The Man and the Mountain book cover

The Man and the Mountain

"The Man and the Mountain" by Bret Harte is a short story that explores themes of solitude, nature, and the human spirit. Set against the backdrop of the Sierra Nevada mountains, the narrative follows a solitary miner who embodies the rugged individualism of the American West. Through encounters with nature and other characters, Harte delves into the complexities of loneliness, aspiration, and the search for meaning in an untamed landscape. The story captures the stark beauty of the wilderness while highlighting the inner struggles of its protagonist, ultimately reflecting on the relationship between humanity and the natural world.


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Submitted by davidb on February 06, 2025
Modified by davidb on February 06, 2025


								
He was such a large, strong man that, when he first set foot in the little parallelogram I called my garden, it seemed to shrink to half its size and become preposterous. But I noticed at the same time that he was holding in the open palm of his huge hand the roots of a violet, with such infinite tenderness and delicacy that I would have engaged him as my gardener on the spot. But this could not be, as he was already the proud proprietor of a market-garden and nursery on the outskirts of the suburban Californian town where I lived. He would, however, come for two days in the week, stock and look after my garden, and impart to my urban intellect such horticultural hints as were necessary. His name was "Rutli," which I presumed to be German, but which my neighbors rendered as "Rootleigh," possibly from some vague connection with his occupation. His own knowledge of English was oral and phonetic. I have a delightful recollection of a bill of his in which I was charged for "fioletz," with the vague addition of "maine cains." Subsequent explanation proved it to be "many kinds." Nevertheless, my little garden bourgeoned and blossomed under his large, protecting hand. I became accustomed to walk around his feet respectfully when they blocked the tiny paths, and to expect the total eclipse of that garden-bed on which he worked, by his huge bulk. For the tiniest and most reluctant rootlet seemed to respond to his caressing paternal touch; it was a pretty sight to see his huge fingers tying up some slender stalk to its stick with the smallest thread, and he had a reverent way of laying a bulb or seed in the ground, and then gently shaping and smoothing a small mound over it, which made the little inscription on the stick above more like an affecting epitaph than ever. Much of this gentleness may have been that apology for his great strength, common with large men; but his face was distinctly amiable, and his very light blue eyes were at times wistful and doglike in their kindliness. I was soon to learn, however, that placability was not entirely his nature. The garden was part of a fifty vara lot of land, on which I was simultaneously erecting a house. But the garden was finished before the house was, through certain circumstances very characteristic of that epoch and civilization. I had purchased the Spanish title, the only LEGAL one, to the land, which, however, had been in POSSESSION of a "squatter." But he had been unable to hold that possession against a "jumper,"--another kind of squatter who had entered upon it covertly, fenced it in, and marked it out in building sites. Neither having legal rights, they could not invoke the law; the last man held possession. There was no doubt that in due course of litigation and time both these ingenuous gentlemen would have been dispossessed in favor of the real owner,--myself,--but that course would be a protracted one. Following the usual custom of the locality, I paid a certain sum to the jumper to yield up peaceably HIS possession of the land, and began to build upon it. It might be reasonably supposed that the question was settled. But it was not. The house was nearly finished when, one morning, I was called out of my editorial sanctum by a pallid painter, looking even more white-leaded than usual, who informed me that my house was in the possession of five armed men! The entry had been made peaceably during the painters' absence to dinner under a wayside tree. When they returned, they had found their pots and brushes in the road, and an intimation from the windows that their reentrance would be forcibly resisted as a trespass. I honestly believe that Rutli was more concerned than myself over this dispossession. While he loyally believed that I would get back my property, he was dreadfully grieved over the inevitable damage that would be done to the garden during this interval of neglect and carelessness. I even think he would have made a truce with my enemies, if they would only have let him look after his beloved plants. As it was, he kept a passing but melancholy surveillance of them, and was indeed a better spy of the actions of the intruders than any I could have employed. One day, to my astonishment, he brought me a moss-rose bud from a bush which had been trained against a column of the veranda. It appeared that he had called, from over the fence, the attention of one of the men to the neglected condition of the plant, and had obtained permission to "come in and tie it up." The men, being merely hirelings of the chief squatter, had no personal feeling, and I was not therefore surprised to hear that they presently allowed Rutli to come in occasionally and look after his precious "slips." If they had any suspicions of his great strength, it was probably offset by his peaceful avocation and his bland, childlike face. Meantime, I had begun the usual useless legal proceeding, but had also engaged a few rascals of my own to be ready to take advantage of any want of vigilance on the part of my adversaries. I never thought of Rutli in that connection any more than they had. A few Sundays later I was sitting in the little tea-arbor of Rutli's nursery, peacefully smoking with him. Presently he took his long china-bowled pipe from his mouth, and, looking at me blandly over his yellow mustache, said:-- "You vonts sometimes to go in dot house, eh?" I said, "Decidedly." "Mit a revolver, and keep dot house dose men out?" "Yes!" "Vell! I put you in dot house--today!" "Sunday?" "Shoost so! It is a goot day! On der Suntay DREE men vill out go to valk mit demselluffs, and visky trinken. TWO," holding up two gigantic fingers, apparently only a shade or two smaller than his destined victims, "stay dere. Dose I lift de fence over." I hastened to inform him that any violence attempted against the parties WHILE IN POSSESSION, although that possession was illegal, would, by a fatuity of the law, land him in the county jail. I said I would not hear of it. "But suppose dere vos no fiolence? Suppose dose men vos villin', eh? How vos dot for high?" "I don't understand." "So! You shall NOT understand! Dot is better. Go away now and dell your men to coom dot house arount at halluff past dree. But YOU coom, mit yourselluff alone, shoost as if you vos spazieren gehen, for a valk, by dat fence at dree! Ven you shall dot front door vide open see, go in, and dere you vos! You vill der rest leef to me!" It was in vain that I begged Rutli to divulge his plan, and pointed out again the danger of his technically breaking the law. But he was firm, assuring me that I myself would be a witness that no assault would be made. I looked into his clear, good-humored eyes, and assented. I had a burning desire to right my wrongs, but I think I also had considerable curiosity. I passed a miserable quarter of an hour after I had warned my partisans,
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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