The Softening of Miss Cynthia book cover

The Softening of Miss Cynthia

"The Softening of Miss Cynthia" is a charming novella by Lucy Maud Montgomery, renowned for her ability to weave rich narratives about character development and the intricacies of human relationships. Set in a quaint community, the story revolves around Miss Cynthia, a strong-willed and fiercely independent woman who has long resisted romantic attachments. However, her perspective begins to shift when a handsome newcomer arrives, challenging her preconceived notions about love and companionship. Through a blend of humor, warmth, and poignant introspection, Montgomery explores themes of vulnerability, the passage of time, and the transformative power of connection, all while showcasing her signature lyrical prose.


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Submitted by davidb on February 10, 2025


								
"I wonder if I'd better flavour this cake with lemon or vanilla. It's the most perplexing thing I ever heard of in my life." Miss Cynthia put down the bottles with a vexed frown; her perplexity had nothing whatever to do with flavouring the golden mixture in her cake bowl. Mrs. John Joe knew that; the latter had dropped in in a flurry of curiosity concerning the little boy whom she had seen about Miss Cynthia's place for the last two days. Her daughter Kitty was with her; they both sat close together on the kitchen sofa. "It is too bad," said Mrs. John Joe sympathetically. "I don't wonder you are mixed up. So unexpected, too! When did he come?" "Tuesday night," said Miss Cynthia. She had decided on the vanilla and was whipping it briskly in. "I saw an express wagon drive into the yard with a boy and a trunk in it and I went out just as he got down. 'Are you my Aunt Cynthia?' he said. 'Who in the world are you?' I asked. And he says, 'I'm Wilbur Merrivale, and my father was John Merrivale. He died three weeks ago and he said I was to come to you, because you were his sister.' Well, you could just have knocked me down with a feather!" "I'm sure," said Mrs. John Joe. "But I didn't know you had a brother. And his name--Merrivale?" "Well, he wasn't any relation really. I was about six years old when my father married his mother, the Widow Merrivale. John was just my age, and we were brought up together just like brother and sister. He was a real nice fellow, I must say. But he went out to Californy years ago, and I haven't heard a word of him for fifteen years--didn't know if he was alive or dead. But it seems from what I can make out from the boy, that his mother died when he was a baby, and him and John roughed it along together--pretty poor, too, I guess--till John took a fever and died. And he told some of his friends to send the boy to me, for he'd no relations there and not a cent in the world. And the child came all the way from Californy, and here he is. I've been just distracted ever since. I've never been used to children, and to have the house kept in perpetual uproar is more than I can stand. He's about twelve and a born mischief. He'll tear through the rooms with his dirty feet, and he's smashed one of my blue vases and torn down a curtain and set Towser on the cat half a dozen times already--I never was so worried. I've got him out on the verandah shelling peas now, to keep him quiet for a little spell." "I'm really sorry for you," said Mrs. John Joe. "But, poor child, I suppose he's never had anyone to look after him. And come all the way from Californy alone, too--he must be real smart." "Too smart, I guess. He must take after his mother, whoever she was, for there ain't a bit of Merrivale in him. And he's been brought up pretty rough." "Well, it'll be a great responsibility for you, Cynthia, of course. But he'll be company, too, and he'll be real handy to run errands and--" "I'm not going to keep him," said Miss Cynthia determinedly. Her thin lips set themselves firmly and her voice had a hard ring. "Not going to keep him?" said Mrs. John Joe blankly. "You can't send him back to Californy!" "I don't intend to. But as for having him here to worry my life out and keep me in a perpetual stew, I just won't do it. D'ye think I'm going to trouble myself about children at my age? And all he'd cost for clothes and schooling, too! I can't afford it. I don't suppose his father expected it either. I suppose he expected me to look after him a bit--and of course I will. A boy of his age ought to be able to earn his keep, anyway. If I look out a place for him somewhere where he can do odd jobs and go to school in the winter, I think it's all anyone can expect of me, when he ain't really no blood relation." Miss Cynthia flung the last sentence at Mrs. John Joe rather defiantly, not liking the expression on that lady's face. "I suppose nobody could expect more, Cynthy," said Mrs. John Joe deprecatingly. "He would be an awful bother, I've no doubt, and you've lived alone so long with no one to worry you that you wouldn't know what to do with him. Boys are always getting into mischief--my four just keep me on the dead jump. Still, it's a pity for him, poor little fellow! No mother or father--it seems hard." Miss Cynthia's face grew grimmer than ever as she went to the door with her callers and watched them down the garden path. As soon as Mrs. John Joe saw that the door was shut, she unburdened her mind to her daughter. "Did you ever hear tell of the like? I thought I knew Cynthia Henderson well, if anybody in Wilmot did, but this beats me. Just think, Kitty--there she is, no one knows how rich, and not a soul in the world belonging to her, and she won't even take in her brother's child. She must be a hard woman. But it's just meanness, pure and simple; she grudges him what he'd eat and wear. The poor mite doesn't look as if he'd need much. Cynthia didn't used to be like that, but it's growing on her every day. She's got hard as rocks." That afternoon Miss Cynthia harnessed her fat grey pony into the phaeton herself--she kept neither man nor maid, but lived in her big, immaculate house in solitary state--and drove away down the dusty, buttercup-bordered road, leaving Wilbur sitting on the verandah. She returned in an hour's time and drove into the yard, shutting the gate behind her with a vigorous snap. Wilbur was not in sight and, fearful lest he should be in mischief, she hurriedly tied the pony to the railing and went in search of him. She found him sitting by the well, his chin in his hands; he was pale and his eyes were red. Miss Cynthia hardened her heart and took him into the house. "I've been down to see Mr. Robins this afternoon, Wilbur," she said, pretending to brush some invisible dust from the bottom of her nice black cashmere skirt for an excuse to avoid looking at him, "and he's agreed to take you on trial. It's a real good chance--better than you could expect. He says he'll board and clothe you and let you go to school in the winter." The boy seemed to shrink. "Daddy said that I would stay with you," he said wistfully. "He said you were so good and kind and would love me for his sake." For a moment Miss Cynthia softened. She had been very fond of her stepbrother; it seemed that his voice appealed to her across the grave in behalf of his child. But the crust of years was not to be so easily broken. "Your father meant that I would look after you," she said, "and I mean to, but I can't afford to keep you here. You'll have a good place at Mr. Robins', if you behave yourself. I'm going to take you down now, before I unharness the pony, so go and wash your face while I put up your things. Don't look so woebegone, for pity's sake! I'm not taking
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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