The Old House

The Old House is an enchanting, heartwarming tale by Hans Christian Andersen. It tells the story of a sentient, aging house who has witnessed centuries of human life and transformation. The House is visited by a little boy, who brings joy and revives the House's spirits through his curiosity and kind heart. As the years go by, the House grows even older and is eventually abandoned, but its legacy and memories of the little boy survive, reflecting themes of change, the passage of time, and the enduring power of memories and love.

• Children

								
A very old house stood once in a street with several that were
quite new and clean. The date of its erection had been carved on one
of the beams, and surrounded by scrolls formed of tulips and
hop-tendrils; by this date it could be seen that the old house was
nearly three hundred years old. Verses too were written over the
windows in old-fashioned letters, and grotesque faces, curiously
carved, grinned at you from under the cornices. One story projected
a long way over the other, and under the roof ran a leaden gutter,
with a dragon's head at the end. The rain was intended to pour out
at the dragon's mouth, but it ran out of his body instead, for there
was a hole in the gutter. The other houses in the street were new
and well built, with large window panes and smooth walls. Any one
could see they had nothing to do with the old house. Perhaps they
thought, "How long will that heap of rubbish remain here to be a
disgrace to the whole street. The parapet projects so far forward that
no one can see out of our windows what is going on in that
direction. The stairs are as broad as the staircase of a castle, and
as steep as if they led to a church-tower. The iron railing looks like
the gate of a cemetery, and there are brass knobs upon it. It is
really too ridiculous."

Opposite to the old house were more nice new houses, which had
just the same opinion as their neighbors.

At the window of one of them sat a little boy with fresh rosy
cheeks, and clear sparkling eyes, who was very fond of the old
house, in sunshine or in moonlight. He would sit and look at the
wall from which the plaster had in some places fallen off, and fancy
all sorts of scenes which had been in former times. How the street
must have looked when the houses had all gable roofs, open staircases,
and gutters with dragons at the spout. He could even see soldiers
walking about with halberds. Certainly it was a very good house to
look at for amusement.

An old man lived in it, who wore knee-breeches, a coat with
large brass buttons, and a wig, which any one could see was a real
wig. Every morning an old man came to clean the rooms, and to wait
upon him, otherwise the old man in the knee-breeches would have been
quite alone in the house. Sometimes he came to one of the windows
and looked out; then the little boy nodded to him, and the old man
nodded back again, till they became acquainted, and were friends,
although they had never spoken to each other; but that was of no
consequence.

The little boy one day heard his parents say, "The old man
opposite is very well off, but is terribly lonely." The next Sunday
morning the little boy wrapped something in a piece of paper and
took it to the door of the old house, and said to the attendant who
waited upon the old man, "Will you please give this from me to the
gentleman who lives here; I have two tin soldiers, and this is one
of them, and he shall have it, because I know he is terribly lonely."

And the old attendant nodded and looked very pleased, and then
he carried the tin soldier into the house.

Afterwards he was sent over to ask the little boy if he would
not like to pay a visit himself. His parents gave him permission,
and so it was that he gained admission to the old house.

The brassy knobs on the railings shone more brightly than ever, as
if they had been polished on account of his visit; and on the door
were carved trumpeters standing in tulips, and it seemed as if they
were blowing with all their might, their cheeks were so puffed out.
"Tanta-ra-ra, the little boy is coming; Tanta-ra-ra, the little boy is
coming."

Then the door opened. All round the hall hung old portraits of
knights in armor, and ladies in silk gowns; and the armor rattled, and
the silk dresses rustled. Then came a staircase which went up a long
way, and then came down a little way and led to a balcony, which was
in a very ruinous state. There were large holes and long cracks, out
of which grew grass and leaves, indeed the whole balcony, the
courtyard, and the walls were so overgrown with green that they looked
like a garden. In the balcony stood flower-pots, on which were heads
having asses' ears, but the flowers in them grew just as they pleased.
In one pot pinks were growing all over the sides, at least the green
leaves were shooting forth stalk and stem, and saying as plainly as
they could speak, "The air has fanned me, the sun has kissed me, and I
am promised a little flower for next Sunday--really for next Sunday."

Then they entered a room in which the walls were covered with
leather, and the leather had golden flowers stamped upon it.

  "Gilding will fade in damp weather,
  To endure, there is nothing like leather,"

said the walls. Chairs handsomely carved, with elbows on each side,
and with very high backs, stood in the room, and as they creaked
they seemed to say, "Sit down. Oh dear, how I am creaking. I shall
certainly have the gout like the old cupboard. Gout in my back, ugh."

And then the little boy entered the room where the old man sat.

"Thank you for the tin soldier my little friend," said the old
man, "and thank you also for coming to see me."

"Thanks, thanks," or "Creak, creak," said all the furniture.

There was so much that the pieces of furniture stood in each
other's way to get a sight of the little boy.

On the wall near the centre of the room hung the picture of a
beautiful lady, young and gay, dressed in the fashion of the olden
times, with powdered hair, and a full, stiff skirt. She said neither
"thanks" nor "creak," but she looked down upon the little boy with her
mild eyes; and then he said to the old man,

"Where did you get that picture?"

"From the shop opposite," he replied. "Many portraits hang there
that none seem to trouble themselves about. The persons they represent
have been dead and buried long since. But I knew this lady many
years ago, and she has been dead nearly half a century."

Under a glass beneath the picture hung a nosegay of withered
flowers, which were no doubt half a century old too, at least they
appeared so.

And the pendulum of the old clock went to and fro, and the hands
turned round; and as time passed on, everything in the room grew
older, but no one seemed to notice it.

"They say at home," said the little boy, "that you are very
lonely."

"Oh," replied the old man, "I have pleasant thoughts of all that
has passed, recalled by memory; and now you are come to visit me,
and that is very pleasant."

Then he took from the book-case, a book full of pictures
representing long processions of wonderful coaches, such as are
never seen at the present time. Soldiers like the knave of clubs,
and citizens with waving banners. The tailors had a flag with a pair
of scissors supported by two lions, and on the shoemakers' flag
there were not boots, but an eagle with two heads, for the
shoemakers must have everything arranged so that they can say, "This
is a pair." What a picture-book it was; and then the old man went into
another room to fetch apples and nuts. It was very pleasant,

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