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The Redemption of John Churchill

"The Redemption of John Churchill" by Lucy Maud Montgomery is a compelling short story that explores themes of forgiveness, redemption, and the complexity of human relationships. Set in a rural Canadian community, the narrative follows John Churchill, a man struggling with his past mistakes and the burden of his reputation. As he seeks to reconcile with his estranged family and the townsfolk who have judged him harshly, readers witness a poignant journey of self-discovery and the possibility of second chances. Montgomery's trademark lyrical prose highlights the emotional depth of her characters and the transformative power of love and understanding.


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Submitted by davidb on February 10, 2025


								
John Churchill walked slowly, not as a man walks who is tired, or content to saunter for the pleasure of it, but as one in no haste to reach his destination through dread of it. The day was well on to late afternoon in mid-spring, and the world was abloom. Before him and behind him wound a road that ran like a red ribbon through fields of lush clovery green. The orchards scattered along it were white and fragrant, giving of their incense to a merry south-west wind; fence-corner nooks were purple with patches of violets or golden-green with the curly heads of young ferns. The roadside was sprinkled over with the gold dust of dandelions and the pale stars of wild strawberry blossoms. It seemed a day through which a man should walk lightly and blithely, looking the world and his fellows frankly in the face, and opening his heart to let the springtime in. But John Churchill walked laggingly, with bent head. When he met other wayfarers or was passed by them, he did not lift his face, but only glanced up under his eyebrows with a furtive look that was replaced by a sort of shamed relief when they had passed on without recognizing him. Some of them he knew for friends of the old time. Ten years had not changed them as he had been changed. They had spent those ten years in freedom and good repute, under God's blue sky, in His glad air and sunshine. He, John Churchill, had spent them behind the walls of a prison. His close-clipped hair was grey; his figure, encased in an ill-fitting suit of coarse cloth, was stooped and shrunken; his face was deeply lined; yet he was not an old man in years. He was only forty; he was thirty when he had been convicted of embezzling the bank funds for purposes of speculation and had been sent to prison, leaving behind a wife and father who were broken-hearted and a sister whose pride had suffered more than her heart. He had never seen them since, but he knew what had happened in his absence. His wife had died two months later, leaving behind her a baby boy; his father had died within the year. He had killed them; he, John Churchill, who loved them, had killed them as surely as though his hand had struck them down in cold blood. His sister had taken the baby, his little son whom he had never seen, but for whom he had prepared such a birthright of dishonour. She had never forgiven her brother and she never wrote to him. He knew that she would have brought the boy up either in ignorance of his father's crime or in utter detestation of it. When he came back to the world after his imprisonment, there was not a single friendly hand to clasp his and help him struggle up again. The best his friends had been able to do for him was to forget him. He was filled with bitterness and despair and a gnawing hatred of the world of brightness around him. He had no place in it; he was an ugly blot on it. He was a friendless, wifeless, homeless man who could not so much as look his fellow men in the face, who must henceforth consort with outcasts. In his extremity he hated God and man, burning with futile resentment against both. Only one feeling of tenderness yet remained in his heart; it centred around the thought of his little son. When he left the prison he had made up his mind what to do. He had a little money which his father had left him, enough to take him west. He would go there, under a new name. There would be novelty and adventure to blot out the memories of the old years. He did not care what became of him, since there was no one else to care. He knew in his heart that his future career would probably lead him still further and further downward, but that did not matter. If there had been anybody to care, he might have thought it worthwhile to struggle back to respectability and trample his shame under feet that should henceforth walk only in the ways of honour and honesty. But there was nobody to care. So he would go to his own place. But first he must see little Joey, who must be quite a big boy now, nearly ten years old. He would go home and see him just once, even although he dreaded meeting aversion in the child's eyes. Then, when he had bade him good-bye, and, with him, good-bye to all that remained to make for good in his desolated existence, he would go out of his life forever. "I'll go straight to the devil then," he said sullenly. "That's where I belong, a jail-bird at whom everybody except other jail-birds looks askance. To think what I was once, and what I am now! It's enough to drive a man mad! As for repenting, bah! Who'd believe that I really repented, who'd give me a second chance on the faith of it? Not a soul. Repentance won't blot out the past. It won't give me back my wife whom I loved above everything on earth and whose heart I broke. It won't restore me my unstained name and my right to a place among honourable men. There's no chance for a man who has fallen as low as I have. If Emily were living, I could struggle for her sake. But who'd be fool enough to attempt such a fight with no motive and not one chance of success in a hundred. Not I. I'm down and I'll stay down. There's no climbing up again." He celebrated his first day of freedom by getting drunk, although he had never before been an intemperate man. Then, when the effects of the debauch wore off, he took the train for Alliston; he would go home and see little Joey once. Nobody at the station where he alighted recognized him or paid any attention to him. He was as a dead man who had come back to life to find himself effaced from recollection and his place knowing him no more. It was three miles from the station to where his sister lived, and he resolved to walk the distance. Now that the critical moment drew near, he shrank from it and wished to put it off as long as he could. When he reached his sister's home he halted on the road and surveyed the place over its snug respectability of iron fence. His courage failed him at the thought of walking over that trim lawn and knocking at that closed front door. He would slip around by the back way; perhaps, who knew, he might come upon Joey without running the gauntlet of his sister's cold, offended eyes. If he might only find the boy and talk to him for a little while without betraying his identity, meet his son's clear gaze without the danger of finding scorn or fear in it--his heart beat high at the thought. He walked furtively up the back way between high, screening hedges of spruce. When he came to the gate of the yard, he paused. He heard voices just beyond the thick hedge, children's voices, and he crept as near as he could to the sound and peered through the hedge, with a choking sensation in his throat and a smart in his eyes. Was that Joey, could that be his little son? Yes, it was; he would have known him anywhere by his likeness to Emily. Their boy had her curly brown hair, her sensitive mouth, above all, her clear-gazing, truthful grey eyes, eyes in which there was never a shadow of falsehood or
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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