A Coup D'etat book cover

A Coup D'etat

"A Coup d'État" by Guy de Maupassant is a political novella that explores the intricacies and moral dilemmas surrounding power and governance. Set against the backdrop of a fictional coup, the narrative delves into the motivations of those involved, the consequences of their actions, and the impact on the fabric of society. Through sharp social commentary and keen psychological insight, Maupassant critiques the ambition and corruption often inherent in the pursuit of authority, revealing how personal aspirations can lead to larger political upheaval. The story serves as a poignant reflection on the fragility of democratic institutions and the ethical complexities of leadership.


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Submitted by davidb on February 03, 2025


								
Paris had just heard of the disaster at Sedan. A republic had been declared. All France was wavering on the brink of this madness which lasted until after the Commune. From one end of the country to the other everybody was playing soldier. Cap-makers became colonels, fulfilling the duties of generals; revolvers and swords were displayed around big, peaceful stomachs wrapped in flaming red belts; little tradesmen became warriors commanding battalions of brawling volunteers, and swearing like pirates in order to give themselves some prestige. The sole fact of handling firearms crazed these people, who up to that time had only handled scales, and made them, without any reason, dangerous to all. Innocent people were shot to prove that they knew how to kill; in forests which had never seen a Prussian, stray dogs, grazing cows and browsing horses were killed. Each one thought himself called upon to play a great part in military affairs. The cafes of the smallest villages, full of uniformed tradesmen, looked like barracks or hospitals. The town of Canneville was still in ignorance of the maddening news from the army and the capital; nevertheless, great excitement had prevailed for the last month, the opposing parties finding themselves face to face. The mayor, Viscount de Varnetot, a thin, little old man, a conservative, who had recently, from ambition, gone over to the Empire, had seen a determined opponent arise in Dr. Massarel, a big, full-blooded man, leader of the Republican party of the neighborhood, a high official in the local masonic lodge, president of the Agricultural Society and of the firemen's banquet and the organizer of the rural militia which was to save the country. In two weeks, he had managed to gather together sixty-three volunteers, fathers of families, prudent farmers and town merchants, and every morning he would drill them in the square in front of the town-hall. When, perchance, the mayor would come to the municipal building, Commander Massarel, girt with pistols, would pass proudly in front of his troop, his sword in his hand, and make all of them cry: “Long live the Fatherland!” And it had been noticed that this cry excited the little viscount, who probably saw in it a menace, a threat, as well as the odious memory of the great Revolution. On the morning of the fifth of September, the doctor, in full uniform, his revolver on the table, was giving a consultation to an old couple, a farmer who had been suffering from varicose veins for the last seven years and had waited until his wife had them also, before he would consult the doctor, when the postman brought in the paper. M. Massarel opened it, grew pale, suddenly rose, and lifting his hands to heaven in a gesture of exaltation, began to shout at the top of his voice before the two frightened country folks: “Long live the Republic! long live the Republic! long live the Republic!” Then he fell back in his chair, weak from emotion. And as the peasant resumed: “It started with the ants, which began to run up and down my legs—-” Dr. Massarel exclaimed: “Shut up! I haven't got time to bother with your nonsense. The Republic has been proclaimed, the emperor has been taken prisoner, France is saved! Long live the Republic!” Running to the door, he howled: “Celeste, quick, Celeste!” The servant, affrighted, hastened in; he was trying to talk so rapidly, that he could only stammer: “My boots, my sword, my cartridge-box and the Spanish dagger which is on my night-table! Hasten!” As the persistent peasant, taking advantage of a moment's silence, continued, “I seemed to get big lumps which hurt me when I walk,” the physician, exasperated, roared: “Shut up and get out! If you had washed your feet it would not have happened!” Then, grabbing him by the collar, he yelled at him: “Can't you understand that we are a republic, you brass-plated idiot!” But professional sentiment soon calmed him, and he pushed the bewildered couple out, saying: “Come back to-morrow, come back to-morrow, my friends. I haven't any time to-day.” As he equipped himself from head to foot, he gave a series of important orders to his servant: “Run over to Lieutenant Picart and to Second Lieutenant Pommel, and tell them that I am expecting them here immediately. Also send me Torchebeuf with his drum. Quick! quick!” When Celeste had gone out, he sat down and thought over the situation and the difficulties which he would have to surmount. The three men arrived together in their working clothes. The commandant, who expected to see them in uniform, felt a little shocked. “Don't you people know anything? The emperor has been taken prisoner, the Republic has been proclaimed. We must act. My position is delicate, I might even say dangerous.” He reflected for a few moments before his bewildered subordinates, then he continued: “We must act and not hesitate; minutes count as hours in times like these. All depends on the promptness of our decision. You, Picart, go to the cure and order him to ring the alarm-bell, in order to get together the people, to whom I am going to announce the news. You, Torchebeuf beat the tattoo throughout the whole neighborhood as far as the hamlets of Gerisaie and Salmare, in order to assemble the militia in the public square. You, Pommel, get your uniform on quickly, just the coat and cap. We are going to the town-hall to demand Monsieur de Varnetot to surrender his powers to me. Do you understand?” “Yes.” “Now carry out those orders quickly. I will go over to your house with you, Pommel, since we shall act together.” Five minutes later, the commandant and his subordinates, armed to the teeth, appeared on the square, just as the little Viscount de Varnetot, his legs encased in gaiters as for a hunting party, his gun on his shoulder, was coming down the other street at double-quick time, followed by his three green-coated guards, their swords at their sides and their guns swung over their shoulders. While the doctor stopped, bewildered, the four men entered the town-hall and closed the door behind them. “They have outstripped us,” muttered the physician, “we must now wait for reenforcements. There is nothing to do for the present.” Lieutenant Picart now appeared on the scene. “The priest refuses to obey,” he said. “He has even locked himself in the church with the sexton and beadle.” On the other side of the square, opposite the white, tightly closed town-hall, stood the church, silent and dark, with its massive oak door studded with iron. But just as the perplexed inhabitants were sticking their heads out of the windows or coming out on their doorsteps, the drum suddenly began to be heard, and Torchebeuf appeared, furiously beating the tattoo. He crossed the square running, and disappeared along the road leading to the fields. The commandant drew his sword, and advanced alone to half way between the two buildings behind which the enemy had intrenched itself, and, waving his sword over his head, he roared with all his might:
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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