The Maison Tellier Page #7

"The Maison Tellier" is a novella by French author Guy de Maupassant, first published in 1881. The story revolves around a well-known brothel in the Normandy town of Étretat, run by Madame Tellier. When the establishment closes for a day due to the daughter's First Communion, the lives of its inhabitants, including the women working there and their male patrons, are explored. Through its vivid characters and poignant social commentary, the novella delves into themes of morality, desire, and the complexities of human relationships, revealing the blurred lines between respectability and vice in society. Maupassant’s keen observations and rich storytelling make this work a notable reflection on the human condition.

								


They started off in the same way as they had come the day before, and the little white horse started off with his quick, dancing trot. Under the hot sun, their fun, which had been checked during dinner, broke out again. The girls now were amused at the jolting of the cart, pushed their neighbors' chairs, and burst out laughing every moment.

There was a glare of light over the country, which dazzled their eyes, and the wheels raised two trails of dust along the highroad. Presently, Fernande, who was fond of music, asked Rosa to sing something, and she boldly struck up the “Gros Cure de Meudon,” but Madame Tellier made her stop immediately, as she thought it a very unsuitable song for such a day, and she added:

“Sing us something of Beranger's.” And so, after a moment's hesitation, Rosa began Beranger's song “The Grandmother” in her worn-out voice, and all the girls, and even Madame Tellier herself, joined in the chorus:

        “How I regret
        My dimpled arms,
        My nimble legs,
        And vanished charms.”
 
“That is first rate,” Rivet declared, carried away by the rhythm, and they shouted the refrain to every verse, while Rivet beat time on the shaft with his foot, and with the reins on the back of the horse, who, as if he himself were carried away by the rhythm, broke into a wild gallop, and threw all the women in a heap, one on top of the other, on the bottom of the conveyance.

They got up, laughing as if they were mad, and the Gong went on, shouted at the top of their voices, beneath the burning sky, among the ripening grain, to the rapid gallop of the little horse, who set off every time the refrain was sung, and galloped a hundred yards, to their great delight, while occasionally a stone-breaker by the roadside sat up and looked at the load of shouting females through his wire spectacles.

When they got out at the station, the carpenter said:

“I am sorry you are going; we might have had some good times together.” But Madame Tellier replied very sensibly: “Everything has its right time, and we cannot always be enjoying ourselves.” And then he had a sudden inspiration:

“Look here, I will come and see you at Fecamp next month.” And he gave Rosa a roguish and knowing look.

“Come,” his sister replied, “you must be sensible; you may come if you like, but you are not to be up to any of your tricks.”

He did not reply, and as they heard the whistle of the train, he immediately began to kiss them all. When it came to Rosa's turn, he tried to get to her mouth, which she, however, smiling with her lips closed, turned away from him each time by a rapid movement of her head to one side. He held her in his arms, but he could not attain his object, as his large whip, which he was holding in his hand and waving behind the girl's back in desperation, interfered with his movements.

“Passengers for Rouen, take your seats!” a guard cried, and they got in. There was a slight whistle, followed by a loud whistle from the engine, which noisily puffed out its first jet of steam, while the wheels began to turn a little with a visible effort, and Rivet left the station and ran along by the track to get another look at Rosa, and as the carriage passed him, he began to crack his whip and to jump, while he sang at the top of his voice:

          “How I regret
          My dimpled arms,
          My nimble legs,
          And vanished charms.”
 
And then he watched a white pocket-handkerchief, which somebody was waving, as it disappeared in the distance.

III

They slept the peaceful sleep of a quiet conscience, until they got to Rouen, and when they returned to the house, refreshed and rested, Madame Tellier could not help saying:

“It was all very well, but I was longing to get home.”

They hurried over their supper, and then, when they had put on their usual evening costume, waited for their regular customers, and the little colored lamp outside the door told the passers-by that Madame Tellier had returned, and in a moment the news spread, nobody knew how or through whom.

Monsieur Philippe, the banker's son, even carried his friendliness so far as to send a special messenger to Monsieur Tournevau, who was in the bosom of his family.

The fish curer had several cousins to dinner every Sunday, and they were having coffee, when a man came in with a letter in his hand. Monsieur Tournevau was much excited; he opened the envelope and grew pale; it contained only these words in pencil:

“The cargo of cod has been found; the ship has come into port; good business for you. Come immediately.”

He felt in his pockets, gave the messenger two sons, and suddenly blushing to his ears, he said: “I must go out.” He handed his wife the laconic and mysterious note, rang the bell, and when the servant came in, he asked her to bring him has hat and overcoat immediately. As soon as he was in the street, he began to hurry, and the way seemed to him to be twice as long as usual, in consequence of his impatience.

Madame Tellier's establishment had put on quite a holiday look. On the ground floor, a number of sailors were making a deafening noise, and Louise and Flora drank with one and the other, and were being called for in every direction at once.

The upstairs room was full by nine o'clock. Monsieur Vasse, the Judge of the Tribunal of Commerce, Madame Tellier's regular but Platonic wooer, was talking to her in a corner in a low voice, and they were both smiling, as if they were about to come to an understanding.

Monsieur Poulin, the ex-mayor, was talking to Rosa, and she was running her hands through the old gentleman's white whiskers.

Tall Fernande was on the sofa, her feet on the coat of Monsieur Pinipesse, the tax collector, and leaning back against young Monsieur Philippe, her right arm around his neck, while she held a cigarette in her left hand.

Raphaele appeared to be talking seriously with Monsieur Dupuis, the insurance agent, and she finished by saying: “Yes, I will, yes.”

Just then, the door opened suddenly, and Monsieur Tournevau came in, and was greeted with enthusiastic cries of “Long live Tournevau!” And Raphaele, who was dancing alone up and down the room, went and threw herself into his arms. He seized her in a vigorous embrace and, without saying a word, lifted her up as if she had been a feather.

Rosa was chatting to the ex-mayor, kissing him and puffing; both his whiskers at the same time, in order to keep his head straight.

Fernande and Madame Tellier remained with the four men, and Monsieur Philippe exclaimed: “I will pay for some champagne; get three bottles, Madame Tellier.” And Fernande gave him a hug, and whispered to him: “Play us a waltz, will you?” So he rose and sat down at the old piano in the corner, and managed to get a hoarse waltz out of the depths of the instrument.
								Rate this book:0.0 / 0 votes