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The Rabbit

"The Rabbit" by Guy de Maupassant is a poignant short story that explores themes of love, desire, and the complexities of human relationships. The narrative centers around a character whose intimate encounter with a rabbit becomes a symbol of fleeting moments and the emotional burdens that accompany fleeting connections. Maupassant's masterful storytelling and keen observations delve into the intricacies of human nature, capturing both the beauty and the melancholy inherent in life's transient experiences. Through rich imagery and subtle symbolism, the tale invites readers to reflect on the deeper meanings behind seemingly simple events.

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Submitted by davidb on February 02, 2025


								
Old Lecacheur appeared at the door of his house between five and a quarter past five in the morning, his usual hour, to watch his men going to work. He was only half awake, his face was red, and with his right eye open and the left nearly closed, he was buttoning his braces over his fat stomach with some difficulty, at the same time looking into every corner of the farmyard with a searching glance. The sun darted its oblique rays through the beech trees by the side of the ditch and athwart the apple trees outside, and was making the cocks crow on the dunghill, and the pigeons coo on the roof. The smell of the cow stable came through the open door, and blended in the fresh morning air with the pungent odor of the stable, where the horses were neighing, with their heads turned toward the light. As soon as his trousers were properly fastened, Lecacheur came out, and went, first of all, toward the hen house to count the morning's eggs, for he had been afraid of thefts for some time; but the servant girl ran up to him with lifted arms and cried: “Master! master! they have stolen a rabbit during the night.” “A rabbit?” “Yes, master, the big gray rabbit, from the hutch on the left”; whereupon the farmer completely opened his left eye, and said, simply: “I must see about that.” And off he went to inspect it. The hutch had been broken open and the rabbit was gone. Then he became thoughtful, closed his right eye again, and scratched his nose, and after a little consideration, he said to the frightened girl, who was standing stupidly before her master: “Go and fetch the gendarmes; say I expect them as soon as possible.” Lecacheur was mayor of the village, Pavigny-le-Gras, and ruled it like a master, on account of his money and position, and as soon as the servant had disappeared in the direction of the village, which was only about five hundred yards off, he went into the house to have his morning coffee and to discuss the matter with his wife, whom he found on her knees in front of the fire, trying to make it burn quickly, and as soon as he got to the door, he said: “Somebody has stolen the gray rabbit.” She turned round so suddenly that she found herself sitting on the floor, and looking at her husband with distressed eyes, she said: “What is it, Cacheux? Somebody has stolen a rabbit?” “The big gray one.” She sighed. “What a shame! Who can have done it?” She was a little, thin, active, neat woman, who knew all about farming. Lecacheur had his own ideas about the matter. “It must be that fellow, Polyte.” His wife got up suddenly and said in a furious voice: “He did it! he did it! You need not look for any one else. He did it! You have said it, Cacheux!” All her peasant's fury, all her avarice, all her rage of a saving woman against the man of whom she had always been suspicious, and against the girl whom she had always suspected, showed themselves in the contraction of her mouth, and the wrinkles in the cheeks and forehead of her thin, exasperated face. “And what have you done?” she asked. “I have sent for the gendarmes.” This Polyte was a laborer, who had been employed on the farm for a few days, and who had been dismissed by Lecacheur for an insolent answer. He was an old soldier, and was supposed to have retained his habits of marauding and debauchery from his campaigns in Africa. He did anything for a livelihood, but whether he were a mason, a navvy, a reaper, whether he broke stones or lopped trees, he was always lazy, and so he remained nowhere for long, and had, at times, to change his neighborhood to obtain work. From the first day that he came to the farm, Lecacheur's wife had detested him, and now she was sure that he had committed the theft. In about half an hour the two gendarmes arrived. Brigadier Senateur was very tall and thin, and Gendarme Lenient short and fat. Lecacheur made them sit down, and told them the affair, and then they went and saw the scene of the theft, in order to verify the fact that the hutch had been broken open, and to collect all the proofs they could. When they got back to the kitchen, the mistress brought in some wine, filled their glasses, and asked with a distrustful look: “Shall you catch him?” The brigadier, who had his sword between his legs, appeared thoughtful. Certainly, he was sure of taking him, if he was pointed out to him, but if not, he could not answer for being able to discover him, himself, and after reflecting for a long time, he put this simple question: “Do you know the thief?” And Lecacheur replied, with a look of Normandy slyness in his eyes: “As for knowing him, I do not, as I did not see him commit the theft. If I had seen him, I should have made him eat it raw, skin and flesh, without a drop of cider to wash it down. But as for saying who it is, I cannot, although I believe it is that good-for-nothing Polyte.” Then he related at length his troubles with Polyte, his leaving his service, his bad reputation, things which had been told him, accumulating insignificant and minute proofs, and then, the brigadier, who had been listening very attentively while he emptied his glass and filled it again with an indifferent air, turned to his gendarme and said: “We must go and look in the cottage of Severin's wife.” At which the gendarme smiled and nodded three times. Then Madame Lecacheur came to them, and very quietly, with all a peasant's cunning, questioned the brigadier in her turn. That shepherd Severin, a simpleton, a sort of brute who had been brought up and had grown up among his bleating flocks, and who knew scarcely anything besides them in the world, had nevertheless preserved the peasant's instinct for saving, at the bottom of his heart. For years and years he must have hidden in hollow trees and crevices in the rocks all that he earned, either as a shepherd or by curing animals' sprains—for the bonesetter's secret had been handed down to him by the old shepherd whose place he took-by touch or word, and one day he bought a small property, consisting of a cottage and a field, for three thousand francs. A few months later it became known that he was going to marry a servant, notorious for her bad morals, the innkeeper's servant. The young fellows said that the girl, knowing that he was pretty well off, had been to his cottage every night, and had taken him, captured him, led him on to matrimony, little by little night by night. And then, having been to the mayor's office and to church, she now lived in the house which her man had bought, while he continued to tend his flocks, day and night, on the plains. And the brigadier added: “Polyte has been sleeping there for three weeks, for the thief has no place of his own to go to!” The gendarme made a little joke: “He takes the shepherd's blankets.” Madame Lecacheur, who was seized by a fresh access of rage, of rage increased by a married woman's anger against debauchery, exclaimed: “It is she, I am sure. Go there. Ah, the blackguard thieves!”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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