The Coon Dog book cover

The Coon Dog

"The Coon Dog" by Sarah Orne Jewett is a poignant short story that captures the deep bond between humans and their animals, set against the backdrop of rural New England. The narrative centers around a faithful coon dog, exploring themes of loyalty, love, and the simplicity of life in a tight-knit community. Through vivid descriptions and rich characterizations, Jewett evokes a sense of nostalgia, highlighting the joys and sorrows that come with companionship and the passage of time. With its gentle storytelling, the tale reflects the profound connections we share with our pets and the lasting impact they have on our lives.


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Submitted by davidb on February 12, 2025


								
I. In the early dusk of a warm September evening the bats were flitting to and fro, as if it were still summer, under the great elm that overshadowed Isaac Brown's house, on the Dipford road. Isaac Brown himself, and his old friend and neighbor John York, were leaning against the fence. "Frost keeps off late, don't it?" said John York. "I laughed when I first heard about the circus comin'; I thought 't was so unusual late in the season. Turned out well, however. Everybody I noticed was returnin' with a palm-leaf fan. Guess they found 'em useful under the tent; 't was a master hot day. I saw old lady Price with her hands full o' those free advertisin' fans, as if she was layin' in a stock against next summer. Well, I expect she 'll live to enjoy 'em." "I was right here where I 'm standin' now, and I see her as she was goin' by this mornin'," said Isaac Brown, laughing, and settling himself comfortably against the fence as if they had chanced upon a welcome subject of conversation. "I hailed her, same 's I gener'lly do. 'Where are you bound to-day, ma'am?' says I. "'I 'm goin' over as fur as Dipford Centre,' says she. 'I 'm goin' to see my poor dear 'Liza Jane. I want to 'suage her grief; her husband, Mr. 'Bijah Topliff, has passed away.' "'So much the better,' says I. "'No; I never l'arnt about it till yisterday,' says she; an' she looked up at me real kind of pleasant, and begun to laugh. "'I hear he's left property,' says she, tryin' to pull her face down solemn. I give her the fifty cents she wanted to borrow to make up her car-fare and other expenses, an' she stepped off like a girl down tow'ds the depot. "This afternoon, as you know, I 'd promised the boys that I 'd take 'em over to see the menagerie, and nothin' would n't do none of us any good but we must see the circus too; an' when we'd just got posted on one o' the best high seats, mother she nudged me, and I looked right down front two, three rows, an' if there wa'n't Mis' Price, spectacles an' all, with her head right up in the air, havin' the best time you ever see. I laughed right out. She had n't taken no time to see 'Liza Jane; she wa'n't 'suagin' no grief for nobody till she 'd seen the circus. 'There,' says I, 'I do like to have anybody keep their young feelin's!'" "Mis' Price come over to see our folks before breakfast," said John York. "Wife said she was inquirin' about the circus, but she wanted to know first if they couldn't oblige her with a few trinkets o' mournin', seein' as how she 'd got to pay a mournin' visit. Wife thought 't was a bosom-pin, or somethin' like that, but turned out she wanted the skirt of a dress; 'most anything would do, she said." "I thought she looked extra well startin' off," said Isaac, with an indulgent smile. "The Lord provides very handsome for such, I do declare! She ain't had no visible means o' support these ten or fifteen years back, but she don't freeze up in winter no more than we do." "Nor dry up in summer," interrupted his friend; "I never did see such an able hand to talk." "She's good company, and she's obliging an' useful when the women folks have their extra work progressin'," continued Isaac Brown kindly. "'T ain't much for a well-off neighborhood like this to support that old chirpin' cricket. My mother used to say she kind of helped the work along by 'livenin' of it. Here she comes now; must have taken the last train, after she had supper with 'Lizy Jane. You stay still; we 're goin' to hear all about it." The small, thin figure of Mrs. Price had to be hailed twice before she could be stopped. "I wish you a good evenin', neighbors," she said. "I have been to the house of mournin'." "Find 'Liza Jane in, after the circus?" asked Isaac Brown, with equal seriousness. "Excellent show, was n't it, for so late in the season?" "Oh, beautiful; it was beautiful, I declare," answered the pleased spectator readily. "Why, I did n't see you, nor Mis' Brown. Yes; I felt it best to refresh my mind an' wear a cheerful countenance. When I see 'Liza Jane I was able to divert her mind consid'able. She was glad I went. I told her I 'd made an effort, knowin' 'twas so she had to lose the a'ternoon. 'Bijah left property, if he did die away from home on a foreign shore." "You don't mean that 'Bijah Topliff 's left anything!" exclaimed John York with interest, while Isaac Brown put both hands deep into his pockets, and leaned back in a still more satisfactory position against the gatepost. "He enjoyed poor health," answered Mrs. Price, after a moment of deliberation, as if she must take time to think. "'Bijah never was one that scattereth, nor yet increaseth. 'Liza Jane's got some memories o' the past that's a good deal better than others; but he died somewheres out in Connecticut, or so she heard, and he's left a very val'able coon dog,--one he set a great deal by. 'Liza Jane said, last time he was to home, he priced that dog at fifty dollars. 'There, now, 'Liza Jane,' says I, right to her, when she told me, 'if I could git fifty dollars for that dog, I certain' would. Perhaps some o' the circus folks would like to buy him; they 've taken in a stream o' money this day.' But 'Liza Jane ain't never inclined to listen to advice. 'T is a dreadful poor-spirited-lookin' creatur'. I don't want no right o' dower in him, myself." "A good coon dog 's worth somethin', certain," said John York handsomely. "If he is a good coon dog," added Isaac Brown. "I would n't have parted with old Rover, here, for a good deal of money when he was right in his best days; but a dog like him 's like one of the family. Stop an' have some supper, won't ye, Mis' Price?"--as the thin old creature was flitting off again. At that same moment this kind invitation was repeated from the door of the house; and Mrs. Price turned in, unprotesting and always sociably inclined, at the open gate. II. It was a month later, and a whole autumn's length colder, when the two men were coming home from a long tramp through the woods. They had been making a solemn inspection of a wood-lot that they owned together, and had now visited their landmarks and outer boundaries, and settled the great question of cutting or not cutting some large pines. When it was well decided that a few years' growth would be no disadvantage to the timber, they had eaten an excellent cold luncheon and rested from their labors. "I don't feel a day older 'n ever I did when I get out in the woods thi way," announced John York, who was a prim, dusty-looking little man, a prudent person, who had been selectman of the town at least a dozen times. "No more do I," agreed his companion, who was large and jovial and
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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