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"A Coup d'État" by Guy de Maupassant is a political novella that explores the intricacies and moral dilemmas surrounding power and governance. Set against the backdrop of a fictional coup, the narrative delves into the motivations of those involved, the consequences of their actions, and the impact on the fabric of society. Through sharp social commentary and keen psychological insight, Maupassant critiques the ambition and corruption often inherent in the pursuit of authority, revealing how personal aspirations can lead to larger political upheaval. The story serves as a poignant reflection on the fragility of democratic institutions and the ethical complexities of leadership.


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Submitted by davidb on February 03, 2025


								
“Long live the Republic! Death to traitors!” Then he returned to his officers. The butcher, the baker and the druggist, much disturbed, were anxiously pulling down their shades and closing their shops. The grocer alone kept open. However, the militia were arriving by degrees, each man in a different uniform, but all wearing a black cap with gold braid, the cap being the principal part of the outfit. They were armed with old rusty guns, the old guns which had hung for thirty years on the kitchen wall; and they looked a good deal like an army of tramps. When he had about thirty men about him, the commandant, in a few words, outlined the situation to them. Then, turning to his staff: “Let us act,” he said. The villagers were gathering together and talking the matter over. The doctor quickly decided on a plan of campaign. “Lieutenant Picart, you will advance under the windows of this town-hall and summon Monsieur de Varnetot, in the name of the Republic, to hand the keys over to me.” But the lieutenant, a master mason, refused: “You're smart, you are. I don't care to get killed, thank you. Those people in there shoot straight, don't you forget it. Do your errands yourself.” The commandant grew very red. “I command you to go in the name of discipline!” The lieutenant rebelled: “I'm not going to have my beauty spoiled without knowing why.” All the notables, gathered in a group near by, began to laugh. One of them cried: “You are right, Picart, this isn't the right time.” The doctor then muttered: “Cowards!” And, leaving his sword and his revolver in the hands of a soldier, he advanced slowly, his eye fastened on the windows, expecting any minute to see a gun trained on him. When he was within a few feet of the building, the doors at both ends, leading into the two schools, opened and a flood of children ran out, boys from one side, girls from the ether, and began to play around the doctor, in the big empty square, screeching and screaming, and making so much noise that he could not make himself heard. As soon as the last child was out of the building, the two doors closed again. Most of the youngsters finally dispersed, and the commandant called in a loud voice: “Monsieur de Varnetot!” A window on the first floor opened and M. de Varnetot appeared. The commandant continued: “Monsieur, you know that great events have just taken place which have changed the entire aspect of the government. The one which you represented no longer exists. The one which I represent is taking control. Under these painful, but decisive circumstances, I come, in the name of the new Republic, to ask you to turn over to me the office which you held under the former government.” M. de Varnetot answered: “Doctor, I am the mayor of Canneville, duly appointed, and I shall remain mayor of Canneville until I have been dismissed by a decree from my superiors. As mayor, I am in my place in the townhall, and here I stay. Anyhow, just try to get me out.” He closed the window. The commandant returned to his troop. But before giving any information, eyeing Lieutenant Picart from head to foot, he exclaimed: “You're a great one, you are! You're a fine specimen of manhood! You're a disgrace to the army! I degrade you.” “I don't give a——!” He turned away and mingled with a group of townspeople. Then the doctor hesitated. What could he do? Attack? But would his men obey orders? And then, did he have the right to do so? An idea struck him. He ran to the telegraph office, opposite the town-hall, and sent off three telegrams: To the new republican government in Paris. To the new prefect of the Seine-Inferieure, at Rouen. To the new republican sub-prefect at Dieppe. He explained the situation, pointed out the danger which the town would run if it should remain in the hands of the royalist mayor; offered his faithful services, asked for orders and signed, putting all his titles after his name. Then he returned to his battalion, and, drawing ten francs from his pocket, he cried: “Here, my friends, go eat and drink; only leave me a detachment of ten men to guard against anybody's leaving the town-hall.” But ex-Lieutenant Picart, who had been talking with the watchmaker, heard him; he began to laugh, and exclaimed: “By Jove, if they come out, it'll give you a chance to get in. Otherwise I can see you standing out there for the rest of your life!” The doctor did not reply, and he went to luncheon. In the afternoon, he disposed his men about the town as though they were in immediate danger of an ambush. Several times he passed in front of the town-hall and of the church without noticing anything suspicious; the two buildings looked as though empty. The butcher, the baker and the druggist once more opened up their stores. Everybody was talking about the affair. If the emperor were a prisoner, there must have been some kind of treason. They did not know exactly which of the republics had returned to power. Night fell. Toward nine o'clock, the doctor, alone, noiselessly approached the entrance of the public building, persuaded that the enemy must have gone to bed; and, as he was preparing to batter down the door with a pick-axe, the deep voice of a sentry suddenly called: “Who goes there?” And M. Massarel retreated as fast as his legs could carry him. Day broke without any change in the situation. Armed militia occupied the square. All the citizens had gathered around this troop awaiting developments. Even neighboring villagers had come to look on. Then the doctor, seeing that his reputation was at stake, resolved to put an end to the matter in one way or another; and he was about to take some measures, undoubtedly energetic ones, when the door of the telegraph station opened and the little servant of the postmistress appeared, holding in her hands two papers. First she went to the commandant and gave him one of the despatches; then she crossed the empty square, confused at seeing the eyes of everyone on her, and lowering her head and running along with little quick steps, she went and knocked softly at the door of the barricaded house, as though ignorant of the fact that those behind it were armed. The door opened wide enough to let a man's hand reach out and receive the message; and the young girl returned blushing, ready to cry at being thus stared at by the whole countryside. In a clear voice, the doctor cried: “Silence, if you please.” When the populace had quieted down, he continued proudly: “Here is the communication which I have received from the government.” And lifting the telegram he read: Former mayor dismissed. Inform him immediately, More orders following. For the sub-prefect: SAPIN, Councillor. He was-triumphant; his heart was throbbing with joy and his hands were trembling; but Picart, his former subordinate, cried to him from a neighboring group: “That's all right; but supposing the others don't come out, what good is the telegram going to do you?”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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