress, in my great-coat, and even without a cravat round my neck." Oh, what a painful and unpleasant impression that phrase made upon me, with every word, every letter of it, carefully written in the dead man's childish handwriting! Was it worth while, I asked myself, to invent such rubbish at such a moment? But Tyeglev had evidently been pleased with the phrase: he had made use in it of the accumulation of epithets and amplifications à la Marlinsky, at that time in fashion. Further on he had alluded to destiny, to persecution, to his vocation which had remained unfulfilled, to a mystery which he would bear with him to the grave, to people who had not cared to understand him; he had even quoted lines from some poet who had said of the crowd that it wore life "like a dog-collar" and clung to vice "like a burdock"--and it was not free from mistakes in spelling. To tell the truth, this last letter of poor Tyeglev was somewhat vulgar; and I can fancy the contemptuous surprise of the great personage to whom it was addressed--I can imagine the tone in which he would pronounce "a worthless officer! ill weeds are cleared out of the field!" Only at the very end of the letter there was a sincere note from Tyeglev's heart. "Ah, Your Excellency," he concluded his epistle, "I am an orphan, I had no one to love me as a child--and all held aloof from me ... and I myself destroyed the only heart that gave itself to me!" Semyon found in the pocket of Tyeglev's great-coat a little album from which his master was never separated. But almost all the pages had been torn out; only one was left on which there was the following calculation: Napoleon was born Ilya Tyeglev was born on August 15th, 1769. on January 7th, 1811. 1769 1811 15 7 8* 1+ ----- ----- Total 1792 Total 1819 * August--the 8th month + January--the 1st month of the year. of the year. 1 1 7 8 9 1 2 9 --- --- Total 19! Total 19! Napoleon died on May Ilya Tyeglev died on 5th, 1825. April 21st, 1834. 1825 1834 5 21 5* 7+ ----- ----- Total 1835 Total 1862 * May--the 5th month + July--the 7th month of the year. of the year. 1 1 8 8 3 6 5 23 -- -- Total 17! Total 17! Poor fellow! Was not this perhaps why he became an artillery officer? As a suicide he was buried outside the cemetery--and he was immediately forgotten. XVIII The day after Tyeglev's burial (I was still in the village waiting for my brother) Semyon came into the hut and announced that Ilya wanted to see me. "What Ilya?" I asked. "Our pedlar." I told Semyon to call him. He made his appearance. He expressed some regret at the death of the lieutenant; wondered what could have possessed him.... "Was he in debt to you?" I asked. "No, sir. He always paid punctually for everything he had. But I tell you what," here the pedlar grinned, "you have got something of mine." "What is it?" "Why, that," he pointed to the brass comb lying on the little toilet table. "A thing of little value," the fellow went on, "but as it was a present ..." All at once I raised my head. Something dawned upon me. "Your name is Ilya?" "Yes, sir." "Was it you, then, I saw under the willow tree the other night?" The pedlar winked, and grinned more broadly than ever. "Yes, sir." "And it was your name that was called?" "Yes, sir," the pedlar repeated with playful modesty. "There is a young girl here," he went on in a high falsetto, "who, owing to the
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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