The Rondoli Sisters

"The Rondoli Sisters" is a captivating short story by Guy de Maupassant that explores themes of beauty, desire, and the complexities of social interactions. The narrative revolves around two enchanting sisters, their charm, and the attention they attract from men. As the protagonist becomes infatuated with them, Maupassant delves into the nuances of romantic pursuit, jealousy, and the societal expectations that shape human relationships. Through vivid descriptions and keen psychological insights, the story unravels the interplay between attraction and illusion, leaving readers to ponder the true nature of love and desire.

								
I

I set out to see Italy thoroughly on two occasions, and each time I was stopped at the frontier and could not get any further. So I do not know Italy, said my friend, Charles Jouvent. And yet my two attempts gave me a charming idea of the manners of that beautiful country. Some time, however, I must visit its cities, as well as the museums and works of art with which it abounds. I will make another attempt to penetrate into the interior, which I have not yet succeeded in doing.

You don't understand me, so I will explain: In the spring of 1874 I was seized with an irresistible desire to see Venice, Florence, Rome and Naples. I am, as you know, not a great traveller; it appears to me a useless and fatiguing business. Nights spent in a train, the disturbed slumbers of the railway carriage, with the attendant headache, and stiffness in every limb, the sudden waking in that rolling box, the unwashed feeling, with your eyes and hair full of dust, the smell of the coal on which one's lungs feed, those bad dinners in the draughty refreshment rooms are, according to my ideas, a horrible way of beginning a pleasure trip.

After this introduction, we have the miseries of the hotel; of some great hotel full of people, and yet so empty; the strange room and the doubtful bed!

I am most particular about my bed; it is the sanctuary of life. We entrust our almost naked and fatigued bodies to it so that they may be reanimated by reposing between soft sheets and feathers.

There we find the most delightful hours of our existence, the hours of love and of sleep. The bed is sacred, and should be respected, venerated and loved by us as the best and most delightful of our earthly possessions.

I cannot lift up the sheets of a hotel bed without a shudder of disgust. Who has occupied it the night before? Perhaps dirty, revolting people have slept in it. I begin, then, to think of all the horrible people with whom one rubs shoulders every day, people with suspicious-looking skin which makes one think of the feet and all the rest! I call to mind those who carry about with them the sickening smell of garlic or of humanity. I think of those who are deformed and unhealthy, of the perspiration emanating from the sick, of everything that is ugly and filthy in man.

And all this, perhaps, in the bed in which I am about to sleep! The mere idea of it makes me feel ill as I get into it.

And then the hotel dinners—those dreary table d'hote dinners in the midst of all sorts of extraordinary people, or else those terrible solitary dinners at a small table in a restaurant, feebly lighted by a wretched composite candle under a shade.

Again, those terribly dull evenings in some unknown town! Do you know anything more wretched than the approach of dusk on such an occasion? One goes about as if almost in a dream, looking at faces that one never has seen before and never will see again; listening to people talking about matters which are quite indifferent to you in a language that perhaps you do not understand. You have a terrible feeling, almost as if you were lost, and you continue to walk on so as not to be obliged to return to the hotel, where you would feel more lost still because you are at home, in a home which belongs to anyone who can pay for it; and at last you sink into a chair of some well-lighted cafe, whose gilding and lights oppress you a thousand times more than the shadows in the streets. Then you feel so abominably lonely sitting in front of the glass of flat bock beer that a kind of madness seizes you, the longing to go somewhere or other, no matter where, as long as you need not remain in front of that marble table amid those dazzling lights.

And then, suddenly, you are aware that you are really alone in the world, always and everywhere, and that in places which we know, the familiar jostlings give us the illusion only of human fraternity. At such moments of self-abandonment and sombre isolation in distant cities one thinks broadly, clearly and profoundly. Then one suddenly sees the whole of life outside the vision of eternal hope, apart from the deceptions of our innate habits, and of our expectations of happiness, which we indulge in dreams never to be realized.

It is only by going a long distance from home that we can fully understand how short-lived and empty everything near at hand is; by searching for the unknown, we perceive how commonplace and evanescent everything is; only by wandering over the face of the earth can we understand how small the world is, and how very much alike it is everywhere.

How well I know, and how I hate and almost fear, those haphazard walks through unknown streets; and this was the reason why, as nothing would induce me to undertake a tour in Italy by myself, I made up my mind to accompany my friend Paul Pavilly.

You know Paul, and how he idealizes women. To him the earth is habitable only because they are there; the sun gives light and is warm because it shines upon them; the air is soft and balmy because it blows upon their skin and ruffles the soft hair on their temples; and the moon is charming because it makes them dream and imparts a languorous charm to love. Every act and action of Paul's has woman for its motive; all his thoughts, all his efforts and hopes are centered in them.

When I mentioned Italy to Paul he at first absolutely refused to leave Paris. I, however, began to tell him of the adventures I had on my travels. I assured him that all Italian women are charming, and I made him hope for the most refined pleasures at Naples, thanks to certain letters of introduction which I had; and so at last he allowed himself to be persuaded.

II

We took the express one Thursday evening, Paul and I. Hardly anyone goes south at that time of the year, so that we had the carriages to ourselves, and both of us were in a bad temper on leaving Paris, sorry for having yielded to the temptation of this journey, and regretting Marly, the Seine, and our lazy boating excursions, and all those pleasures in and near Paris which are so dear to every true Parisian.

As soon as the train started Paul stuck himself in his corner, and said, “It is most idiotic to go all that distance,” and as it was too late for him to change his mind then, I said, “Well, you should not have come.”

He made no answer, and I felt very much inclined to laugh when I saw how furious he looked. He is certainly always rather like a squirrel, but then every one of us has retained the type of some animal or other as the mark of his primitive origin. How many people have jaws like a bulldog, or heads like goats, rabbits, foxes, horses, or oxen. Paul is a squirrel turned into a man. He has its bright, quick eyes, its hair, its pointed nose, its small, fine, supple, active body, and a certain mysterious resemblance in his general bearing; in fact, a similarity of movement, of gesture, and of bearing which might almost be taken for a recollection.

At last we both went to sleep with that uncomfortable slumber of the railway carriage, which is interrupted by horrible cramps in the arms and neck, and by the sudden stoppages of the train.

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