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The Mysterious Lodger

"The Mysterious Lodger" is a captivating short story by Joseph Thomas Sheridan Le Fanu, a master of Gothic fiction. Set in the eerie atmosphere of a Victorian-era boarding house, the narrative unfolds as a curious and unsettling series of events occur surrounding a peculiar new tenant. As the protagonist delves into the lodger's enigmatic past, secrets and supernatural elements intertwine, leading to a haunting climax. Le Fanu skillfully weaves themes of mystery, suspense, and the supernatural, engaging readers with his atmospheric prose and compelling storytelling.


Year:
1850
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Submitted by davidb on February 10, 2025


								
PART I About the year 1822 I resided in a comfortable and roomy old house, the exact locality of which I need not particularise, further than to say that it was not very far from Old Brompton, in the immediate neighbourhood, or rather continuity (as even my Connemara readers perfectly well know), of the renowned city of London. Though this house was roomy and comfortable, as I have said, it was not, by any means, a handsome one. It was composed of dark red brick, with small windows, and thick white sashes; a porch, too--none of your flimsy trellis-work, but a solid projection of the same vermillion masonry--surmounted by a leaded balcony, with heavy, half-rotten balustrades, darkened the hall-door with a perennial gloom. The mansion itself stood in a walled enclosure, which had, perhaps, from the date of the erection itself, been devoted to shrubs and flowers. Some of the former had grown there almost to the dignity of trees; and two dark little yews stood at each side of the porch, like swart and inauspicious dwarfs, guarding the entrance of an enchanted castle. Not that my domicile in any respect deserved the comparison: it had no reputation as a haunted house; if it ever had any ghosts, nobody remembered them. Its history was not known to me: it may have witnessed plots, cabals, and forgeries, bloody suicides and cruel murders. It was certainly old enough to have become acquainted with iniquity; a small stone slab, under the balustrade, and over the arch of the porch I mentioned, had the date 1672, and a half-effaced coat of arms, which I might have deciphered any day, had I taken the trouble to get a ladder, but always put it off. All I can say for the house is, that it was well stricken in years, with a certain air of sombre comfort about it; contained a vast number of rooms and closets; and, what was of far greater importance, was got by me a dead bargain. Its individuality attracted me. I grew fond of it for itself, and for its associations, until other associations of a hateful kind first disturbed, and then destroyed, their charm. I forgave its dull red brick, and pinched white windows, for the sake of the beloved and cheerful faces within: its ugliness was softened by its age; and its sombre evergreens, and moss-grown stone flower-pots, were relieved by the brilliant hues of a thousand gay and graceful flowers that peeped among them, or nodded over the grass. Within that old house lay my life's treasure! I had a darling little girl of nine, and another little darling--a boy--just four years of age; and dearer, unspeakably, than either--a wife--the prettiest, gayest, best little wife in all London. When I tell you that our income was scarcely £380 a-year, you will perceive that our establishment cannot have been a magnificent one; yet, I do assure you, we were more comfortable than a great many lords, and happier, I dare say, than the whole peerage put together. This happiness was not, however, what it ought to have been. The reader will understand at once, and save me a world of moralising circumlocution, when he learns, bluntly and nakedly, that, among all my comforts and blessings, I was an infidel. I had not been without religious training; on the contrary, more than average pains had been bestowed upon my religious instruction from my earliest childhood. My father, a good, plain, country clergyman, had worked hard to make me as good as himself; and had succeeded, at least, in training me in godly habits. He died, however, when I was but twelve years of age; and fate had long before deprived me of the gentle care of a mother. A boarding-school, followed by a college life, where nobody having any very direct interest in realising in my behalf the ancient blessing, that in fulness of time I should "die a good old man," I was left very much to my own devices, which, in truth, were none of the best. Among these were the study of Voltaire, Tom Paine, Hume, Shelley, and the whole school of infidels, poetical as well as prose. This pursuit, and the all but blasphemous vehemence with which I gave myself up to it, was, perhaps, partly reactionary. A somewhat injudicious austerity and precision had indissolubly associated in my childish days the ideas of restraint and gloom with religion. I bore it a grudge; and so, when I became thus early my own master, I set about paying off, after my own fashion, the old score I owed it. I was besides, like every other young infidel whom it has been my fate to meet, a conceited coxcomb. A smattering of literature, without any real knowledge, and a great assortment of all the cut-and-dry flippancies of the school I had embraced, constituted my intellectual stock in trade. I was, like most of my school of philosophy, very proud of being an unbeliever; and fancied myself, in the complacency of my wretched ignorance, at an immeasurable elevation above the church-going, Bible-reading herd, whom I treated with a good-humoured superciliousness which I thought vastly indulgent. My wife was an excellent little creature and truly pious. She had married me in the full confidence that my levity was merely put on, and would at once give way before the influence she hoped to exert upon my mind. Poor little thing! she deceived herself. I allowed her, indeed, to do entirely as she pleased; but for myself, I carried my infidelity to the length of an absolute superstition. I made an ostentation of it. I would rather have been in a "hell" than in a church on Sunday; and though I did not prevent my wife's instilling her own principles into the minds of our children, I, in turn, took especial care to deliver mine upon all occasions in their hearing, by which means I trusted to sow the seeds of that unprejudiced scepticism in which I prided myself, at least as early as my good little partner dropped those of her own gentle "superstition" into their infant minds. Had I had my own absurd and impious will in this matter, my children should have had absolutely no religious education whatsoever, and been left wholly unshackled to choose for themselves among all existing systems, infidelity included, precisely as chance, fancy, or interest might hereafter determine. It is not to be supposed that such a state of things did not afford her great uneasiness. Nevertheless, we were so very fond of one another, and in our humble way enjoyed so many blessings, that we were as entirely happy as any pair can be without the holy influence of religious sympathy. But the even flow of prosperity which had for so long gladdened my little household was not destined to last for ever. It was ordained that I should experience the bitter truth of more than one of the wise man's proverbs, and first, especially, of that which declares that "he that hateth suretyship is sure." I found myself involved (as how many have been before) by a "d--d good-natured friend," for more than two hundred pounds. This agreeable intelligence was conveyed to me in an attorney's
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Joseph Thomas Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish author known for his contributions to the Gothic fiction genre and his mastery of supernatural tales. His works often explore themes of mystery, madness, and the occult, blending psychological depth with eerie atmospheres. Le Fanu is best remembered for his novels "Carmilla," a seminal vampire story that predates Bram Stoker's "Dracula," and "The House by the Churchyard." His storytelling style, rich in atmosphere and suspense, has influenced many later writers, earning him a significant place in the literary canon of horror and Gothic literature. more…

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