The False Gems

"The False Gems" is a short story by Guy de Maupassant that explores themes of deception, wealth, and the nature of love. The narrative follows a middle-class couple, Monsieur and Madame Lantin, who live a seemingly contented life. When Monsieur Lantin discovers some jewelry believed to be fake, he faces an emotional upheaval that forces him to reconsider the authenticity of his wife's affections and the value of appearances. Maupassant’s keen observations and masterful use of irony reveal the complexities of human relationships, ultimately questioning what is truly precious in life.

								
Monsieur Lantin had met the young girl at a reception at the house of the second head of his department, and had fallen head over heels in love with her.

She was the daughter of a provincial tax collector, who had been dead several years. She and her mother came to live in Paris, where the latter, who made the acquaintance of some of the families in her neighborhood, hoped to find a husband for her daughter.

They had very moderate means, and were honorable, gentle, and quiet.

The young girl was a perfect type of the virtuous woman in whose hands every sensible young man dreams of one day intrusting his happiness. Her simple beauty had the charm of angelic modesty, and the imperceptible smile which constantly hovered about the lips seemed to be the reflection of a pure and lovely soul. Her praises resounded on every side. People never tired of repeating: “Happy the man who wins her love! He could not find a better wife.”

Monsieur Lantin, then chief clerk in the Department of the Interior, enjoyed a snug little salary of three thousand five hundred francs, and he proposed to this model young girl, and was accepted.

He was unspeakably happy with her. She governed his household with such clever economy that they seemed to live in luxury. She lavished the most delicate attentions on her husband, coaxed and fondled him; and so great was her charm that six years after their marriage, Monsieur Lantin discovered that he loved his wife even more than during the first days of their honeymoon.

He found fault with only two of her tastes: Her love for the theatre, and her taste for imitation jewelry. Her friends (the wives of some petty officials) frequently procured for her a box at the theatre, often for the first representations of the new plays; and her husband was obliged to accompany her, whether he wished it or not, to these entertainments which bored him excessively after his day's work at the office.

After a time, Monsieur Lantin begged his wife to request some lady of her acquaintance to accompany her, and to bring her home after the theatre. She opposed this arrangement, at first; but, after much persuasion, finally consented, to the infinite delight of her husband.

Now, with her love for the theatre, came also the desire for ornaments. Her costumes remained as before, simple, in good taste, and always modest; but she soon began to adorn her ears with huge rhinestones, which glittered and sparkled like real diamonds. Around her neck she wore strings of false pearls, on her arms bracelets of imitation gold, and combs set with glass jewels.

Her husband frequently remonstrated with her, saying:

“My dear, as you cannot afford to buy real jewelry, you ought to appear adorned with your beauty and modesty alone, which are the rarest ornaments of your sex.”

But she would smile sweetly, and say:

“What can I do? I am so fond of jewelry. It is my only weakness. We cannot change our nature.”

Then she would wind the pearl necklace round her fingers, make the facets of the crystal gems sparkle, and say:

“Look! are they not lovely? One would swear they were real.”

Monsieur Lantin would then answer, smilingly:

“You have bohemian tastes, my dear.”

Sometimes, of an evening, when they were enjoying a tete-a-tete by the fireside, she would place on the tea table the morocco leather box containing the “trash,” as Monsieur Lantin called it. She would examine the false gems with a passionate attention, as though they imparted some deep and secret joy; and she often persisted in passing a necklace around her husband's neck, and, laughing heartily, would exclaim: “How droll you look!” Then she would throw herself into his arms, and kiss him affectionately.

One evening, in winter, she had been to the opera, and returned home chilled through and through. The next morning she coughed, and eight days later she died of inflammation of the lungs.

Monsieur Lantin's despair was so great that his hair became white in one month. He wept unceasingly; his heart was broken as he remembered her smile, her voice, every charm of his dead wife.

Time did not assuage his grief. Often, during office hours, while his colleagues were discussing the topics of the day, his eyes would suddenly fill with tears, and he would give vent to his grief in heartrending sobs. Everything in his wife's room remained as it was during her lifetime; all her furniture, even her clothing, being left as it was on the day of her death. Here he was wont to seclude himself daily and think of her who had been his treasure-the joy of his existence.

But life soon became a struggle. His income, which, in the hands of his wife, covered all household expenses, was now no longer sufficient for his own immediate wants; and he wondered how she could have managed to buy such excellent wine and the rare delicacies which he could no longer procure with his modest resources.

He incurred some debts, and was soon reduced to absolute poverty. One morning, finding himself without a cent in his pocket, he resolved to sell something, and immediately the thought occurred to him of disposing of his wife's paste jewels, for he cherished in his heart a sort of rancor against these “deceptions,” which had always irritated him in the past. The very sight of them spoiled, somewhat, the memory of his lost darling.

To the last days of her life she had continued to make purchases, bringing home new gems almost every evening, and he turned them over some time before finally deciding to sell the heavy necklace, which she seemed to prefer, and which, he thought, ought to be worth about six or seven francs; for it was of very fine workmanship, though only imitation.

He put it in his pocket, and started out in search of what seemed a reliable jeweler's shop. At length he found one, and went in, feeling a little ashamed to expose his misery, and also to offer such a worthless article for sale.

“Sir,” said he to the merchant, “I would like to know what this is worth.”

The man took the necklace, examined it, called his clerk, and made some remarks in an undertone; he then put the ornament back on the counter, and looked at it from a distance to judge of the effect.

Monsieur Lantin, annoyed at all these ceremonies, was on the point of saying: “Oh! I know well enough it is not worth anything,” when the jeweler said: “Sir, that necklace is worth from twelve to fifteen thousand francs; but I could not buy it, unless you can tell me exactly where it came from.”

The widower opened his eyes wide and remained gaping, not comprehending the merchant's meaning. Finally he stammered: “You say—are you sure?” The other replied, drily: “You can try elsewhere and see if any one will offer you more. I consider it worth fifteen thousand at the most. Come back; here, if you cannot do better.”

Monsieur Lantin, beside himself with astonishment, took up the necklace and left the store. He wished time for reflection.

Once outside, he felt inclined to laugh, and said to himself: “The fool! Oh, the fool! Had I only taken him at his word! That jeweler cannot distinguish real diamonds from the imitation article.”

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