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"The Inn" by Ivan Sergeevich Turgenev is a poignant short story that explores themes of love, loneliness, and the transient nature of human connections. Set in a rural inn, the narrative revolves around a chance meeting between a disillusioned Russian gentleman and a young woman, both seeking solace from their personal struggles. Through their conversations and shared moments, Turgenev examines the complexities of their emotions, the constraints of social expectations, and the fleeting nature of happiness. The story is marked by Turgenev's lyrical prose and deep psychological insight, making it a reflective piece on the human condition.

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Submitted by davidb on January 29, 2025


								
arranged that the legal formalities should take place as quickly as possible and that till then the matter should not be made public. Lizaveta Prohorovna received a deposit of a hundred roubles and two hundred went to Kirillovna for her assistance. "It has not cost me much," thought Naum as he got into his coat, "it was a lucky chance." While the transaction we have described was going forward in the mistress's house, Akim was sitting at home alone on the bench by the window, stroking his beard with a discontented expression. We have said already that he did not suspect his wife's feeling for Naum, although kind friends had more than once hinted to him that it was time he opened his eyes; it is true that he had noticed himself that of late his wife had become rather difficult, but we all know that the female sex is capricious and changeable. Even when it really did strike him that things were not going well in his house, he merely dismissed the thought with a wave of his hand; he did not like the idea of a squabble; his good nature had not lessened with years and indolence was asserting itself, too. But on that day he was very much out of humour; the day before he had overheard quite by chance in the street a conversation between their servant and a neighbouring peasant woman. The peasant woman asked the servant why she had not come to see her on the holiday the day before. "I was expecting you," she said. "I did set off," replied the servant, "but as ill-luck would have it, I ran into the mistress ... botheration take her." "Ran into her?" repeated the peasant woman in a sing-song voice and she leaned her cheek on her hand. "And where did you run into her, my good girl?" "Beyond the priest's hemp-patch. She must have gone to the hemp-patch to meet her Naum, but I could not see them in the dusk, owing to the moon, maybe, I don't know; I simply dashed into them." "Dashed into them?" the other woman repeated. "Well, and was she standing with him, my good girl?" "Yes, she was. He was standing there and so was she. She saw me and said, 'Where are you running to? Go home.' So I went home." "You went home?" The peasant woman was silent. "Well, good-bye, Fetinyushka," she brought out at last, and trudged off. This conversation had an unpleasant effect on Akim. His love for Avdotya had cooled, but still he did not like what the servant had said. And she had told the truth: Avdotya really had gone out that evening to meet Naum, who had been waiting for her in the patch of dense shade thrown on the road by the high motionless hemp. The dew bathed every stalk of it from top to bottom; the strong, almost overpowering fragrance hung all about it. A huge crimson moon had just risen in the dingy, blackish mist. Naum heard the hurried footsteps of Avdotya a long way off and went to meet her. She came up to him, pale with running; the moon lighted up her face. "Well, have you brought it?" he asked. "Brought it--yes, I have," she answered in an uncertain voice. "But, Naum Ivanitch----" "Give it me, since you have brought it," he interrupted her, and held out his hand. She took a parcel from under her shawl. Naum took it at once and thrust it in his bosom. "Naum Ivanitch," Avdotya said slowly, keeping her eyes fixed on him, "oh, Naum Ivanitch, you will bring my soul to ruin." It was at that instant that the servant came up to them. And so Akim was sitting on the bench discontentedly stroking his beard. Avdotya kept coming into the room and going out again. He simply followed her with his eyes. At last she came into the room and after taking a jerkin from the lobby was just crossing the threshold, when he could not restrain himself and said, as though speaking to himself: "I wonder," he began, "why it is women are always in a fuss? It's no good expecting them to sit still. That's not in their line. But running out morning or evening, that's what they like. Yes." Avdotya listened to her husband's words without changing her position; only at the word "evening," she moved her head slightly and seemed to ponder. "Once you begin talking, Semyonitch," she commented at last with vexation, "there is no stopping you." And with a wave of her hand she went away and slammed the door. Avdotya certainly did not appreciate Akim's eloquence and often in the evenings when he indulged in conversation with travellers or fell to telling stories she stealthily yawned or went out of the room. Akim looked at the closed door. "Once you begin talking," he repeated in an undertone.... "The fact is, I have not talked enough to you. And who is it? A peasant like any one of us, and what's more...." And he got up, thought a little and tapped the back of his head with his fist. Several days passed in a rather strange way. Akim kept looking at his wife as though he were preparing to say something to her, and she, for her part, looked at him suspiciously; meanwhile, they both preserved a strained silence. This silence, however, was broken from time to time by some peevish remark from Akim in regard to some oversight in the housekeeping or in regard to women in general. For the most part Avdotya did not answer one word. But in spite of Akim's good-natured weakness, it certainly would have come to a decisive explanation between him and Avdotya, if it had not been for an event which rendered any explanation useless. One morning Akim and wife were just beginning lunch (owing to the summer work in the fields there were no travellers at the inn) when suddenly a cart rattled briskly along the road and pulled up sharply at the front door. Akim peeped out of window, frowned and looked down: Naum got deliberately out of the cart. Avdotya had not seen him, but when she heard his voice in the entry the spoon trembled in her hand. He told the labourers to put up the horse in the yard. At last the door opened and he walked into the room. "Good-day," he said, and took off his cap. "Good-day," Akim repeated through his teeth. "Where has God brought you from?" "I was in the neighbourhood," replied Naum, and he sat down on the bench. "I have come from your lady." "From the lady," said Akim, not getting up from his seat. "On business, eh?" "Yes, on business. My respects to you, Avdotya Arefyevona." "Good morning, Naum Ivanitch," she answered. All were silent. "What have you got, broth, is it?" began Naum. "Yes, broth," replied Akim and all at once he turned pale, "but not for you." Naum glanced at Akim with surprise. "Not for me?" "Not for you, and that's all about it." Akim's eyes glittered and he
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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