The Inn book cover

The Inn

"The Inn" by Ivan Sergeevich Turgenev is a poignant short story that explores themes of love, loneliness, and the transient nature of human connections. Set in a rural inn, the narrative revolves around a chance meeting between a disillusioned Russian gentleman and a young woman, both seeking solace from their personal struggles. Through their conversations and shared moments, Turgenev examines the complexities of their emotions, the constraints of social expectations, and the fleeting nature of happiness. The story is marked by Turgenev's lyrical prose and deep psychological insight, making it a reflective piece on the human condition.

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Submitted by davidb on January 29, 2025


								
On the high road to B., at an equal distance from the two towns through which it runs, there stood not long ago a roomy inn, very well known to the drivers of troikas, peasants with trains of waggons, merchants, clerks, pedlars and the numerous travellers of all sorts who journey upon our roads at all times of the year. Everyone used to call at the inn; only perhaps a landowner's coach, drawn by six home-bred horses, would roll majestically by, which did not prevent either the coachman or the groom on the footboard from looking with peculiar feeling and attention at the little porch so familiar to them; or some poor devil in a wretched little cart and with three five-kopeck pieces in the bag in his bosom would urge on his weary nag when he reached the prosperous inn, and would hasten on to some night's lodging in the hamlets that lie by the high road in a peasant's hut, where he would find nothing but bread and hay, but, on the other hand, would not have to pay an extra kopeck. Apart from its favourable situation, the inn with which our story deals had many attractions: excellent water in two deep wells with creaking wheels and iron buckets on a chain; a spacious yard with a tiled roof on posts; abundant stores of oats in the cellar; a warm outer room with a very huge Russian stove with long horizontal flues attached that looked like titanic shoulders, and lastly two fairly clean rooms with the walls covered with reddish lilac paper somewhat frayed at the lower edge with a painted wooden sofa, chairs to match and two pots of geraniums in the windows, which were, however, never cleaned--and were dingy with the dust of years. The inn had other advantages: the blacksmith's was close by, the mill was just at hand; and, lastly, one could get a good meal in it, thanks to the cook, a fat and red-faced peasant woman, who prepared rich and appetizing dishes and dealt out provisions without stint; the nearest tavern was reckoned not half a mile away; the host kept snuff which though mixed with wood-ash, was extremely pungent and pleasantly irritated the nose; in fact there were many reasons why visitors of all sorts were never lacking in that inn. It was liked by those who used it--and that is the chief thing; without which nothing, of course, would succeed and it was liked principally as it was said in the district, because the host himself was very fortunate and successful in all his undertakings, though he did not much deserve his good fortune; but it seems if a man is lucky, he is lucky. The innkeeper was a man of the working class called Naum Ivanov. He was a man of middle height with broad, stooping shoulders; he had a big round head and curly hair already grey, though he did not look more than forty; a full and fresh face, a low but white and smooth forehead and little bright blue eyes, out of which he looked in a very queer way from under his brows and yet with an insolent expression, a combination not often met with. He always held his head down and seemed to turn it with difficulty, perhaps because his neck was very short. He walked at a trot and did not swing his arms, but slowly moved them with his fists clenched as he walked. When he smiled, and he smiled often without laughing, as it were smiling to himself, his thick lips parted unpleasantly and displayed a row of close-set, brilliant teeth. He spoke jerkily and with a surly note in his voice. He shaved his beard, but dressed in Russian style. His costume consisted of a long, always threadbare, full coat, full breeches and shoes on his bare feet. He was often away from home on business and he had a great deal of business--he was a horse-dealer, he rented land, had a market garden, bought up orchards and traded in various ways--but his absences never lasted long; like a kite, to which he had considerable resemblance, especially in the expression of his eyes, he used to return to his nest. He knew how to keep that nest in order. He was everywhere, he listened to everything and gave orders, served out stores, sent things out and made up his accounts himself, and never knocked off a farthing from anyone's account, but never asked more than his due. The visitors did not talk to him, and, indeed, he did not care to waste words. "I want your money and you want my victuals," he used to say, as it were, jerking out each word: "We have not met for a christening; the traveller has eaten, has fed his beasts, no need to sit on. If he is tired, let him sleep without chattering." The labourers he kept were healthy grown-up men, but docile and well broken in; they were very much afraid of him. He never touched intoxicating liquor and he used to give his men ten kopecks for vodka on the great holidays; they did not dare to drink on other days. People like Naum quickly get rich ... but to the magnificent position in which he found himself--and he was believed to be worth forty or fifty thousand roubles--Naum Ivanov had not arrived by the strait path.... The inn had existed on the same spot on the high road twenty years before the time from which we date the beginning of our story. It is true that it had not then the dark red shingle roof which made Naum Ivanov's inn look like a gentleman's house; it was inferior in construction and had thatched roofs in the courtyard, and a humble fence instead of a wall of logs; nor had it been distinguished by the triangular Greek pediment on carved posts; but all the same it had been a capital inn--roomy, solid and warm--and travellers were glad to frequent it. The innkeeper at that time was not Naum Ivanov, but a certain Akim Semyonitch, a serf belonging to a neighbouring lady, Lizaveta Prohorovna Kuntse, the widow of a staff officer. This Akim was a shrewd trading peasant who, having left home in his youth with two wretched nags to work as a carrier, had returned a year later with three decent horses and had spent almost all the rest of his life on the high roads; he used to go to Kazan and Odessa, to Orenburg and to Warsaw and abroad to Leipsic and used in the end to travel with two teams, each of three stout, sturdy stallions, harnessed to two huge carts. Whether it was that he was sick of his life of homeless wandering, whether it was that he wanted to rear a family (his wife had died in one of his absences and what children she had borne him were dead also), anyway, he made up his mind at last to abandon his old calling and to open an inn. With the permission of his mistress, he settled on the high road, bought in her name about an acre and a half of land and built an inn upon it. The undertaking prospered. He had more than enough money to furnish and stock it. The experience he had gained in the course of his years of travelling from one end of Russia to another was of great advantage to him; he knew how to please his visitors, especially his former mates, the drivers of troikas, many of whom he knew personally and whose good-will is particularly valued by innkeepers, as they need so much food for themselves and
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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