The Luck of the Bogans book cover

The Luck of the Bogans

"The Luck of the Bogans" is a charming story by Sarah Orne Jewett that explores themes of fortune, community, and resilience in a rural setting. Through the eyes of its characters, the narrative delves into the lives of those living in a small town, highlighting their struggles and triumphs against the backdrop of their relationships with one another and the land. Jewett's vivid descriptions and keen observations bring to life the unique culture and character of the Bogans, ultimately revealing the profound connections that shape their experiences and outlooks on life.


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Submitted by davidb on February 12, 2025


								
I. The old beggar women of Bantry streets had seldom showered their blessings upon a departing group of emigrants with such hearty good will as they did upon Mike Bogan and his little household one May morning. Peggy Muldoon, she of the game leg and green-patched eye and limber tongue, steadied herself well back against the battered wall at the street corner and gave her whole energy to a torrent of speech unusual to even her noble powers. She would not let Mike Bogan go to America unsaluted and unblessed; she meant to do full honor to this second cousin, once removed, on the mother's side. "Yirra, Mike Bogan, is it yerself thin, goyn away beyant the says?" she began with true dramatic fervor. "Let poor owld Peg take her last look on your laughing face me darlin'. She'll be under the ground this time next year, God give her grace, and you far away lavin' to strange spades the worruk of hapin' the sods of her grave. Give me one last look at me darlin' lad wid his swate Biddy an' the shild. Oh that I live to see this day!" Peg's companions, old Marget Dunn and Biddy O'Hern and no-legged Tom Whinn, the fragment of a once active sailor who propelled himself by a low truckle cart and two short sticks; these interesting members of society heard the shrill note of their leader's eloquence and suddenly appeared like beetles out of unsuspected crevices near by. The side car, upon which Mike Bogan and his wife and child were riding from their little farm outside the town to the place of departure, was stopped at the side of the narrow street. A lank yellow-haired lad, with eyes red from weeping sat swinging his long legs from the car side, another car followed, heavily laden with Mike's sister's family, and a mourning yet envious group of acquaintances footed it in the rear. It was an excited, picturesque little procession; the town was quickly aware of its presence, and windows went up from house to house, and heads came out of the second and third stories and even in the top attics all along the street. The air was thick with blessings, the quiet of Bantry was permanently broken. "Lard bliss us and save us!" cried Peggy, her shrill voice piercing the chatter and triumphantly lifting itself in audible relief above the din,--"Lard bliss us an' save us for the flower o' Bantry is lavin' us this day. Break my heart wid yer goyn will ye Micky Bogan and make it black night to the one eye that's left in me gray head this fine mornin' o' spring. I that hushed the mother of you and the father of you babies in me arms, and that was a wake old woman followin' and crapin' to see yerself christened. Oh may the saints be good to you Micky Bogan and Biddy Flaherty the wife, and forgive you the sin an' shame of turning yer proud backs on ould Ireland. Ain't there pigs and praties enough for ye in poor Bantry town that her crabbedest childer must lave her. Oh wisha wisha, I'll see your face no more, may the luck o' the Bogans follow you, that failed none o' the Bogans yet. May the sun shine upon you and grow two heads of cabbage in the same sprout, may the little b'y live long and get him a good wife, and if she ain't good to him may she die from him. May every hair on both your heads turn into a blessed candle to light your ways to heaven, but not yit me darlin's--not yit!" The jaunting car had been surrounded by this time and Mike and his wife were shaking hands and trying to respond impartially to the friendly farewells and blessings of their friends. There never had been such a leave-taking in Bantry. Peggy Muldoon felt that her eloquence was in danger of being ignored and made a final shrill appeal. "Who'll bury me now?" she screamed with a long wail which silenced the whole group; "who'll lay me in the grave, Micky bein' gone from me that always gave me the kind word and the pinny or trippence ivery market day, and the wife of him Biddy Flaherty the rose of Glengariff; many's the fine meal she's put before old Peggy Muldoon that is old and blind." "Awh, give the ould sowl a pinny now," said a sympathetic voice, "'t will bring you luck, more power to you." And Mike Bogan, the tears streaming down his honest cheeks, plunged deep into his pocket and threw the old beggar a broad five-shilling piece. It was a monstrous fortune to Peggy. Her one eye glared with joy, the jaunting car moved away while she fell flat on the ground in apparent excess of emotion. The farewells were louder for a minute--then they were stopped; the excitable neighborhood returned to its business or idleness and the street was still. Peggy rose rubbing an elbow, and said with the air of a queen to her retinue, "Coom away now poor crathurs, so we'll drink long life to him." And Marget Dunn and Biddy O'Hern and no-legged Tom Whinn with his truckle cart disappeared into an alley. "What's all this whillalu?" asked a sober-looking, clerical gentleman who came riding by. "'T is the Bogans going to Ameriky, yer reverence," responded Jim Kalehan, the shoemaker, from his low window. "The folks gived them their wake whilst they were here to enjoy it and them was the keeners that was goin' hippety with lame legs and fine joy down the convanient alley for beer, God bless the poor souls!" Mike Bogan and Biddy his wife looked behind them again and again. Mike blessed himself fervently as he caught a last glimpse of the old church on the hill where he was christened and married, where his father and his grandfather had been christened and married and buried. He remembered the day when he had first seen his wife, who was there from Glengariff to stay with her old aunt, and coming to early mass, had looked to him like a strange sweet flower abloom on the gray stone pavement where she knelt. The old church had long stood on the steep height at the head of Bantry street and watched and waited for her children. He would never again come in from his little farm in the early morning--he never again would be one of the Bantry men. The golden stories of life in America turned to paltry tinsel, and a love and pride of the old country, never forgotten by her sons and daughters, burned with fierce flame on the inmost altar of his heart. It had all been very easy to dream fine dreams of wealth and landownership, but in that moment the least of the pink daisies that were just opening on the roadside was dearer to the simple-hearted emigrant than all the world beside. "Lave me down for a bit of sod," he commanded the wondering young driver, who would have liked above all things to sail for the new world. The square of turf from the hedge foot, sparkling with dew and green with shamrock and gay with tiny flowers, was carefully wrapped in Mike's best Sunday handkerchief as they went their way. Biddy had covered her head with her shawl--it was she who had made the plan of going to America, it was she who was eager to join some successful
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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