The Dryad book cover

The Dryad

"The Dryad" is an intricate tale by Danish fairy tale legend, Hans Christian Andersen. The storyline follows a Dryad - a mythological tree spirit - who impatiently longs to explore beyond her solitary existence in a grand ancient tree. Lured by the festive glamour of the Paris exhibition, she abandons her roots only to find the bustling, industrialized city overwhelming and herself feeling lost and homesick. In this narrative, Andersen explores themes of nature, industrialization, alienation, and longing.


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Submitted by davidb on September 20, 2023


								
We are travelling to Paris to the Exhibition. Now we are there. That was a journey, a flight without magic. We flew on the wings of steam over the sea and across the land. Yes, our time is the time of fairy tales. We are in the midst of Paris, in a great hotel. Blooming flowers ornament the staircases, and soft carpets the floors. Our room is a very cosy one, and through the open balcony door we have a view of a great square. Spring lives down there; it has come to Paris, and arrived at the same time with us. It has come in the shape of a glorious young chestnut tree, with delicate leaves newly opened. How the tree gleams, dressed in its spring garb, before all the other trees in the place! One of these latter had been struck out of the list of living trees. It lies on the ground with roots exposed. On the place where it stood, the young chestnut tree is to be planted, and to flourish. It still stands towering aloft on the heavy wagon which has brought it this morning a distance of several miles to Paris. For years it had stood there, in the protection of a mighty oak tree, under which the old venerable clergyman had often sat, with children listening to his stories. The young chestnut tree had also listened to the stories; for the Dryad who lived in it was a child also. She remembered the time when the tree was so little that it only projected a short way above the grass and ferns around. These were as tall as they would ever be; but the tree grew every year, and enjoyed the air and the sunshine, and drank the dew and the rain. Several times it was also, as it must be, well shaken by the wind and the rain; for that is a part of education. The Dryad rejoiced in her life, and rejoiced in the sunshine, and the singing of the birds; but she was most rejoiced at human voices; she understood the language of men as well as she understood that of animals. Butterflies, cockchafers, dragon-flies, everything that could fly came to pay a visit. They could all talk. They told of the village, of the vineyard, of the forest, of the old castle with its parks and canals and ponds. Down in the water dwelt also living beings, which, in their way, could fly under the water from one place to another--beings with knowledge and delineation. They said nothing at all; they were so clever! And the swallow, who had dived, told about the pretty little goldfish, of the thick turbot, the fat brill, and the old carp. The swallow could describe all that very well, but, "Self is the man," she said. "One ought to see these things one's self." But how was the Dryad ever to see such beings? She was obliged to be satisfied with being able to look over the beautiful country and see the busy industry of men. It was glorious; but most glorious of all when the old clergyman sat under the oak tree and talked of France, and of the great deeds of her sons and daughters, whose names will be mentioned with admiration through all time. Then the Dryad heard of the shepherd girl, Joan of Arc, and of Charlotte Corday; she heard about Henry the Fourth, and Napoleon the First; she heard names whose echo sounds in the hearts of the people. The village children listened attentively, and the Dryad no less attentively; she became a school-child with the rest. In the clouds that went sailing by she saw, picture by picture, everything that she heard talked about. The cloudy sky was her picture-book. She felt so happy in beautiful France, the fruitful land of genius, with the crater of freedom. But in her heart the sting remained that the bird, that every animal that could fly, was much better off than she. Even the fly could look about more in the world, far beyond the Dryad's horizon. France was so great and so glorious, but she could only look across a little piece of it. The land stretched out, world-wide, with vineyards, forests and great cities. Of all these Paris was the most splendid and the mightiest. The birds could get there; but she, never! Among the village children was a little ragged, poor girl, but a pretty one to look at. She was always laughing or singing and twining red flowers in her black hair. "Don't go to Paris!" the old clergyman warned her. "Poor child! if you go there, it will be your ruin." But she went for all that. The Dryad often thought of her; for she had the same wish, and felt the same longing for the great city. The Dryad's tree was bearing its first chestnut blossoms; the birds were twittering round them in the most beautiful sunshine. Then a stately carriage came rolling along that way, and in it sat a grand lady driving the spirited, light-footed horses. On the back seat a little smart groom balanced himself. The Dryad knew the lady, and the old clergyman knew her also. He shook his head gravely when he saw her, and said: "So you went there after all, and it was your ruin, poor Mary!" "That one poor?" thought the Dryad. "No; she wears a dress fit for a countess" (she had become one in the city of magic changes). "Oh, if I were only there, amid all the splendor and pomp! They shine up into the very clouds at night; when I look up, I can tell in what direction the town lies." Towards that direction the Dryad looked every evening. She saw in the dark night the gleaming cloud on the horizon; in the clear moonlight nights she missed the sailing clouds, which showed her pictures of the city and pictures from history. The child grasps at the picture-books, the Dryad grasped at the cloud-world, her thought-book. A sudden, cloudless sky was for her a blank leaf; and for several days she had only had such leaves before her. It was in the warm summer-time: not a breeze moved through the glowing hot days. Every leaf, every flower, lay as if it were torpid, and the people seemed torpid, too. Then the clouds arose and covered the region round about where the gleaming mist announced "Here lies Paris." The clouds piled themselves up like a chain of mountains, hurried on through the air, and spread themselves abroad over the whole landscape, as far as the Dryad's eye could reach. Like enormous blue-black blocks of rock, the clouds lay piled over one another. Gleams of lightning shot forth from them. "These also are the servants of the Lord God," the old clergyman had said. And there came a bluish dazzling flash of lightning, a lighting up as if of the sun itself, which could burst blocks of rock asunder. The lightning struck and split to the roots the old venerable oak. The crown fell asunder. It seemed as if the tree were stretching forth its arms to clasp the messengers of the light. No bronze cannon can sound over the land at the birth of a royal child as the thunder sounded at the death of the old oak. The rain streamed down; a refreshing wind was blowing; the storm had gone by, and there was quite a holiday glow on all things. The old clergyman spoke a few words for honorable remembrance, and a painter made a drawing, as a lasting record of the tree. "Everything passes away," said the Dryad, "passes away like a
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Hans Christian Andersen

Hans Christian Andersen was a Danish author best known for his fairy tales, which have been translated into more than 125 languages. Born in 1805, Andersen's notable works include "The Little Mermaid," "The Ugly Duckling," "The Emperor's New Clothes," and "Thumbelina." His stories have become a part of global children's literature and continue to inspire movies, ballets, and plays. Before his death in 1875, Andersen also wrote plays, novels, and poems. more…

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