"Unser Karl"

"Unser Karl" by Bret Harte is a poignant short story that explores themes of friendship, loyalty, and cultural differences. Set in a mining town during the California Gold Rush, it centers around the character of Karl, a German immigrant, and his relationships with the local townsfolk. Through a series of engaging interactions and humor, Harte delves into the complexities of immigrant life and the bonds that form in a diverse community. The narrative highlights the significance of understanding and acceptance, ultimately delivering a message about the humanity that connects us all, regardless of background.

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Submitted by davidb on February 06, 2025


								
The American consul for Schlachtstadt had just turned out of the broad Konig's Allee into the little square that held his consulate. Its residences always seemed to him to wear that singularly uninhabited air peculiar to a street scene in a theatre. The facades, with their stiff, striped wooden awnings over the windows, were of the regularity, color, and pattern only seen on the stage, and conversation carried on in the street below always seemed to be invested with that perfect confidence and security which surrounds the actor in his painted desert of urban perspective. Yet it was a peaceful change to the other byways and highways of Schlachtstadt which were always filled with an equally unreal and mechanical soldiery, who appeared to be daily taken out of their boxes of "caserne" or "depot" and loosely scattered all over the pretty linden-haunted German town. There were soldiers standing on street corners; soldiers staring woodenly into shop windows; soldiers halted suddenly into stone, like lizards, at the approach of Offiziere; Offiziere lounging stiffly four abreast, sweeping the pavement with their trailing sabres all at one angle. There were cavalcades of red hussars, cavalcades of blue hussars, cavalcades of Uhlans, with glittering lances and pennons--with or without a band--formally parading; there were straggling "fatigues" or "details" coming round the corners; there were dusty, businesslike columns of infantry, going nowhere and to no purpose. And they one and all seemed to be WOUND UP--for that service--and apparently always in the same place. In the band of their caps--invariably of one pattern--was a button, in the centre of which was a square opening or keyhole. The consul was always convinced that through this keyhole opening, by means of a key, the humblest caporal wound up his file, the Hauptmann controlled his lieutenants and non-commissioned officers, and even the general himself, wearing the same cap, was subject through his cap to a higher moving power. In the suburbs, when the supply of soldiers gave out, there were sentry-boxes; when these dropped off, there were "caissons," or commissary wagons. And, lest the military idea should ever fail from out the Schlachtstadt's burgher's mind, there were police in uniform, street-sweepers in uniform; the ticket-takers, guards, and sweepers at the Bahnhof were in uniform,--but all wearing the same kind of cap, with the probability of having been wound up freshly each morning for their daily work. Even the postman delivered peaceful invoices to the consul with his side-arms and the air of bringing dispatches from the field of battle; and the consul saluted, and felt for a few moments the whole weight of his consular responsibility. Yet, in spite of this military precedence, it did not seem in the least inconsistent with the decidedly peaceful character of the town, and this again suggested its utter unreality; wandering cows sometimes got mixed up with squadrons of cavalry, and did not seem to mind it; sheep passed singly between files of infantry, or preceded them in a flock when on the march; indeed, nothing could be more delightful and innocent than to see a regiment of infantry in heavy marching order, laden with every conceivable thing they could want for a week, returning after a cheerful search for an invisible enemy in the suburbs, to bivouac peacefully among the cabbages in the market-place. Nobody was ever imposed upon for a moment by their tremendous energy and severe display; drums might beat, trumpets blow, dragoons charge furiously all over the Exercier Platz, or suddenly flash their naked swords in the streets to the guttural command of an officer--nobody seemed to mind it. People glanced up to recognize Rudolf or Max "doing their service," nodded, and went about their business. And although the officers always wore their side-arms, and at the most peaceful of social dinners only relinquished their swords in the hall, apparently that they might be ready to buckle them on again and rush out to do battle for the Fatherland between the courses, the other guests only looked upon these weapons in the light of sticks and umbrellas, and possessed their souls in peace. And when, added to this singular incongruity, many of these warriors were spectacled, studious men, and, despite their lethal weapons, wore a slightly professional air, and were--to a man--deeply sentimental and singularly simple, their attitude in this eternal Kriegspiel seemed to the consul more puzzling than ever. As he entered his consulate he was confronted with another aspect of Schlachtstadt quite as wonderful, yet already familiar to him. For, in spite of these "alarums without," which, however, never seem to penetrate beyond the town itself, Schlachtstadt and its suburbs were known all over the world for the manufactures of certain beautiful textile fabrics, and many of the rank and file of those warriors had built up the fame and prosperity of the district over their peaceful looms in wayside cottages. There were great depots and counting-houses, larger than even the cavalry barracks, where no other uniform but that of the postman was known. Hence it was that the consul's chief duty was to uphold the flag of his own country by the examination and certification of divers invoices sent to his office by the manufacturers. But, oddly enough, these business messengers were chiefly women,--not clerks, but ordinary household servants, and, on busy days, the consulate might have been mistaken for a female registry office, so filled and possessed it was by waiting Madchen. Here it was that Gretchen, Lieschen, and Clarchen, in the cleanest of blue gowns, and stoutly but smartly shod, brought their invoices in a piece of clean paper, or folded in a blue handkerchief, and laid them, with fingers more or less worn and stubby from hard service, before the consul for his signature. Once, in the case of a very young Madchen, that signature was blotted by the sweep of a flaxen braid upon it as the child turned to go; but generally there was a grave, serious business instinct and sense of responsibility in these girls of ordinary peasant origin which, equally with their sisters of France, were unknown to the English or American woman of any class. That morning, however, there was a slight stir among those who, with their knitting, were waiting their turn in the outer office as the vice-consul ushered the police inspector into the consul's private office. He was in uniform, of course, and it took him a moment to recover from his habitual stiff, military salute,--a little stiffer than that of the actual soldier. It was a matter of importance! A stranger had that morning been arrested in the town and identified as a military deserter. He claimed to be an American citizen; he was now in the outer office, waiting the consul's interrogation. The consul knew, however, that the ominous accusation had only a mild
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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