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"The Inn" by Ivan Sergeevich Turgenev is a poignant short story that explores themes of love, loneliness, and the transient nature of human connections. Set in a rural inn, the narrative revolves around a chance meeting between a disillusioned Russian gentleman and a young woman, both seeking solace from their personal struggles. Through their conversations and shared moments, Turgenev examines the complexities of their emotions, the constraints of social expectations, and the fleeting nature of happiness. The story is marked by Turgenev's lyrical prose and deep psychological insight, making it a reflective piece on the human condition.

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Submitted by davidb on January 29, 2025


								
she was overcome by laziness, that sighing apathetic drowsy laziness to which the Russian is only too liable, especially when his livelihood is secure.... With all that, the fortunes of Akim and his wife prospered exceedingly; they lived in harmony and had the reputation of an exemplary pair. But just as a squirrel will wash its face at the very instant when the sportsman is aiming at it, man has no presentiment of his troubles, till all of a sudden the ground gives way under him like ice. One autumn evening a merchant in the drapery line put up at Akim's inn. He was journeying by various cross-country roads from Moscow to Harkov with two loaded tilt carts; he was one of those travelling traders whose arrival is sometimes awaited with such impatience by country gentlemen and still more by their wives and daughters. This travelling merchant, an elderly man, had with him two companions, or, speaking more correctly, two workmen, one thin, pale and hunchbacked, the other a fine, handsome young fellow of twenty. They asked for supper, then sat down to tea; the merchant invited the innkeeper and his wife to take a cup with him, they did not refuse. A conversation quickly sprang up between the two old men (Akim was fifty-six); the merchant inquired about the gentry of the neighbourhood and no one could give him more useful information about them than Akim; the hunchbacked workman spent his time looking after the carts and finally went off to bed; it fell to Avdotya to talk to the other one.... She sat by him and said little, rather listening to what he told her, but it was evident that his talk pleased her; her face grew more animated, the colour came into her cheeks and she laughed readily and often. The young workman sat almost motionless with his curly head bent over the table; he spoke quietly, without haste and without raising his voice; but his eyes, not large but saucily bright and blue, were rivetted on Avdotya; at first she turned away from them, then she, too, began looking him in the face. The young fellow's face was fresh and smooth as a Crimean apple; he often smiled and tapped with his white fingers on his chin covered with soft dark down. He spoke like a merchant, but very freely and with a sort of careless self-confidence and went on looking at her with the same intent, impudent stare.... All at once he moved a little closer to her and without the slightest change of countenance said to her: "Avdotya Arefyevna, there's no one like you in the world; I am ready to die for you." Avdotya laughed aloud. "What is it?" asked Akim. "Why, he keeps saying such funny things," she said, without any particular embarrassment. The old merchant grinned. "Ha, ha, yes, my Naum is such a funny fellow, don't listen to him." "Oh! Really! As though I should," she answered, and shook her head. "Ha, ha, of course not," observed the old man. "But, however," he went on in a singsong voice, "we will take our leave; we are thoroughly satisfied, it is time for bed, ..." and he got up. "We are well satisfied, too," Akim brought out and he got up, "for your entertainment, that is, but we wish you a good night. Avdotyushka, come along." Avdotya got up as it were unwillingly. Naum, too, got up after her ... the party broke up. The innkeeper and his wife went off to the little lobby partitioned off, which served them as a bedroom. Akim was snoring immediately. It was a long time before Avdotya could get to sleep.... At first she lay still, turning her face to the wall, then she began tossing from side to side on the hot feather bed, throwing off and pulling up the quilt alternately ... then she sank into a light doze. Suddenly she heard from the yard a loud masculine voice: it was singing a song of which it was impossible to distinguish the words, prolonging each note, though not with a melancholy effect. Avdotya opened her eyes, propped herself on her elbows and listened.... The song went on.... It rang out musically in the autumn air. Akim raised his head. "Who's that singing?" he asked. "I don't know," she answered. "He sings well," he added, after a brief pause. "Very well. What a strong voice. I used to sing in my day," he went on. "And I sang well, too, but my voice has gone. That's a fine voice. It must be that young fellow singing, Naum is his name, isn't it?" And he turned over on the other side, gave a sigh and fell asleep again. It was a long time before the voice was still ... Avdotya listened and listened; all at once it seemed to break off, rang out boldly once more and slowly died away.... Avdotya crossed herself and laid her head on the pillow.... Half an hour passed.... She sat up and softly got out of bed. "Where are you going, wife?" Akim asked in his sleep. She stopped. "To see to the little lamp," she said, "I can't get to sleep." "You should say a prayer," Akim mumbled, falling asleep. Avdotya went up to the lamp before the ikon, began trimming it and accidentally put it out; she went back and lay down. Everything was still. Early next morning the merchant set off again on his journey with his companions. Avdotya was asleep. Akim went half a mile with them: he had to call at the mill. When he got home he found his wife dressed and not alone. Naum, the young man who had been there the night before, was with her. They were standing by the table in the window talking. When Avdotya saw Akim, she went out of the room without a word, and Naum said that he had come for his master's gloves which the latter, he said, had left behind on the bench; and he, too, went away. We will now tell the reader what he has probably guessed already: Avdotya had fallen passionately in love with Naum. It is hard to say how it could have happened so quickly, especially as she had hitherto been irreproachable in her behaviour in spite of many opportunities and temptations to deceive her husband. Later on, when her intrigue with Naum became known, many people in the neighbourhood declared that he had on the very first evening put a magic potion that was a love spell in her tea (the efficacy of such spells is still firmly believed in among us), and that this could be clearly seen from the appearance of Avdotya who, so they said, soon after began to pine away and look depressed. However that may have been, Naum began to be frequently seen in Akim's yard. At first he came again with the same merchant and three months later arrived alone, with wares of his own; then the report spread that he had settled in one of the neighbouring district towns, and from that time forward not a week passed without his appearing on the high road with his strong, painted cart drawn by two sleek horses which he drove himself. There was no particular friendship between Akim and him, nor was there any hostility noticed between them; Akim
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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