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The Outrage

"The Outrage" by Aleksandr Kuprin is a poignant short story that explores the themes of passion, societal norms, and the complexity of human emotions. Set in early 20th-century Russia, the narrative follows a love affair between a young soldier and a beautiful woman, exposing the tension between their desires and the rigid moral expectations of society. Through vivid characterizations and rich prose, Kuprin delves into the struggles of individuality against the backdrop of social constructs, ultimately highlighting the tragic consequences of love and societal outrage.


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Submitted by davidb on February 02, 2025


								
A TRUE STORY It was five o’clock on a July afternoon. The heat was terrible. The whole of the huge stone-built town breathed out heat like a glowing furnace. The glare of the white-walled house was insufferable. The asphalt pavements grew soft and burned the feet. The shadows of the acacias spread over the cobbled road, pitiful and weary. They too seemed hot. The sea, pale in the sunlight, lay heavy and immobile as one dead. Over the streets hung a white dust. In the foyer of one of the private theatres a small committee of local barristers who had undertaken to conduct the cases of those who had suffered in the last pogrom against the Jews was reaching the end of its daily task. There were nineteen of them, all juniors, young, progressive and conscientious men. The sitting was without formality, and white ducks, flannels and white alpaca were in the majority. They sat anywhere, at little marble tables, and the chairman stood in front of an empty counter where chocolates were sold in the winter. The barristers were quite exhausted by the heat which poured in through the windows, with the dazzling sunlight and the noise of the streets. The proceedings went lazily and with a certain irritation. A tall young man with a fair moustache and thin hair was in the chair. He was dreaming voluptuously how he would be off in an instant on his new-bought bicycle to the bungalow. He would undress quickly, and without waiting to cool, still bathed in sweat, would fling himself into the clear, cold, sweet-smelling sea. His whole body was enervated and tense, thrilled by the thought. Impatiently moving the papers before him, he spoke in a drowsy voice. ‘So, Joseph Moritzovich will conduct the case of Rubinchik.... Perhaps there is still a statement to be made on the order of the day?’ His youngest colleague, a short, stout Karaim, very black and lively, said in a whisper so that every one could hear: ‘On the order of the day, the best thing would be iced kvass....’ The chairman gave him a stern side-glance, but could not restrain a smile. He sighed and put both his hands on the table to raise himself and declare the meeting closed, when the doorkeeper, who stood at the entrance to the theatre, suddenly moved forward and said: ‘There are seven people outside, sir. They want to come in.’ The chairman looked impatiently round the company. ‘What is to be done, gentlemen?’ Voices were heard. ‘Next time. Basta!’ ‘Let ’em put it in writing.’ ‘If they’ll get it over quickly.... Decide it at once.’ ‘Let ’em go to the devil. Phew! It’s like boiling pitch.’ ‘Let them in.’ The chairman gave a sign with his head, annoyed. ‘Then bring me a Vichy, please. But it must be cold.’ The porter opened the door and called down the corridor: ‘Come in. They say you may.’ Then seven of the most surprising and unexpected individuals filed into the foyer. First appeared a full-grown, confident man in a smart suit, of the colour of dry sea-sand, in a magnificent pink shirt with white stripes and a crimson rose in his buttonhole. From the front his head looked like an upright bean, from the side like a horizontal bean. His face was adorned with a strong, bushy, martial moustache. He wore dark blue pince-nez on his nose, on his hands straw-coloured gloves. In his left hand he held a black walking-stick with a silver mount, in his right a light blue handkerchief. The other six produced a strange, chaotic, incongruous impression, exactly as though they had all hastily pooled not merely their clothes, but their hands, feet and heads as well. There was a man with the splendid profile of a Roman senator, dressed in rags and tatters. Another wore an elegant dress waistcoat, from the deep opening of which a dirty little-Russian shirt leapt to the eye. Here were the unbalanced faces of the criminal type, but looking with a confidence that nothing could shake. All these men, in spite of their apparent youth, evidently possessed a large experience of life, an easy manner, a bold approach, and some hidden, suspicious cunning. The gentleman in the sandy suit bowed just his head, neatly and easily, and said with a half-question in his voice: ‘Mr. Chairman?’ ‘Yes. I am the chairman,’ said the latter. ‘What is your business?’ ‘We--all whom you see before you,’ the gentleman began in a quiet voice and turned round to indicate his companions, ‘we come as delegates from the United Rostov-Kharkov-and-Odessa-Nicolaiev Association of Thieves.’ The barristers began to shift in their seats. The chairman flung himself back and opened his eyes wide. ‘Association of what?’ he said, perplexed. ‘The Association of Thieves,’ the gentleman in the sandy suit coolly repeated. ‘As for myself, my comrades did me the signal honour of electing me as the spokesman of the deputation.’ ‘Very ... pleased,’ the chairman said uncertainly. ‘Thank you. All seven of us are ordinary thieves--naturally of different departments. The Association has authorised us to put before your esteemed Committee’--the gentleman again made an elegant bow--‘our respectful demand for assistance.’ ‘I don’t quite understand ... quite frankly ... what is the connection....’ The chairman waved his hands helplessly. ‘However, please go on.’ ‘The matter about which we have the courage and the honour to apply to you, gentlemen, is very clear, very simple, and very brief. It will take only six or seven minutes. I consider it my duty to warn you of this beforehand, in view of the late hour and the 115 degrees that Fahrenheit marks in the shade.’ The orator expectorated slightly and glanced at his superb gold watch. ‘You see, in the reports that have lately appeared in the local papers of the melancholy and terrible days of the last pogrom, there have very often been indications that among the instigators of the pogrom who were paid and organised by the police--the dregs of society, consisting of drunkards, tramps, souteneurs, and hooligans from the slums--thieves were also to be found. At first we were silent, but finally we considered ourselves under the necessity of protesting against such an unjust and serious accusation, before the face of the whole of intellectual society. I know well that in the eye of the law we are offenders and enemies of society. But imagine only for a moment, gentlemen, the situation of this enemy of society when he is accused wholesale of an offence which he not only never committed, but which he is ready to resist with the whole strength of his soul. It goes without saying that he will feel the outrage of such an injustice more keenly than a normal, average, fortunate citizen. Now, we declare that the accusation brought against us is utterly devoid of all basis, not merely of fact but even of logic. I intend to prove this in a few words if the honourable committee will kindly listen.’ ‘Proceed,’ said the chairman. ‘Please do.... Please ...’ was heard from the barristers, now animated. ‘I offer you my sincere thanks in the name of all my comrades. Believe
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Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

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