The Idyl of Red Gulch book cover

The Idyl of Red Gulch

"The Idyl of Red Gulch" is a concise novella by Bret Harte, set in the American West during the gold rush era. The story explores life in a small mining town, focusing on the interactions and relationships between its quirky inhabitants. Through a blend of humor and poignancy, Harte captures the essence of frontier life, highlighting themes of love, aspiration, and the complexities of human nature. The narrative features vivid descriptions and rich characterizations, showcasing Harte's signature style and his ability to evoke the spirit of a rapidly changing landscape.


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Submitted by davidb on February 06, 2025


								
Sandy was very drunk. He was lying under an azalea bush, in pretty much the same attitude in which he had fallen some hours before. How long he had been lying there he could not tell, and didn't care; how long he should lie there was a matter equally indefinite and unconsidered. A tranquil philosophy, born of his physical condition, suffused and saturated his moral being. The spectacle of a drunken man, and of this drunken man in particular, was not, I grieve to say, of sufficient novelty in Red Gulch to attract attention. Earlier in the day some local satirist had erected a temporary tombstone at Sandy's head, bearing the inscription, "Effects of McCorkle's whisky--kills at forty rods," with a hand pointing to McCorkle's saloon. But this, I imagine, was, like most local satire, personal; and was a reflection upon the unfairness of the process rather than a commentary upon the impropriety of the result. With this facetious exception, Sandy had been undisturbed. A wandering mule, released from his pack, had cropped the scant herbage beside him, and sniffed curiously at the prostrate man; a vagabond dog, with that deep sympathy which the species have for drunken men, had licked his dusty boots, and curled himself up at his feet, and lay there, blinking one eye in the sunlight, with a simulation of dissipation that was ingenious and doglike in its implied flattery of the unconscious man beside him. Meanwhile the shadows of the pine trees had slowly swung around until they crossed the road, and their trunks barred the open meadow with gigantic parallels of black and yellow. Little puffs of red dust, lifted by the plunging hoofs of passing teams, dispersed in a grimy shower upon the recumbent man. The sun sank lower and lower; and still Sandy stirred not. And then the repose of this philosopher was disturbed, as other philosophers have been, by the intrusion of an unphilosophical sex. "Miss Mary," as she was known to the little flock that she had just dismissed from the log schoolhouse beyond the pines, was taking her afternoon walk. Observing an unusually fine cluster of blossoms on the azalea bush opposite, she crossed the road to pluck it--picking her way through the red dust, not without certain fierce little shivers of disgust and some feline circumlocution. And then she came suddenly upon Sandy! Of course she uttered the little staccato cry of her sex. But when she had paid that tribute to her physical weakness she became overbold, and halted for a moment--at least six feet from this prostrate monster--with her white skirts gathered in her hand, ready for flight. But neither sound nor motion came from the bush. With one little foot she then overturned the satirical headboard, and muttered "Beasts!"--an epithet which probably, at that moment, conveniently classified in her mind the entire male population of Red Gulch. For Miss Mary, being possessed of certain rigid notions of her own, had not, perhaps, properly appreciated the demonstrative gallantry for which the Californian has been so justly celebrated by his brother Californians, and had, as a newcomer, perhaps fairly earned the reputation of being "stuck-up." As she stood there she noticed, also, that the slant sunbeams were heating Sandy's head to what she judged to be an unhealthy temperature, and that his hat was lying uselessly at his side. To pick it up and to place it over his face was a work requiring some courage, particularly as his eyes were open. Yet she did it, and made good her retreat. But she was somewhat concerned, on looking back, to see that the hat was removed, and that Sandy was sitting up and saying something. The truth was, that in the calm depths of Sandy's mind he was satisfied that the rays of the sun were beneficial and healthful; that from childhood he had objected to lying down in a hat; that no people but condemned fools, past redemption, ever wore hats; and that his right to dispense with them when he pleased was inalienable. This was the statement of his inner consciousness. Unfortunately, its outward expression was vague, being limited to a repetition of the following formula--"Su'shine all ri'! Wasser maar, eh? Wass up, su'shine?" Miss Mary stopped, and, taking fresh courage from her vantage of distance, asked him if there was anything that he wanted. "Wass up? Wasser maar?" continued Sandy, in a very high key. "Get up, you horrid man!" said Miss Mary, now thoroughly incensed; "get up, and go home." Sandy staggered to his feet. He was six feet high, and Miss Mary trembled. He started forward a few paces and then stopped. "Wass I go home for?" he suddenly asked, with great gravity. "Go and take a bath," replied Miss Mary, eying his grimy person with great disfavor. To her infinite dismay, Sandy suddenly pulled off his coat and vest, threw them on the ground, kicked off his boots, and, plunging wildly forward, darted headlong over the hill, in the direction of the river. "Goodness heavens!--the man will be drowned!" said Miss Mary; and then, with feminine inconsistency, she ran back to the schoolhouse and locked herself in. That night, while seated at supper with her hostess, the blacksmith's wife, it came to Miss Mary to ask, demurely, if her husband ever got drunk. "Abner," responded Mrs. Stidger, reflectively, "let's see: Abner hasn't been tight since last 'lection." Miss Mary would have liked to ask if he preferred lying in the sun on these occasions, and if a cold bath would have hurt him; but this would have involved an explanation, which she did not then care to give. So she contented herself with opening her gray eyes widely at the red-cheeked Mrs. Stidger--a fine specimen of Southwestern efflorescence--and then dismissed the subject altogether. The next day she wrote to her dearest friend, in Boston: "I think I find the intoxicated portion of this community the least objectionable. I refer, my dear, to the men, of course. I do not know anything that could make the women tolerable." In less than a week Miss Mary had forgotten this episode, except that her afternoon walks took thereafter, almost unconsciously, another direction. She noticed, however, that every morning a fresh cluster of azalea blossoms appeared among the flowers on her desk. This was not strange, as her little flock were aware of her fondness for flowers, and invariably kept her desk bright with anemones, syringas, and lupines; but, on questioning them, they one and all professed ignorance of the azaleas. A few days later, Master Johnny Stidger, whose desk was nearest to the window, was suddenly taken with spasms of apparently gratuitous laughter that threatened the discipline of the school. All that Miss Mary could get from him was, that someone had been "looking in the winder." Irate and indignant, she sallied from her hive to do battle with the intruder. As she turned the corner of the schoolhouse she came
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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