The Tryst of the White Lady book cover

The Tryst of the White Lady

"The Tryst of the White Lady" is a short story by Lucy Maud Montgomery that explores themes of love, longing, and the supernatural. Set in a picturesque landscape, it follows the poignant and mysterious encounter between a young man and the ethereal White Lady, a ghostly figure steeped in local legend. As the narrative unfolds, Montgomery weaves together elements of romance and the mystical, ultimately exploring the nature of connections that transcend time and the boundaries between the living and the spirit world. The story reflects the author’s signature style of blending nostalgia with deeper emotional currents.


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Submitted by davidb on February 10, 2025


								
"I wisht ye'd git married, Roger," said Catherine Ames. "I'm gitting too old to work--seventy last April--and who's going to look after ye when I'm gone. Git married, b'y--git married." Roger Temple winced. His aunt's harsh, disagreeable voice always jarred horribly on his sensitive nerves. He was fond of her after a fashion, but always that voice made him wonder if there could be anything harder to endure. Then he gave a bitter little laugh. "Who'd have me, Aunt Catherine?" he asked. Catherine Ames looked at him critically across the supper table. She loved him in her way, with all her heart, but she was not in the least blind to his defects. She did not mince matters with herself or with other people. Roger was a sallow, plain-featured fellow, small and insignificant looking. And, as if this were not bad enough, he walked with a slight limp and had one thin shoulder a little higher than the other--"Jarback" Temple he had been called in school, and the name still clung to him. To be sure, he had very fine grey eyes, but their dreamy brilliance gave his dull face an uncanny look which girls did not like, and so made matters rather worse than better. Of course looks didn't matter so much in the case of a man; Steve Millar was homely enough, and all marked up with smallpox to boot, yet he had got for wife the prettiest and smartest girl in South Bay. But Steve was rich. Roger was poor and always would be. He worked his stony little farm, from which his father and grandfather had wrested a fair living, after a fashion, but Nature had not cut him out for a successful farmer. He hadn't the strength for it and his heart wasn't in it. He'd rather be hanging over a book. Catherine secretly thought Roger's matrimonial chances very poor, but it would not do to discourage the b'y. What he needed was spurring on. "Ye'll git someone if ye don't fly too high," she announced loudly and cheerfully. "Thar's always a gal or two here and thar that's glad to marry for a home. 'Tain't no use for you to be settin' your thoughts on anyone young and pretty. Ye wouldn't git her and ye'd be worse off if ye did. Your grandfather married for looks, and a nice useless wife he got--sick half her time. Git a good strong girl that ain't afraid of work, that'll hold things together when ye're reading po'try--that's as much as you kin expect. And the sooner the better. I'm done--last winter's rheumatiz has about finished me. An' we can't afford hired help." Roger felt as if his raw, quivering soul were being seared. He looked at his aunt curiously--at her broad, flat face with the mole on the end of her dumpy nose, the bristling hairs on her chin, the wrinkled yellow neck, the pale, protruding eyes, the coarse, good-humoured mouth. She was so extremely ugly--and he had seen her across the table all his life. For twenty-five years he had looked at her so. Must he continue to go on looking at ugliness in the shape of a wife all the rest of his life--he, who worshipped beauty in everything? "Did my mother look like you, Aunt Catherine?" he asked abruptly. His aunt stared--and snorted. Her snort was meant to express kindly amusement, but it sounded like derision and contempt. "Yer ma wasn't so humly as me," she said cheerfully, "but she wan't no beauty either. None of the Temples was ever better lookin' than was necessary. We was workers. Yer pa wa'n't bad looking. You're humlier than either of 'em. Some ways ye take after yer grandma--though she was counted pretty at one time. She was yaller and spindlin' like you, and you've got her eyes. What yer so int'rested in yer ma's looks all at once fer?" "I was wondering," said Roger coolly, "if Father ever looked at her across the table and wished she were prettier." Catherine giggled. Her giggle was ugly and disagreeable like everything else about her--everything except a certain odd, loving, loyal old heart buried deep in her bosom, for the sake of which Roger endured the giggle and all the rest. "Dessay he did--dessay he did. Men al'ays has a hankerin' for good looks. But ye've got to cut yer coat 'cording to yer cloth. As for yer poor ma, she didn't live long enough to git as ugly as me. When I come here to keep house for yer pa, folks said as it wouldn't be long 'fore he married me. I wouldn't a-minded. But yer pa never hinted it. S'pose he'd had enough of ugly women likely." Catherine snorted amiably again. Roger got up--he couldn't endure any more just then. He must escape. "Now you think over what I've said," his aunt called after him. "Ye've gotter git a wife soon, however ye manage it. 'Twon't be so hard if ye're reasonable. Don't stay out as late as ye did last night. Ye coughed all night. Where was ye--down at the shore?" "No," said Roger, who always answered her questions even when he hated to. "I was down at Aunt Isabel's grave." "Till eleven o'clock! Ye ain't wise! I dunno what hankering ye have after that unchancy place. I ain't been near it for twenty year. I wonder ye ain't scairt. What'd ye think ye'd do if ye saw her ghost?" Catherine looked curiously at Roger. She was very superstitious and she believed firmly in ghosts, and saw no absurdity in her question. "I wish I could see it," said Roger, his great eyes flashing. He believed in ghosts too, at least in Isabel Temple's ghost. His uncle had seen it; his grandfather had seen it; he believed he would see it--the beautiful, bewitching, mocking, luring ghost of lovely Isabel Temple. "Don't wish such stuff," said Catherine. "Nobody ain't never the same after they've seen her." "Was Uncle different?" Roger had come back into the kitchen and was looking curiously at his aunt. "Diff'rent? He was another man. He didn't even look the same. Sich eyes! Al'ays looking past ye at something behind ye. They'd give anyone creeps. He never had any notion of flesh-and-blood women after that--said a man wouldn't, after seeing Isabel. His life was plumb ruined. Lucky he died young. I hated to be in the same room with him--he wa'n't canny, that was all there was to it. You keep away from that grave--you don't want to look odder than ye are by nature. And when ye git married, ye'll have to give up roamin' about half the night in graveyards. A wife wouldn't put up with it, as I've done." "I'll never get as good a wife as you, Aunt Catherine," said Roger with a little whimsical smile that gave him the look of an amused gnome. "Dessay you won't. But someone ye have to have. Why'n't ye try 'Liza Adams. She might have ye--she's gittin' on." "'Liza ... Adams!" "That's what I said. Ye needn't repeat it--'Liza ... Adams--'s if I'd mentioned a hippopotamus. I git out of patience with ye. I b'lieve in my heart ye think ye ought to git a wife that'd look like a picter."
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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