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The Patron

"The Patron" by Guy de Maupassant is a short story that explores themes of social class, ambition, and the complexities of human relationships. The narrative follows the character of an ambitious and somewhat disillusioned artist who enters the world of affluent patrons seeking support for his work. Through encounters with various wealthy benefactors, the story delves into the dynamics of art, power, and financial dependency. Maupassant's keen observations on society and human behavior provide a poignant commentary on the often transactional nature of artistic patronage. The tale ultimately reveals the struggles and sacrifices artists may face in their pursuit of recognition and success.


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Submitted by davidb on February 03, 2025


								
We never dreamed of such good fortune! The son of a provincial bailiff, Jean Marin had come, as do so many others, to study law in the Quartier Latin. In the various beer-houses that he had frequented he had made friends with several talkative students who spouted politics as they drank their beer. He had a great admiration for them and followed them persistently from cafe to cafe, even paying for their drinks when he had the money. He became a lawyer and pleaded causes, which he lost. However, one morning he read in the papers that one of his former comrades of the Quartier had just been appointed deputy. He again became his faithful hound, the friend who does the drudgery, the unpleasant tasks, for whom one sends when one has need of him and with whom one does not stand on ceremony. But it chanced through some parliamentary incident that the deputy became a minister. Six months later Jean Marin was appointed a state councillor. He was so elated with pride at first that he lost his head. He would walk through the streets just to show himself off, as though one could tell by his appearance what position he occupied. He managed to say to the shopkeepers as soon as he entered a store, bringing it in somehow in the course of the most insignificant remarks and even to the news vendors and the cabmen: “I, who am a state councillor—” Then, in consequence of his position as well as for professional reasons and as in duty bound through being an influential and generous man, he felt an imperious need of patronizing others. He offered his support to every one on all occasions and with unbounded generosity. When he met any one he recognized on the boulevards he would advance to meet them with a charmed air, would take their hand, inquire after their health, and, without waiting for any questions, remark: “You know I am state councillor, and I am entirely at your service. If I can be of any use to you, do not hesitate to call on me. In my position one has great influence.” Then he would go into some cafe with the friend he had just met and ask for a pen and ink and a sheet of paper. “Just one, waiter; it is to write a letter of recommendation.” And he wrote ten, twenty, fifty letters of recommendation a day. He wrote them to the Cafe Americain, to Bignon's, to Tortoni's, to the Maison Doree, to the Cafe Riche, to the Helder, to the Cafe Anglais, to the Napolitain, everywhere, everywhere. He wrote them to all the officials of the republican government, from the magistrates to the ministers. And he was happy, perfectly happy. One morning as he was starting out to go to the council it began to rain. He hesitated about taking a cab, but decided not to do so and set out on foot. The rain came down in torrents, swamping the sidewalks and inundating the streets. M. Marin was obliged to take shelter in a doorway. An old priest was standing there—an old priest with white hair. Before he became a councillor M. Marin did not like the clergy. Now he treated them with consideration, ever since a cardinal had consulted him on an important matter. The rain continued to pour down in floods and obliged the two men to take shelter in the porter's lodge so as to avoid getting wet. M. Marin, who was always itching to talk so as to let people know who he was, remarked: “This is horrible weather, Monsieur l'Abbe.” The old priest bowed: “Yes indeed, sir, it is very unpleasant when one comes to Paris for only a few days.” “Ah! You come from the provinces?” “Yes, monsieur. I am only passing through on my journey.” “It certainly is very disagreeable to have rain during the few days one spends in the capital. We officials who stay here the year round, we think nothing of it.” The priest did not reply. He was looking at the street where the rain seemed to be falling less heavily. And with a sudden resolve he raised his cassock just as women raise their skirts in stepping across water. M. Marin, seeing him start away, exclaimed: “You will get drenched, Monsieur l'Abbe. Wait a few moments longer; the rain will be over.” The good man stopped irresistibly and then said: “But I am in a great hurry. I have an important engagement.” M. Marin seemed quite worried. “But you will be absolutely drenched. Might I ask in which direction you are going?” The priest appeared to hesitate. Then he said: “I am going in the direction of the Palais Royal.” “In that case, if you will allow me, Monsieur l'Abbe, I will offer you the shelter of my umbrella: As for me, I am going to the council. I am a councillor of state.” The old priest raised his head and looked at his neighbor and then exclaimed: “I thank you, monsieur. I shall be glad to accept your offer.” M. Marin then took his arm and led him away. He directed him, watched over him and advised him. “Be careful of that stream, Monsieur l'Abbe. And be very careful about the carriage wheels; they spatter you with mud sometimes from head to foot. Look out for the umbrellas of the people passing by; there is nothing more dangerous to the eyes than the tips of the ribs. Women especially are unbearable; they pay no heed to where they are going and always jab you in the face with the point of their parasols or umbrellas. And they never move aside for anybody. One would suppose the town belonged to them. They monopolize the pavement and the street. It is my opinion that their education has been greatly neglected.” And M. Marin laughed. The priest did not reply. He walked along, slightly bent over, picking his steps carefully so as not to get mud on his boots or his cassock. M. Marin resumed: “I suppose you have come to Paris to divert your mind a little?” The good man replied: “No, I have some business to attend to.” “Ali! Is it important business? Might I venture to ask what it is? If I can be of any service to you, you may command me.” The priest seemed embarrassed. He murmured: “Oh, it is a little personal matter; a little difficulty with—with my bishop. It would not interest you. It is a matter of internal regulation—an ecclesiastical affair.” M. Marin was eager. “But it is precisely the state council that regulates all those things. In that case, make use of me.” “Yes, monsieur, it is to the council that I am going. You are a thousand times too kind. I have to see M. Lerepere and M. Savon and also perhaps M. Petitpas.” M. Marin stopped short. “Why, those are my friends, Monsieur l'Abbe, my best friends, excellent colleagues, charming men. I will speak to them about you, and very highly. Count upon me.” The cure thanked him, apologizing for troubling him, and stammered out a thousand grateful promises. M. Marin was enchanted. “Ah, you may be proud of having made a stroke of luck, Monsieur l'Abbe. You will see—you will see that, thanks to me, your affair will go along swimmingly.” They reached the council hall. M. Marin took the priest into his office, offered him a chair in front of the fire and sat down himself at his desk and began to write.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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