The Maison Tellier

"The Maison Tellier" is a novella by French author Guy de Maupassant, first published in 1881. The story revolves around a well-known brothel in the Normandy town of Étretat, run by Madame Tellier. When the establishment closes for a day due to the daughter's First Communion, the lives of its inhabitants, including the women working there and their male patrons, are explored. Through its vivid characters and poignant social commentary, the novella delves into themes of morality, desire, and the complexities of human relationships, revealing the blurred lines between respectability and vice in society. Maupassant’s keen observations and rich storytelling make this work a notable reflection on the human condition.

								
I

They went there every evening about eleven o'clock, just as they would go to the club. Six or eight of them; always the same set, not fast men, but respectable tradesmen, and young men in government or some other employ, and they would drink their Chartreuse, and laugh with the girls, or else talk seriously with Madame Tellier, whom everybody respected, and then they would go home at twelve o'clock! The younger men would sometimes stay later.

It was a small, comfortable house painted yellow, at the corner of a street behind Saint Etienne's Church, and from the windows one could see the docks full of ships being unloaded, the big salt marsh, and, rising beyond it, the Virgin's Hill with its old gray chapel.

Madame Tellier, who came of a respectable family of peasant proprietors in the Department of the Eure, had taken up her profession, just as she would have become a milliner or dressmaker. The prejudice which is so violent and deeply rooted in large towns, does not exist in the country places in Normandy. The peasant says:

“It is a paying-business,” and he sends his daughter to keep an establishment of this character just as he would send her to keep a girls' school.

She had inherited the house from an old uncle, to whom it had belonged. Monsieur and Madame Tellier, who had formerly been innkeepers near Yvetot, had immediately sold their house, as they thought that the business at Fecamp was more profitable, and they arrived one fine morning to assume the direction of the enterprise, which was declining on account of the absence of the proprietors. They were good people enough in their way, and soon made themselves liked by their staff and their neighbors.

Monsieur died of apoplexy two years later, for as the new place kept him in idleness and without any exercise, he had grown excessively stout, and his health had suffered. Since she had been a widow, all the frequenters of the establishment made much of her; but people said that, personally, she was quite virtuous, and even the girls in the house could not discover anything against her. She was tall, stout and affable, and her complexion, which had become pale in the dimness of her house, the shutters of which were scarcely ever opened, shone as if it had been varnished. She had a fringe of curly false hair, which gave her a juvenile look, that contrasted strongly with the ripeness of her figure. She was always smiling and cheerful, and was fond of a joke, but there was a shade of reserve about her, which her occupation had not quite made her lose. Coarse words always shocked her, and when any young fellow who had been badly brought up called her establishment a hard name, she was angry and disgusted.

In a word, she had a refined mind, and although she treated her women as friends, yet she very frequently used to say that “she and they were not made of the same stuff.”

Sometimes during the week she would hire a carriage and take some of her girls into the country, where they used to enjoy themselves on the grass by the side of the little river. They were like a lot of girls let out from school, and would run races and play childish games. They had a cold dinner on the grass, and drank cider, and went home at night with a delicious feeling of fatigue, and in the carriage they kissed Madame' Tellier as their kind mother, who was full of goodness and complaisance.

The house had two entrances. At the corner there was a sort of tap-room, which sailors and the lower orders frequented at night, and she had two girls whose special duty it was to wait on them with the assistance of Frederic, a short, light-haired, beardless fellow, as strong as a horse. They set the half bottles of wine and the jugs of beer on the shaky marble tables before the customers, and then urged the men to drink.

The three other girls—there were only five of them—formed a kind of aristocracy, and they remained with the company on the first floor, unless they were wanted downstairs and there was nobody on the first floor. The salon de Jupiter, where the tradesmen used to meet, was papered in blue, and embellished with a large drawing representing Leda and the swan. The room was reached by a winding staircase, through a narrow door opening on the street, and above this door a lantern inclosed in wire, such as one still sees in some towns, at the foot of the shrine of some saint, burned all night long.

The house, which was old and damp, smelled slightly of mildew. At times there was an odor of eau de Cologne in the passages, or sometimes from a half-open door downstairs the noisy mirth of the common men sitting and drinking rose to the first floor, much to the disgust of the gentlemen who were there. Madame Tellier, who was on friendly terms with her customers, did not leave the room, and took much interest in what was going on in the town, and they regularly told her all the news. Her serious conversation was a change from the ceaseless chatter of the three women; it was a rest from the obscene jokes of those stout individuals who every evening indulged in the commonplace debauchery of drinking a glass of liqueur in company with common women.

The names of the girls on the first floor were Fernande, Raphaele, and Rosa, the Jade. As the staff was limited, madame had endeavored that each member of it should be a pattern, an epitome of the feminine type, so that every customer might find as nearly as possible the realization of his ideal. Fernande represented the handsome blonde; she was very tall, rather fat, and lazy; a country girl, who could not get rid of her freckles, and whose short, light, almost colorless, tow-like hair, like combed-out hemp, barely covered her head.

Raphaele, who came from Marseilles, played the indispensable part of the handsome Jewess, and was thin, with high cheekbones, which were covered with rouge, and black hair covered with pomatum, which curled on her forehead. Her eyes would have been handsome, if the right one had not had a speck in it. Her Roman nose came down over a square jaw, where two false upper teeth contrasted strangely with the bad color of the rest.

Rosa was a little roll of fat, nearly all body, with very short legs, and from morning till night she sang songs, which were alternately risque or sentimental, in a harsh voice; told silly, interminable tales, and only stopped talking in order to eat, and left off eating in order to talk; she was never still, and was active as a squirrel, in spite of her embonpoint and her short legs; her laugh, which was a torrent of shrill cries, resounded here and there, ceaselessly, in a bedroom, in the loft, in the cafe, everywhere, and all about nothing.

The two women on the ground floor, Lodise, who was nicknamed La Cocotte, and Flora, whom they called Balancoise, because she limped a little, the former always dressed as the Goddess of Liberty, with a tri-colored sash, and the other as a Spanish woman, with a string of copper coins in her carroty hair, which jingled at every uneven step, looked like cooks dressed up for the carnival. They were like all other women of the lower orders, neither uglier nor better looking than they usually are.

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