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"The Rival Beauties" by W. W. Jacobs is a humorous novella that explores themes of love, jealousy, and rivalry through the antics of two charming yet competing women. Set against the backdrop of a quaint seaside village, the story delves into the lives and interactions of its colorful characters, revealing the lengths to which they will go to impress their romantic interests. Jacobs’s witty prose and keen observations of human nature create an entertaining and lighthearted narrative that highlights the complexities of attraction and the folly of rivalry.


Year:
1894
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Submitted by davidb on February 06, 2025


								
in alive and show him at a sovereign a head. Anyway, we can take in his carcase if we manage it properly.’ “‘By Jove! if we only could,’ ses the skipper, getting excited too. “‘We can try,’ ses the mate. ‘Why, we could have noosed it this mornin’ if we had liked; and if it breaks the lines we must blow its head to pieces with the gun.’ “It seemed a most eggstraordinary thing to try and catch it that way; but the beast was so tame, and stuck so close to us, that it wasn’t quite so ridikilous as it seemed at fust. “Arter a couple o’ days nobody minded the animal a bit, for it was about the most nervous thing of its size you ever saw. It hadn’t got the soul of a mouse; and one day when the second mate, just for a lark, took the line of the foghorn in his hand and tooted it a bit, it flung up its ’ead in a scared sort o’ way, and, after backing a bit, turned clean round and bolted. “I thought the skipper ’ud have gone mad. He chucked over loaves o’ bread, bits o’ beef and pork, an’ scores o’ biskits, and by-and-bye, when the brute plucked up heart an’ came arter us again, he fairly beamed with joy. Then he gave orders that nobody was to touch the horn for any reason whatever, not even if there was a fog, or chance of collision, or anything of the kind; an’ he also gave orders that the bells wasn’t to be struck, but that the bosen was just to shove ’is ’ead in the fo’c’s’le and call ’em out instead. “Arter three days had passed, and the thing was still follering us, everybody made certain of taking it to New York, an’ I b’leeve if it hadn’t been for Joe Cooper the question about the sea-sarpint would ha’ been settled long ago. He was a most eggstraordinary ugly chap was Joe. He had a perfic cartoon of a face, an’ he was so delikit-minded and sensitive about it that if a chap only stopped in the street and whistled as he passed him, or pointed him out to a friend, he didn’t like it. He told me once when I was symperthizing with him, that the only time a woman ever spoke civilly to him was one night down Poplar way in a fog, an’ he was so ’appy about it that they both walked into the canal afore he knew where they was. “On the fourth morning, when we was only about three days from Sandy Hook, the skipper got out o’ bed wrong side, an’ when he went on deck he was ready to snap at anybody, an’ as luck would have it, as he walked a bit forrard, he sees Joe a-sticking his phiz over the side looking at the sarpint. “‘What the d—— are you doing?’ shouts the skipper, ‘What do you mean by it?’ “‘Mean by what, sir?’ asks Joe. “‘Putting your black ugly face over the side o’ the ship an’ frightening my sea-sarpint!’ bellows the skipper, ‘You know how easy it’s skeered.’ “‘Frightening the sea-sarpint?’ ses Joe, trembling all over, an’ turning very white. “‘If I see that face o’ yours over the side agin, my lad,’ ses the skipper very fierce, ‘I’ll give it a black eye. Now cut!’ “Joe cut, an’ the skipper, having worked off some of his ill-temper, went aft again and began to chat with the mate quite pleasant like. I was down below at the time, an’ didn’t know anything about it for hours arter, and then I heard it from one o’ the firemen. He comes up to me very mysterious like, an’ ses, ‘Bill,’ he ses, ‘you’re a pal o’ Joe’s; come down here an’ see what you can make of ’im.’ “Not knowing what he meant, I follered ’im below to the engine-room, an’ there was Joe sitting on a bucket staring wildly in front of ’im, and two or three of ’em standing round looking at ’im with their ’eads on one side. “‘He’s been like that for three hours,’ ses the second engineer in a whisper, ‘dazed like.’ “As he spoke Joe gave a little shudder; ‘Frighten the sea-sarpint!’ ses he, ‘O Lord!’ “‘It’s turned his brain,’ ses one o’ the firemen, ‘he keeps saying nothing but that.’ “‘If we could only make ’im cry,’ ses the second engineer, who had a brother what was a medical student, ‘it might save his reason. But how to do it, that’s the question.’ “‘Speak kind to ’im, sir,’ ses the fireman. ‘I’ll have a try if you don’t mind.’ He cleared his throat first, an’ then he walks over to Joe and puts his hand on his shoulder an’ ses very soft an’ pitiful like: “‘Don’t take on, Joe, don’t take on, there’s many a ugly mug ’ides a good ’art,’ “Afore he could think o” anything else to say, Joe ups with his fist an’ gives ’im one in the ribs as nearly broke ’em. Then he turns away ’is ’ead an’ shivers again, an’ the old dazed look come back. “‘Joe,’ I ses, shaking him, ‘Joe!’ “‘Frightened the sea-sarpint!’ whispers Joe, staring. “‘Joe,’ I ses, ‘Joe. You know me, I’m your pal, Bill.’ “‘Ay, ay,’ ses Joe, coming round a bit. “‘Come away,’ I ses, ‘come an’ git to bed, that’s the best place for you.’ “I took ’im by the sleeve, and he gets up quiet an’ obedient and follers me like a little child. I got ’im straight into ’is bunk, an’ arter a time he fell into a soft slumber, an’ I thought the worst had passed, but I was mistaken. He got up in three hours’ time an’ seemed all right, ’cept that he walked about as though he was thinking very hard about something, an’ before I could make out what it was he had a fit. “He was in that fit ten minutes, an’ he was no sooner out o’ that one than he was in another. In twenty-four hours he had six full-sized fits, and I’ll allow I was fairly puzzled. What pleasure he could find in tumbling down hard and stiff an’ kicking at everybody an’ everything I couldn’t see. He’d be standing quiet and peaceable like one minute, and the next he’d catch hold o’ the nearest thing to him and have a bad fit, and lie on his back and kick us while we was trying to force open his hands to pat ’em. “The other chaps said the skipper’s insult had turned his brain, but I wasn’t quite so soft, an’ one time when he was alone I put it to him. “‘Joe, old man,’ I ses, ‘you an’ me’s been very good pals.’ “‘Ay, ay,’ ses he, suspicious like. “‘Joe,’ I whispers, ‘what’s yer little game?’ “‘Wodyermean?’ ses he, very short. “‘I mean the fits,’ ses I, looking at ’im very steady, ‘It’s no good looking hinnercent like that, ’cos I see yer chewing soap with my own eyes.’ “‘Soap,’ ses Joe, in a nasty sneering way, ‘you wouldn’t reckernise a piece if you saw it.’ “Arter that I could see there was nothing to be got out of ’im, an’ I just kept my eyes open and watched. The skipper didn’t worry about his fits, ’cept that he said he wasn’t to let the sarpint see his face when he was in ’em for fear of scaring it; an’ when the mate wanted to leave him out o’ the watch, he ses, ‘No, he might as well have fits while at work as well as anywhere else.’ “We were about twenty-four hours from port, an’ the sarpint was still following us; and at six o’clock in the evening the officers puffected all their arrangements for ketching the creetur at eight o’clock next morning. To make quite sure of it an extra watch was kept on deck all night to chuck it food every half-hour; an’ when I turned in at ten
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W. W. Jacobs

William Wymark Jacobs, known as W. W. Jacobs, was an English author of short stories and novels. Although much of his work was humorous, he is most famous for his horror story "The Monkey's Paw". more…

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