The Farmer's Wife

"The Farmer's Wife," a novella by Guy de Maupassant, explores the themes of love, desire, and rural life in 19th-century France. The story follows the emotional turmoil of a farmer's wife who grapples with her isolation and longing for freedom as she navigates her confined existence. Through her interactions with the seductive allure of a neighboring man, Maupassant delves into the complexities of human relationships, societal expectations, and the struggle for personal fulfillment. The novella is characterized by Maupassant's signature keen observations of human nature and the intricacies of social dynamics.

								
Said the Baron Rene du Treilles to me:
“Will you come and open the hunting season with me at my farm at Marinville? I shall be delighted if you will, my dear boy. In the first place, I am all alone. It is rather a difficult ground to get at, and the place I live in is so primitive that I can invite only my most intimate friends.”

I accepted his invitation, and on Saturday we set off on the train going to Normandy. We alighted at a station called Almivare, and Baron Rene, pointing to a carryall drawn by a timid horse and driven by a big countryman with white hair, said:

“Here is our equipage, my dear boy.”

The driver extended his hand to his landlord, and the baron pressed it warmly, asking:

“Well, Maitre Lebrument, how are you?”

“Always the same, M'sieu le Baron.”

We jumped into this swinging hencoop perched on two enormous wheels, and the young horse, after a violent swerve, started into a gallop, pitching us into the air like balls. Every fall backward on the wooden bench gave me the most dreadful pain.

The peasant kept repeating in his calm, monotonous voice:

“There, there! All right all right, Moutard, all right!”

But Moutard scarcely heard, and kept capering along like a goat.

Our two dogs behind us, in the empty part of the hencoop, were standing up and sniffing the air of the plains, where they scented game.

The baron gazed with a sad eye into the distance at the vast Norman landscape, undulating and melancholy, like an immense English park, where the farmyards, surrounded by two or four rows of trees and full of dwarfed apple trees which hid the houses, gave a vista as far as the eye could see of forest trees, copses and shrubbery such as landscape gardeners look for in laying out the boundaries of princely estates.

And Rene du Treilles suddenly exclaimed:

“I love this soil; I have my very roots in it.”

He was a pure Norman, tall and strong, with a slight paunch, and of the old race of adventurers who went to found kingdoms on the shores of every ocean. He was about fifty years of age, ten years less perhaps than the farmer who was driving us.

The latter was a lean peasant, all skin and bone, one of those men who live a hundred years.

After two hours' travelling over stony roads, across that green and monotonous plain, the vehicle entered one of those orchard farmyards and drew up before in old structure falling into decay, where an old maid-servant stood waiting beside a young fellow, who took charge of the horse.

We entered the farmhouse. The smoky kitchen was high and spacious. The copper utensils and the crockery shone in the reflection of the hearth. A cat lay asleep on a chair, a dog under the table. One perceived an odor of milk, apples, smoke, that indescribable smell peculiar to old farmhouses; the odor of the earth, of the walls, of furniture, the odor of spilled stale soup, of former wash-days and of former inhabitants, the smell of animals and of human beings combined, of things and of persons, the odor of time, and of things that have passed away.

I went out to have a look at the farmyard. It was very large, full of apple trees, dwarfed and crooked, and laden with fruit which fell on the grass around them. In this farmyard the Norman smell of apples was as strong as that of the bloom of orange trees on the shores of the south of France.

Four rows of beeches surrounded this inclosure. They were so tall that they seemed to touch the clouds at this hour of nightfall, and their summits, through which the night winds passed, swayed and sang a mournful, interminable song.

I reentered the house.

The baron was warming his feet at the fire, and was listening to the farmer's talk about country matters. He talked about marriages, births and deaths, then about the fall in the price of grain and the latest news about cattle. The “Veularde” (as he called a cow that had been bought at the fair of Veules) had calved in the middle of June. The cider had not been first-class last year. Apricots were almost disappearing from the country.

Then we had dinner. It was a good rustic meal, simple and abundant, long and tranquil. And while we were dining I noticed the special kind of friendly familiarity which had struck me from the start between the baron and the peasant.

Outside, the beeches continued sighing in the night wind, and our two dogs, shut up in a shed, were whining and howling in an uncanny fashion. The fire was dying out in the big fireplace. The maid-servant had gone to bed. Maitre Lebrument said in his turn:

“If you don't mind, M'sieu le Baron, I'm going to bed. I am not used to staying up late.”

The baron extended his hand toward him and said: “Go, my friend,” in so cordial a tone that I said, as soon as the man had disappeared:

“He is devoted to you, this farmer?”

“Better than that, my dear fellow! It is a drama, an old drama, simple and very sad, that attaches him to me. Here is the story:

“You know that my father was colonel in a cavalry regiment. His orderly was this young fellow, now an old man, the son of a farmer. When my father retired from the army he took this former soldier, then about forty; as his servant. I was at that time about thirty. We were living in our old chateau of Valrenne, near Caudebec-en-Caux.

“At this period my mother's chambermaid was one of the prettiest girls you could see, fair-haired, slender and sprightly in manner, a genuine soubrette of the old type that no longer exists. To-day these creatures spring up into hussies before their time. Paris, with the aid of the railways, attracts them, calls them, takes hold of them, as soon as they are budding into womanhood, these little sluts who in old times remained simple maid-servants. Every man passing by, as recruiting sergeants did formerly, looking for recruits, with conscripts, entices and ruins them —these foolish lassies—and we have now only the scum of the female sex for servant maids, all that is dull, nasty, common and ill-formed, too ugly, even for gallantry.

“Well, this girl was charming, and I often gave her a kiss in dark corners; nothing more, I swear to you! She was virtuous, besides; and I had some respect for my mother's house, which is more than can be said of the blackguards of the present day.

“Now, it happened that my man-servant, the ex-soldier, the old farmer you have just seen, fell madly in love with this girl, perfectly daft. The first thing we noticed was that he forgot everything, he paid no attention to anything.

“My father said incessantly:

“'See here, Jean, what's the matter with you? Are you ill?'

“He replied:

“'No, no, M'sieu le Baron. There's nothing the matter with me.'

“He grew thin; he broke glasses and let plates fall when waiting on the table. We thought he must have been attacked by some nervous affection, and sent for the doctor, who thought he could detect symptoms of spinal disease. Then my father, full of anxiety about his faithful man-servant, decided to place him in a private hospital. When the poor fellow heard of my father's intentions he made a clean breast of it.

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