Views From a German Spion book cover

Views From a German Spion

"Views From a German Spion" is a satirical work by Bret Harte that offers a humorous perspective on the American West through the eyes of a fictional German spy. Set against the backdrop of the Gold Rush era, the narrative combines sharp wit and cultural observations, exploring themes of identity, ambition, and the clash of civilizations. Harte's clever prose and vivid characterizations provide a unique lens on the social dynamics of the time, making this work a compelling commentary on American life and the diverse influences that shaped it.

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Submitted by davidb on February 06, 2025


								
Outside of my window, two narrow perpendicular mirrors, parallel with the casement, project into the street, yet with a certain unobtrusiveness of angle that enables them to reflect the people who pass, without any reciprocal disclosure of their own. The men and women hurrying by not only do not know they are observed, but, what is worse, do not even see their own reflection in this hypocritical plane, and are consequently unable, through its aid, to correct any carelessness of garb, gait, or demeanor. At first this seems to be taking an unfair advantage of the human animal, who invariably assumes an attitude when he is conscious of being under human focus. But I observe that my neighbors' windows, right and left, have a similar apparatus, that this custom is evidently a local one, and the locality is German. Being an American stranger, I am quite willing to leave the morality of the transaction with the locality, and adapt myself to the custom: indeed, I had thought of offering it, figuratively, as an excuse for any unfairness of observation I might make in these pages. But my German mirrors reflect without prejudice, selection, or comment; and the American eye, I fear, is but mortal, and like all mortal eyes, figuratively as well as in that literal fact noted by an eminent scientific authority, infinitely inferior to the work of the best German opticians. And this leads me to my first observation, namely, that a majority of those who pass my mirror have weak eyes, and have already invoked the aid of the optician. Why are these people, physically in all else so much stronger than my countrymen, deficient in eyesight? Or, to omit the passing testimony of my Spion, and take my own personal experience, why does my young friend Max, brightest of all schoolboys, who already wears the cap that denotes the highest class,--why does he shock me by suddenly drawing forth a pair of spectacles, that upon his fresh, rosy face would be an obvious mocking imitation of the Herr Papa--if German children could ever, by any possibility, be irreverent? Or why does the Fraulein Marie, his sister, pink as Aurora, round as Hebe, suddenly veil her blue eyes with a golden lorgnette in the midst of our polyglot conversation? Is it to evade the direct, admiring glance of the impulsive American? Dare I say NO? Dare I say that that frank, clear, honest, earnest return of the eye, which has on the Continent most unfairly brought my fair countrywomen under criticism, is quite as common to her more carefully-guarded, tradition-hedged German sisters? No, it is not that. Is it any thing in these emerald and opal tinted skies, which seem so unreal to the American eye, and for the first time explain what seemed the unreality of German art? in these mysterious yet restful Rhine fogs, which prolong the twilight, and hang the curtain of romance even over mid-day? Surely not. Is it not rather, O Herr Professor profound in analogy and philosophy!--is it not rather this abominable black-letter, this elsewhere-discarded, uncouth, slowly-decaying text known as the German Alphabet, that plucks out the bright eyes of youth, and bristles the gateways of your language with a chevaux de frise of splintered rubbish? Why must I hesitate whether it is an accident of the printer's press, or the poor quality of the paper, that makes this letter a "k" or a "t"? Why must I halt in an emotion or a thought because "s" and "f" are so nearly alike? Is it not enough that I, an impulsive American, accustomed to do a thing first, and reflect upon it afterwards, must grope my way through a blind alley of substantives and adjectives, only to find the verb of action in an obscure corner, without ruining my eyesight in the groping? But I dismiss these abstract reflections for a fresh and active resentment. This is the fifth or sixth dog that has passed my Spion, harnessed to a small barrow-like cart, and tugging painfully at a burden so ludicrously disproportionate to his size, that it would seem a burlesque, but for the poor dog's sad sincerity. Perhaps it is because I have the barbarian's fondness for dogs, and for their lawless, gentle, loving uselessness, that I rebel against this unnatural servitude. It seems as monstrous as if a child were put between the shafts, and made to carry burdens; and I have come to regard those men and women, who in the weakest perfunctory way affect to aid the poor brute by laying idle hands on the barrow behind, as I would unnatural parents. Pegasus harnessed to the Thracian herdsman's plough was no more of a desecration. I fancy the poor dog seems to feel the monstrosity of the performance, and, in sheer shame for his master, forgivingly tries to assume it is PLAY; and I have seen a little "colley" running along, barking, and endeavoring to leap and gambol in the shafts, before a load that any one out of this locality would have thought the direst cruelty. Nor do the older or more powerful dogs seem to become accustomed to it. When his cruel taskmaster halts with his wares, instantly the dog, either by sitting down in his harness, or crawling over the shafts, or by some unmistakable dog-like trick, utterly scatters any such delusion of even the habit of servitude. The few of his race who do not work in this ducal city seem to have lost their democratic canine sympathies, and look upon him with something of that indifferent calm with which yonder officer eyes the road-mender in the ditch below him. He loses even the characteristics of species. The common cur and mastiff look alike in harness. The burden levels all distinctions. I have said that he was generally sincere in his efforts. I recall but one instance to the contrary. I remember a young colley who first attracted my attention by his persistent barking. Whether he did this, as the plough-boy whistled, "for want of thought," or whether it was a running protest against his occupation, I could not determine, until one day I noticed, that, in barking, he slightly threw up his neck and shoulders, and that the two-wheeled barrow-like vehicle behind him, having its weight evenly poised on the wheels by the trucks in the hands of its driver, enabled him by this movement to cunningly throw the center of gravity and the greater weight on the man,--a fact which that less sagacious brute never discerned. Perhaps I am using a strong expression regarding his driver. It may be that the purely animal wants of the dog, in the way of food, care, and shelter, are more bountifully supplied in servitude than in freedom; becoming a valuable and useful property, he may be cared for and protected as such (an odd recollection that this argument had been used forcibly in regard to human slavery in my own country strikes me here); but his picturesqueness and poetry are gone, and I cannot help thinking that the people who have lost this gentle, sympathetic, characteristic figure from their domestic life and surroundings have not
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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