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"The Rondoli Sisters" is a captivating short story by Guy de Maupassant that explores themes of beauty, desire, and the complexities of social interactions. The narrative revolves around two enchanting sisters, their charm, and the attention they attract from men. As the protagonist becomes infatuated with them, Maupassant delves into the nuances of romantic pursuit, jealousy, and the societal expectations that shape human relationships. Through vivid descriptions and keen psychological insights, the story unravels the interplay between attraction and illusion, leaving readers to ponder the true nature of love and desire.

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Submitted by davidb on February 02, 2025


								
One of them happened to come into our carriage, and shed its intermittent light, which seemed to be extinguished one moment and to be burning the next. I covered the carriage-lamp with its blue shade and watched the strange fly careering about in its fiery flight. Suddenly it settled on the dark hair of our neighbor, who was half dozing after dinner. Paul seemed delighted, with his eyes fixed on the bright, sparkling spot, which looked like a living jewel on the forehead of the sleeping woman. The Italian woke up about eleven o'clock, with the bright insect still in her hair. When I saw her move, I said: “We are just getting to Genoa, madame,” and she murmured, without answering me, as if possessed by some obstinate and embarrassing thought: “What am I going to do, I wonder?” And then she suddenly asked: “Would you like me to come with you?” I was so taken aback that I really did not understand her. “With us? How do you mean?” She repeated, looking more and more furious: “Would you like me to be your guide now, as soon as we get out of the train?” “I am quite willing; but where do you want to go.” She shrugged her shoulders with an air of supreme indifference. “Wherever you like; what does it matter to me?” She repeated her “Che mi fa” twice. “But we are going to the hotel.” “Very well, let us all go to the hotel,” she said, in a contemptuous voice. I turned to Paul, and said: “She wishes to know whether we should like her to come with us.” My friend's utter surprise restored my self-possession. He stammered: “With us? Where to? What for? How?” “I don't know, but she made this strange proposal to me in a most irritated voice. I told her that we were going to the hotel, and she said: 'Very well, let us all go there!' I suppose she is without a penny. She certainly has a very strange way of making acquaintances.” Paul, who 'was very much excited, exclaimed: “I am quite agreeable. Tell her that we will go wherever she likes.” Then, after a moment's hesitation, he said uneasily: “We must know, however, with whom she wishes to go—with you or with me?” I turned to the Italian, who did not even seem to be listening to us, and said: “We shall be very happy to have you with us, but my friend wishes to know whether you will take my arm or his?” She opened her black eyes wide with vague surprise, and said, “Che ni fa?” I was obliged to explain myself. “In Italy, I believe, when a man looks after a woman, fulfils all her wishes, and satisfies all her caprices, he is called a patito. Which of us two will you take for your patito?” Without the slightest hesitation she replied: “You!” I turned to Paul. “You see, my friend, she chooses me; you have no chance.” “All the better for you,” he replied in a rage. Then, after thinking for a few moments, he went on: “Do you really care about taking this creature with you? She will spoil our journey. What are we to do with this woman, who looks like I don't know what? They will not take us in at any decent hotel.” I, however, just began to find the Italian much nicer than I had thought her at first, and I was now very desirous to take her with us. The idea delighted me. I replied, “My dear fellow, we have accepted, and it is too late to recede. You were the first to advise me to say 'Yes.'” “It is very stupid,” he growled, “but do as you please.” The train whistled, slackened speed, and we ran into the station. I got out of the carriage, and offered my new companion my hand. She jumped out lightly, and I gave her my arm, which she took with an air of seeming repugnance. As soon as we had claimed our luggage we set off into the town, Paul walking in utter silence. “To what hotel shall we go?” I asked him. “It may be difficult to get into the City of Paris with a woman, especially with this Italian.” Paul interrupted me. “Yes, with an Italian who looks more like a dancer than a duchess. However, that is no business of mine. Do just as you please.” I was in a state of perplexity. I had written to the City of Paris to retain our rooms, and now I did not know what to do. Two commissionaires followed us with our luggage. I continued: “You might as well go on first, and say that we are coming; and give the landlord to understand that I have a—a friend with me and that we should like rooms quite by themselves for us three, so as not to be brought in contact with other travellers. He will understand, and we will decide according to his answer.” But Paul growled, “Thank you, such commissions and such parts do not suit me, by any means. I did not come here to select your apartments or to minister to your pleasures.” But I was urgent: “Look here, don't be angry. It is surely far better to go to a good hotel than to a bad one, and it is not difficult to ask the landlord for three separate bedrooms and a dining-room.” I put a stress on three, and that decided him. He went on first, and I saw him go into a large hotel while I remained on the other side of the street, with my fair Italian, who did not say a word, and followed the porters with the luggage. Paul came back at last, looking as dissatisfied as my companion. “That is settled,” he said, “and they will take us in; but here are only two bedrooms. You must settle it as you can.” I followed him, rather ashamed of going in with such a strange companion. There were two bedrooms separated by a small sitting-room. I ordered a cold supper, and then I turned to the Italian with a perplexed look. “We have only been able to get two rooms, so you must choose which you like.” She replied with her eternal “Che mi fa!” I thereupon took up her little black wooden trunk, such as servants use, and took it into the room on the right, which I had chosen for her. A bit of paper was fastened to the box, on which was written, Mademoiselle Francesca Rondoli, Genoa. “Your name is Francesca?” I asked, and she nodded her head, without replying. “We shall have supper directly,” I continued. “Meanwhile, I dare say you would like to arrange your toilette a little?” She answered with a 'mica', a word which she employed just as frequently as 'Che me fa', but I went on: “It is always pleasant after a journey.” Then I suddenly remembered that she had not, perhaps, the necessary requisites, for she appeared to me in a very singular position, as if she had just escaped from some disagreeable adventure, and I brought her my dressing-case. I put out all the little instruments for cleanliness and comfort which it contained: a nail-brush, a new toothbrush—I always carry a selection of them about with me—my nail-scissors, a nail-file, and sponges. I uncorked a bottle of eau de cologne, one of lavender-water, and a little bottle of new-mown hay, so that she might have a choice. Then I opened my powder-box, and put out the powder-puff, placed my fine towels over the water-jug, and a piece of new soap near the basin.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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