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"The Rondoli Sisters" is a captivating short story by Guy de Maupassant that explores themes of beauty, desire, and the complexities of social interactions. The narrative revolves around two enchanting sisters, their charm, and the attention they attract from men. As the protagonist becomes infatuated with them, Maupassant delves into the nuances of romantic pursuit, jealousy, and the societal expectations that shape human relationships. Through vivid descriptions and keen psychological insights, the story unravels the interplay between attraction and illusion, leaving readers to ponder the true nature of love and desire.

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Submitted by davidb on February 02, 2025


								
“I had the pleasure of meeting her last year, and I should like to see her again.” The old woman looked at me suspiciously. “Where did you meet her?” she asked. “Why, here in Genoa itself.” “What is your name?” I hesitated a moment, and then I told her. I had hardly done so when the Italian put out her arms as if to embrace me. “Oh! you are the Frenchman how glad I am to see you! But what grief you caused the poor child! She waited for you a month; yes, a whole month. At first she thought you would come to fetch her. She wanted to see whether you loved her. If you only knew how she cried when she saw that you were not coming! She cried till she seemed to have no tears left. Then she went to the hotel, but you had gone. She thought that most likely you were travelling in Italy, and that you would return by Genoa to fetch her, as she would not go with you. And she waited more than a month, monsieur; and she was so unhappy; so unhappy. I am her mother.” I really felt a little disconcerted, but I regained my self-possession, and asked: “Where is she now?” “She has gone to Paris with a painter, a delightful man, who loves her very much, and who gives her everything that she wants. Just look at what she sent me; they are very pretty, are they not?” And she showed me, with quite southern animation, her heavy bracelets and necklace. “I have also,” she continued, “earrings with stones in them, a silk dress, and some rings; but I only wear them on grand occasions. Oh! she is very happy, monsieur, very happy. She will be so pleased when I tell her you have been here. But pray come in and sit down. You will take something or other, surely?” But I refused, as I now wished to get away by the first train; but she took me by the arm and pulled me in, saying: “Please, come in; I must tell her that you have been in here.” I found myself in a small, rather dark room, furnished with only a table and a few chairs. She continued: “Oh, she is very happy now, very happy. When you met her in the train she was very miserable; she had had an unfortunate love affair in Marseilles, and she was coming home, poor child. But she liked you at once, though she was still rather sad, you understand. Now she has all she wants, and she writes and tells me everything that she does. His name is Bellemin, and they say he is a great painter in your country. He fell in love with her at first sight. But you will take a glass of sirup?-it is very good. Are you quite alone, this year?” “Yes,” I said, “quite alone.” I felt an increasing inclination to laugh, as my first disappointment was dispelled by what Mother Rondoli said. I was obliged; however, to drink a glass of her sirup. “So you are quite alone?” she continued. “How sorry I am that Francesca is not here now; she would have been company for you all the time you stayed. It is not very amusing to go about all by oneself, and she will be very sorry also.” Then, as I was getting up to go, she exclaimed: “But would you not like Carlotta to go with you? She knows all the walks very well. She is my second daughter, monsieur.” No doubt she took my look of surprise for consent, for she opened the inner door and called out up the dark stairs which I could not see: “Carlotta! Carlotta! make haste down, my dear child.” I tried to protest, but she would not listen. “No; she will be very glad to go with you; she is very nice, and much more cheerful than her sister, and she is a good girl, a very good girl, whom I love very much.” In a few moments a tall, slender, dark girl appeared, her hair hanging down, and her youthful figure showing unmistakably beneath an old dress of her mother's. The latter at once told her how matters stood. “This is Francesca's Frenchman, you know, the one whom she knew last year. He is quite alone, and has come to look for her, poor fellow; so I told him that you would go with him to keep him company.” The girl looked at me with her handsome dark eyes, and said, smiling: “I have no objection, if he wishes it.” I could not possibly refuse, and merely said: “Of course, I shall be very glad of your company.” Her mother pushed her out. “Go and get dressed directly; put on your blue dress and your hat with the flowers, and make haste.” As soon as she had left the room the old woman explained herself: “I have two others, but they are much younger. It costs a lot of money to bring up four children. Luckily the eldest is off my hands at present.” Then she told all about herself, about her husband, who had been an employee on the railway, but who was dead, and she expatiated on the good qualities of Carlotta, her second girl, who soon returned, dressed, as her sister had been, in a striking, peculiar manner. Her mother examined her from head to foot, and, after finding everything right, she said: “Now, my children, you can go.” Then turning to the girl, she said: “Be sure you are back by ten o'clock to-night; you know the door is locked then.” The answer was: “All right, mamma; don't alarm yourself.” She took my arm and we went wandering about the streets, just as I had wandered the previous year with her sister. We returned to the hotel for lunch, and then I took my new friend to Santa Margarita, just as I had taken her sister the year previously. During the whole fortnight which I had at my disposal, I took Carlotta to all the places of interest in and about Genoa. She gave me no cause to regret her sister. She cried when I left her, and the morning of my departure I gave her four bracelets for her mother, besides a substantial token of my affection for herself. One of these days I intend to return to Italy, and I cannot help remembering with a certain amount of uneasiness, mingled with hope, that Madame Rondoli has two more daughters.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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