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"Knock, Knock, Knock" is a lesser-known work by the acclaimed Russian author Ivan Sergeevich Turgenev, known for his deep insights into human nature and societal dynamics. This narrative centers around the themes of love, existential reflection, and the complexities of personal relationships within the backdrop of 19th-century Russia. Turgenev’s lyrical prose and keen psychological exploration invite readers to delve into the characters’ motivations and emotions, making it a poignant examination of life’s enduring questions.

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Submitted by davidb on January 29, 2025


								
promise?" "I promise ... but first--" Tyeglev moved still further away and became a long dark blur. "Good-bye," I heard his voice. "Farewell, Ridel, don't remember evil against me.... And don't forget Semyon...." And the blur itself vanished. This was too much. "Oh, the damned poseur," I thought. "You must always be straining after effect!" I felt uneasy, however; an involuntary fear clutched at my heart. I flung on my great-coat and ran out into the road. XIII Yes; but where was I to go? The fog enveloped me on all sides. For five or six steps all round it was a little transparent--but further away it stood up like a wall, thick and white like cotton wool. I turned to the right along the village street; our house was the last but one in the village and beyond it came waste land overgrown here and there with bushes; beyond the waste land, a quarter of a mile from the village, there was a birch copse through which flowed the same little stream that lower down encircled our village. The moon stood, a pale blur in the sky--but its light was not, as on the evening before, strong enough to penetrate the smoky density of the fog and hung, a broad opaque canopy, overhead. I made my way out on to the open ground and listened.... Not a sound from any direction, except the calling of the marsh birds. "Tyeglev!" I cried. "Ilya Stepanitch!! Tyeglev!!" My voice died away near me without an answer; it seemed as though the fog would not let it go further. "Tyeglev!" I repeated. No one answered. I went forward at random. Twice I struck against a fence, once I nearly fell into a ditch, and almost stumbled against a peasant's horse lying on the ground. "Tyeglev! Tyeglev!" I cried. All at once, almost behind me, I heard a low voice, "Well, here I am. What do you want of me?" I turned round quickly. Before me stood Tyeglev with his hands hanging at his sides and with no cap on his head. His face was pale; but his eyes looked animated and bigger than usual. His breathing came in deep, prolonged gasps through his parted lips. "Thank God!" I cried in an outburst of joy, and I gripped him by both hands. "Thank God! I was beginning to despair of finding you. Aren't you ashamed of frightening me like this? Upon my word, Ilya Stepanitch!" "What do you want of me?" repeated Tyeglev. "I want ... I want you, in the first place, to come back home with me. And secondly, I want, I insist, I insist as a friend, that you explain to me at once the meaning of your actions--and of this letter to the colonel. Can something unexpected have happened to you in Petersburg?" "I found in Petersburg exactly what I expected," answered Tyeglev, without moving from the spot. "That is ... you mean to say ... your friend ... this Masha...." "She has taken her life," Tyeglev answered hurriedly and as it were angrily. "She was buried the day before yesterday. She did not even leave a note for me. She poisoned herself." Tyeglev hurriedly uttered these terrible words and still stood motionless as a stone. I clasped my hands. "Is it possible? How dreadful! Your presentiment has come true.... That is awful!" I stopped in confusion. Slowly and with a sort of triumph Tyeglev folded his arms. "But why are we standing here?" I began. "Let us go home." "Let us," said Tyeglev. "But how can we find the way in this fog?" "There is a light in our windows, and we will make for it. Come along." "You go ahead," answered Tyeglev. "I will follow you." We set off. We walked for five minutes and our beacon light still did not appear; at last it gleamed before us in two red points. Tyeglev stepped evenly behind me. I was desperately anxious to get home as quickly as possible and to learn from him all the details of his unhappy expedition to Petersburg. Before we reached the hut, impressed by what he had said, I confessed to him in an access of remorse and a sort of superstitious fear, that the mysterious knocking of the previous evening had been my doing ... and what a tragic turn my jest had taken! Tyeglev confined himself to observing that I had nothing to do with it--that something else had guided my hand--and this only showed how little I knew him. His voice, strangely calm and even, sounded close to my ear. "But you do not know me," he added. "I saw you smile yesterday when I spoke of the strength of my will. You will come to know me--and you will remember my words." The first hut of the village sprang out of the fog before us like some dark monster ... then the second, our hut, emerged--and my setter dog began barking, probably scenting me. I knocked at the window. "Semyon!" I shouted to Tyeglev's servant, "hey, Semyon! Make haste and open the gate for us." The gate creaked and opened; Semyon crossed the threshold. "Ilya Stepanitch, come in," I said, and I looked round. But no Ilya Stepanitch was with me. Tyeglev had vanished as though he had sunk into the earth. I went into the hut feeling dazed. XIV Vexation with Tyeglev and with myself succeeded the amazement with which I was overcome at first. "Your master is mad!" I blurted out to Semyon, "raving mad! He galloped off to Petersburg, then came back and is running about all over the place! I did get hold of him and brought him right up to the gate--and here he has given me the slip again! To go out of doors on a night like this! He has chosen a nice time for a walk!" "And why did I let go of his hand?" I reproached myself. Semyon looked at me in silence, as though intending to say something--but after the fashion of servants in those days he simply shifted from one foot to the other and said nothing. "What time did he set off for town?" I asked sternly. "At six o'clock in the morning." "And how was he--did he seem anxious, depressed?" Semyon looked down. "Our master is a deep one," he began. "Who can make him out? He told me to get out his new uniform when he was going out to town--and then he curled himself." "Curled himself?" "Curled his hair. I got the curling tongs ready for him." That, I confess, I had not expected. "Do you know a young lady," I asked Semyon, "a friend of Ilya Stepanitch's. Her name is Masha." "To be sure I know Marya Anempodistovna! A nice young lady." "Is your master in love with this Marya ... et cetera?" Semyon heaved a sigh. "That young lady is Ilya Stepanitch's undoing. For he is desperately in love with her--and can't bring himself to marry her--and sorry to give her up, too. It's all his honour's
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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    "Knock, Knock, Knock Books." Literature.com. STANDS4 LLC, 2025. Web. 15 Mar. 2025. <https://www.literature.com/book/knock_knock_knock_3920>.

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