The Farm-House Kitchen book cover

The Farm-House Kitchen Page #3

"The Farm-House Kitchen" by Sarah Orne Jewett is a charming exploration of rural life and domesticity in 19th-century New England. Through rich descriptions and thoughtful anecdotes, Jewett captures the essence of farm life, emphasizing the importance of home-cooked meals and the connections formed around the kitchen table. The book intertwines recipes with personal reflections and stories, celebrating both the culinary traditions and the simple joys of country living. With a focus on community and the nurturing aspects of cooking, Jewett's work showcases the heart of farmhouse kitchens as places of warmth, creativity, and togetherness.


3 Views

Submitted by davidb on February 12, 2025


								
tendin' to the child'n, but I started to go out o' the door and found it had come on to rain hard, and I said to myself I wouldn't go out to the woodpile and get my clothes all damp, 'count o' Ad'line, and the candle end would last a spell longer, and he'd be home by that time. I hadn't a least o' suspicion but what he was dallying round up to the Corners, 'long o' the rest o' the men, bein' 't was Saturday night, and I was some put out about it, for he knew the baby was sick, and I hadn't nobody with me. I set down and waited, but he never come, and it rained hard as I ever see it, and I left his supper standin' right in the floor, and then I begun to be distressed for fear somethin' had happened to Dan'l, and I set to work and cried, and the candle end give a flare and went out, and by 'n' by the fire begun to get low and I took the child'n and went to bed to keep warm; 't was an awful cold night, considerin' 't was such a heavy rain, and there I laid awake and thought I heard things steppin' about the room, and it seemed to me as if 't was a week long before mornin' come, and as if I'd got to be an old woman. I did go through with everything that night. 'T was that time Dan'l broke his leg, you know; they was takin' a deck load of oak knees down by the packet, and one on 'em rolled down from the top of the pile and struck him just below the knee. He was poling, for there wan't a breath o' wind, and he always felt certain there was somethin' mysterious about it. He'd had a good deal worse knocks than that seemed to be, as only left a black and blue spot, and he said he never see a deck load o' timber piled securer. He had some queer notions about the doin's o' sperits, Dan'l had; his old Aunt Parser was to blame for it. She lived with his father's folks, and used to fill him and the rest o' the child'n with all sorts o' ghost stories and stuff. I used to tell him she'd a' be'n hung for a witch if she'd lived in them old Salem days. He always used to be tellin' what everything was the sign of, when we was first married, till I laughed him out of it. It made me kind of notional. There's too much now we can't make sense of without addin' to it out o' our own heads." Mrs. Jake and Mrs. Martin were quite familiar with the story of the night when there were no candles and Mr. Thacher had broken his leg, having been present themselves early in the morning afterward, but they had listened with none the less interest. These country neighbors knew their friends' affairs as well as they did their own, but such an audience is never impatient. The repetitions of the best stories are signal events, for ordinary circumstances do not inspire them. Affairs must rise to a certain level before a narration of some great crisis is suggested, and exactly as a city audience is well contented with hearing the plays of Shakespeare over and over again, so each man and woman of experience is permitted to deploy their well-known but always interesting stories upon the rustic stage. "I must say I can't a-bear to hear anything about ghosts after sundown," observed Mrs. Jake, who was at times somewhat troubled by what she and her friends designated as "narves." "Day-times I don't believe in 'em 'less it's something creepy more'n common, but after dark it scares me to pieces. I do' know but I shall be afeared to go home," and she laughed uneasily. "There! when I get through with this needle I believe I won't knit no more. The back o' my neck is all numb." "Don't talk o' goin' home yet awhile," said the hostess, looking up quickly as if she hated the thought of being left alone again. "'T is just on the edge of the evenin'; the nights is so long now we think it's bedtime half an hour after we've got lit up. 'T was a good lift havin' you step over to-night. I was really a-dreadin' to set here by myself," and for some minutes nobody spoke and the needles clicked faster than ever. Suddenly there was a strange sound outside the door, and they stared at each other in terror and held their breath, but nobody stirred. This was no familiar footstep; presently they heard a strange little cry, and still they feared to look, or to know what was waiting outside. Then Mrs. Thacher took a candle in her hand, and, still hesitating, asked once, "Who is there?" and, hearing no answer, slowly opened the door.
Rate:0.0 / 0 votes

Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

All Sarah Orne Jewett books

0 fans

Discuss this The Farm-House Kitchen book with the community:

0 Comments

    Translation

    Translate and read this book in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this book to your bibliography:

    Style:MLAChicagoAPA

    "The Farm-House Kitchen Books." Literature.com. STANDS4 LLC, 2025. Web. 10 Mar. 2025. <https://www.literature.com/book/the_farmhouse_kitchen_5012>.

    We need you!

    Help us build the largest authors community and books collection on the web!

    Spring 2025

    Writing Contest

    Join our short stories contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    2
    months
    21
    days
    23
    hours

    Our favorite collection of

    Famous Authors

    »

    Quiz

    Are you a literary expert?

    »
    Who is the tragic hero of "Oedipus Rex"?
    A Oedipus
    B Creon
    C Tiresias
    D Antigone