Ulysses Page #2

Ulysses chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature.

• Fiction
• Novel

								

smooth skin.

Stephen turned his gaze from the sea and to the plump face with its
smokeblue mobile eyes.

—That fellow I was with in the Ship last night, said Buck Mulligan,
says you have g. p. i. He’s up in Dottyville with Connolly Norman.
General paralysis of the insane!

He swept the mirror a half circle in the air to flash the tidings
abroad in sunlight now radiant on the sea. His curling shaven lips
laughed and the edges of his white glittering teeth. Laughter seized
all his strong wellknit trunk.

—Look at yourself, he said, you dreadful bard!

Stephen bent forward and peered at the mirror held out to him, cleft by
a crooked crack. Hair on end. As he and others see me. Who chose this
face for me? This dogsbody to rid of vermin. It asks me too.

—I pinched it out of the skivvy’s room, Buck Mulligan said. It does her
all right. The aunt always keeps plainlooking servants for Malachi.
Lead him not into temptation. And her name is Ursula.

Laughing again, he brought the mirror away from Stephen’s peering eyes.

—The rage of Caliban at not seeing his face in a mirror, he said. If
Wilde were only alive to see you!

Drawing back and pointing, Stephen said with bitterness:

—It is a symbol of Irish art. The cracked lookingglass of a servant.

Buck Mulligan suddenly linked his arm in Stephen’s and walked with him
round the tower, his razor and mirror clacking in the pocket where he
had thrust them.

—It’s not fair to tease you like that, Kinch, is it? he said kindly.
God knows you have more spirit than any of them.

Parried again. He fears the lancet of my art as I fear that of his. The
cold steel pen.

—Cracked lookingglass of a servant! Tell that to the oxy chap
downstairs and touch him for a guinea. He’s stinking with money and
thinks you’re not a gentleman. His old fellow made his tin by selling
jalap to Zulus or some bloody swindle or other. God, Kinch, if you and
I could only work together we might do something for the island.
Hellenise it.

Cranly’s arm. His arm.

—And to think of your having to beg from these swine. I’m the only one
that knows what you are. Why don’t you trust me more? What have you up
your nose against me? Is it Haines? If he makes any noise here I’ll
bring down Seymour and we’ll give him a ragging worse than they gave
Clive Kempthorpe.

Young shouts of moneyed voices in Clive Kempthorpe’s rooms. Palefaces:
they hold their ribs with laughter, one clasping another. O, I shall
expire! Break the news to her gently, Aubrey! I shall die! With slit
ribbons of his shirt whipping the air he hops and hobbles round the
table, with trousers down at heels, chased by Ades of Magdalen with the
tailor’s shears. A scared calf’s face gilded with marmalade. I don’t
want to be debagged! Don’t you play the giddy ox with me!

Shouts from the open window startling evening in the quadrangle. A deaf
gardener, aproned, masked with Matthew Arnold’s face, pushes his mower
on the sombre lawn watching narrowly the dancing motes of grasshalms.

To ourselves... new paganism... omphalos.

—Let him stay, Stephen said. There’s nothing wrong with him except at
night.

—Then what is it? Buck Mulligan asked impatiently. Cough it up. I’m
quite frank with you. What have you against me now?

They halted, looking towards the blunt cape of Bray Head that lay on
the water like the snout of a sleeping whale. Stephen freed his arm
quietly.

—Do you wish me to tell you? he asked.

—Yes, what is it? Buck Mulligan answered. I don’t remember anything.

He looked in Stephen’s face as he spoke. A light wind passed his brow,
fanning softly his fair uncombed hair and stirring silver points of
anxiety in his eyes.

Stephen, depressed by his own voice, said:

—Do you remember the first day I went to your house after my mother’s
death?

Buck Mulligan frowned quickly and said:

—What? Where? I can’t remember anything. I remember only ideas and
sensations. Why? What happened in the name of God?

—You were making tea, Stephen said, and went across the landing to get
more hot water. Your mother and some visitor came out of the
drawingroom. She asked you who was in your room.

—Yes? Buck Mulligan said. What did I say? I forget.

—You said, Stephen answered, O, it’s only Dedalus whose mother is
beastly dead.

A flush which made him seem younger and more engaging rose to Buck
Mulligan’s cheek.

—Did I say that? he asked. Well? What harm is that?

He shook his constraint from him nervously.

—And what is death, he asked, your mother’s or yours or my own? You saw
only your mother die. I see them pop off every day in the Mater and
Richmond and cut up into tripes in the dissectingroom. It’s a beastly
thing and nothing else. It simply doesn’t matter. You wouldn’t kneel
down to pray for your mother on her deathbed when she asked you. Why?
Because you have the cursed jesuit strain in you, only it’s injected
the wrong way. To me it’s all a mockery and beastly. Her cerebral lobes
are not functioning. She calls the doctor sir Peter Teazle and picks
buttercups off the quilt. Humour her till it’s over. You crossed her
last wish in death and yet you sulk with me because I don’t whinge like
some hired mute from Lalouette’s. Absurd! I suppose I did say it. I
didn’t mean to offend the memory of your mother.

He had spoken himself into boldness. Stephen, shielding the gaping
wounds which the words had left in his heart, said very coldly:

—I am not thinking of the offence to my mother.

—Of what then? Buck Mulligan asked.

—Of the offence to me, Stephen answered.

Buck Mulligan swung round on his heel.

—O, an impossible person! he exclaimed.

He walked off quickly round the parapet. Stephen stood at his post,
gazing over the calm sea towards the headland. Sea and headland now
grew dim. Pulses were beating in his eyes, veiling their sight, and he
felt the fever of his cheeks.

A voice within the tower called loudly:

—Are you up there, Mulligan?

—I’m coming, Buck Mulligan answered.

He turned towards Stephen and said:

—Look at the sea. What does it care about offences? Chuck Loyola,
Kinch, and come on down. The Sassenach wants his morning rashers.

His head halted again for a moment at the top of the staircase, level
with the roof:

—Don’t mope over it all day, he said. I’m inconsequent. Give up the
moody brooding.

His head vanished but the drone of his descending voice boomed out of
the stairhead:

     And no more turn aside and brood
     Upon love’s bitter mystery
     For Fergus rules the brazen cars.

Woodshadows floated silently by through the morning peace from the
stairhead seaward where he gazed. Inshore and farther out the mirror of
water whitened, spurned by lightshod hurrying feet. White breast of the
dim sea. The twining stresses, two by two. A hand plucking the
harpstrings, merging their twining chords. Wavewhite wedded words
shimmering on the dim tide.

A cloud began to cover the sun slowly, wholly, shadowing the bay in
deeper green. It lay beneath him, a bowl of bitter waters. Fergus’
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