Ulysses Page #3

Ulysses chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature.

• Fiction
• Novel

								

song: I sang it alone in the house, holding down the long dark chords.
Her door was open: she wanted to hear my music. Silent with awe and
pity I went to her bedside. She was crying in her wretched bed. For
those words, Stephen: love’s bitter mystery.

Where now?

Her secrets: old featherfans, tasselled dancecards, powdered with musk,
a gaud of amber beads in her locked drawer. A birdcage hung in the
sunny window of her house when she was a girl. She heard old Royce sing
in the pantomime of Turko the Terrible and laughed with others when he
sang:

     I am the boy
     That can enjoy
     Invisibility.

Phantasmal mirth, folded away: muskperfumed.

     And no more turn aside and brood.


Folded away in the memory of nature with her toys. Memories beset his
brooding brain. Her glass of water from the kitchen tap when she had
approached the sacrament. A cored apple, filled with brown sugar,
roasting for her at the hob on a dark autumn evening. Her shapely
fingernails reddened by the blood of squashed lice from the children’s
shirts.

In a dream, silently, she had come to him, her wasted body within its
loose graveclothes giving off an odour of wax and rosewood, her breath,
bent over him with mute secret words, a faint odour of wetted ashes.

Her glazing eyes, staring out of death, to shake and bend my soul. On
me alone. The ghostcandle to light her agony. Ghostly light on the
tortured face. Her hoarse loud breath rattling in horror, while all
prayed on their knees. Her eyes on me to strike me down. Liliata
rutilantium te confessorum turma circumdet: iubilantium te virginum
chorus excipiat.

Ghoul! Chewer of corpses!

No, mother! Let me be and let me live.

—Kinch ahoy!

Buck Mulligan’s voice sang from within the tower. It came nearer up the
staircase, calling again. Stephen, still trembling at his soul’s cry,
heard warm running sunlight and in the air behind him friendly words.

—Dedalus, come down, like a good mosey. Breakfast is ready. Haines is
apologising for waking us last night. It’s all right.

—I’m coming, Stephen said, turning.

—Do, for Jesus’ sake, Buck Mulligan said. For my sake and for all our
sakes.

His head disappeared and reappeared.

—I told him your symbol of Irish art. He says it’s very clever. Touch
him for a quid, will you? A guinea, I mean.

—I get paid this morning, Stephen said.

—The school kip? Buck Mulligan said. How much? Four quid? Lend us one.

—If you want it, Stephen said.

—Four shining sovereigns, Buck Mulligan cried with delight. We’ll have
a glorious drunk to astonish the druidy druids. Four omnipotent
sovereigns.

He flung up his hands and tramped down the stone stairs, singing out of
tune with a Cockney accent:

     O, won’t we have a merry time,
     Drinking whisky, beer and wine!
     On coronation,
     Coronation day!
     O, won’t we have a merry time
     On coronation day!

Warm sunshine merrying over the sea. The nickel shavingbowl shone,
forgotten, on the parapet. Why should I bring it down? Or leave it
there all day, forgotten friendship?

He went over to it, held it in his hands awhile, feeling its coolness,
smelling the clammy slaver of the lather in which the brush was stuck.
So I carried the boat of incense then at Clongowes. I am another now
and yet the same. A servant too. A server of a servant.

In the gloomy domed livingroom of the tower Buck Mulligan’s gowned form
moved briskly to and fro about the hearth, hiding and revealing its
yellow glow. Two shafts of soft daylight fell across the flagged floor
from the high barbacans: and at the meeting of their rays a cloud of
coalsmoke and fumes of fried grease floated, turning.

—We’ll be choked, Buck Mulligan said. Haines, open that door, will you?

Stephen laid the shavingbowl on the locker. A tall figure rose from the
hammock where it had been sitting, went to the doorway and pulled open
the inner doors.

—Have you the key? a voice asked.

—Dedalus has it, Buck Mulligan said. Janey Mack, I’m choked!

He howled, without looking up from the fire:

—Kinch!

—It’s in the lock, Stephen said, coming forward.

The key scraped round harshly twice and, when the heavy door had been
set ajar, welcome light and bright air entered. Haines stood at the
doorway, looking out. Stephen haled his upended valise to the table and
sat down to wait. Buck Mulligan tossed the fry on to the dish beside
him. Then he carried the dish and a large teapot over to the table, set
them down heavily and sighed with relief.

—I’m melting, he said, as the candle remarked when... But, hush! Not a
word more on that subject! Kinch, wake up! Bread, butter, honey.
Haines, come in. The grub is ready. Bless us, O Lord, and these thy
gifts. Where’s the sugar? O, jay, there’s no milk.

Stephen fetched the loaf and the pot of honey and the buttercooler from
the locker. Buck Mulligan sat down in a sudden pet.

—What sort of a kip is this? he said. I told her to come after eight.

—We can drink it black, Stephen said thirstily. There’s a lemon in the
locker.

—O, damn you and your Paris fads! Buck Mulligan said. I want Sandycove
milk.

Haines came in from the doorway and said quietly:

—That woman is coming up with the milk.

—The blessings of God on you! Buck Mulligan cried, jumping up from his
chair. Sit down. Pour out the tea there. The sugar is in the bag. Here,
I can’t go fumbling at the damned eggs.

He hacked through the fry on the dish and slapped it out on three
plates, saying:

—In nomine Patris et Filii et Spiritus Sancti.

Haines sat down to pour out the tea.

—I’m giving you two lumps each, he said. But, I say, Mulligan, you do
make strong tea, don’t you?

Buck Mulligan, hewing thick slices from the loaf, said in an old
woman’s wheedling voice:

—When I makes tea I makes tea, as old mother Grogan said. And when I
makes water I makes water.

—By Jove, it is tea, Haines said.

Buck Mulligan went on hewing and wheedling:

—So I do, Mrs Cahill, says she. Begob, ma’am, says Mrs Cahill, God
send you don’t make them in the one pot.

He lunged towards his messmates in turn a thick slice of bread, impaled
on his knife.

—That’s folk, he said very earnestly, for your book, Haines. Five lines
of text and ten pages of notes about the folk and the fishgods of
Dundrum. Printed by the weird sisters in the year of the big wind.

He turned to Stephen and asked in a fine puzzled voice, lifting his
brows:

—Can you recall, brother, is mother Grogan’s tea and water pot spoken
of in the Mabinogion or is it in the Upanishads?

—I doubt it, said Stephen gravely.

—Do you now? Buck Mulligan said in the same tone. Your reasons, pray?

—I fancy, Stephen said as he ate, it did not exist in or out of the
Mabinogion. Mother Grogan was, one imagines, a kinswoman of Mary Ann.

Buck Mulligan’s face smiled with delight.

—Charming! he said in a finical sweet voice, showing his white teeth
and blinking his eyes pleasantly. Do you think she was? Quite charming!

Then, suddenly overclouding all his features, he growled in a hoarsened
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