The Bed

"The Bed" by Guy de Maupassant is a captivating short story that explores themes of love, desire, and betrayal. The narrative revolves around a couple, a married man and his mistress, who share a night of intimacy in a luxurious bed. As the story unfolds, Maupassant intricately reveals the emotional complexities and tensions that arise from their rendezvous. With his characteristic wit and keen observations of human nature, Maupassant examines the darker sides of passion, the fleeting nature of relationships, and the consequences of infidelity. The story serves as a poignant reflection on the entanglements of romance and the hidden truths that often lie beneath the surface.

• Short story

								
On a hot afternoon during last summer, the large auction rooms seemed
asleep, and the auctioneers were knocking down the various lots in a
listless manner. In a back room, on the first floor, two or three lots
of old silk, ecclesiastical vestments, were lying in a corner.

They were copes for solemn occasions, and graceful chasubles on which
embroidered flowers surrounded symbolic letters on a yellowish ground,
which had become cream-colored, although it had originally been white.
Some second-hand dealers were there, two or three men with dirty beards,
and a fat woman with a big stomach, one of those women who deal in
second-hand finery, and who also manage illicit love affairs, who are
brokers in old and young human flesh, just as much as they are in new
and old clothes.

Presently a beautiful Louis XV. chasuble was put up for sale, which was
as pretty as the dress of a marchioness of that period; it had retained
all its colors, and was embroidered with lilies of the valley round the
cross, and long blue iris, which came up to the foot of the sacred
emblem, and wreaths of roses in the corners. When I had bought it, I
noticed that there was a faint scent about it, as if it were permeated
with the remains of incense, or rather, as if it were still pervaded by
those delicate, sweet scents of by-gone years, which seemed to be only
the memory of perfumes, the soul of evaporated essences.

When I got it home, I wished to have a small chair of the same period
covered with it; and as I was handling it in order to take the necessary
measures, I felt some paper beneath my fingers, and when I cut the
lining, some letters fell at my feet. They were yellow with age, and the
faint ink was the color of rust, and outside the sheet, which was folded
in the fashion of years long past, it was addressed in a delicate hand:
To Monsieur l'Abbé d'Argence

The first three lines merely settled places of meeting, but here is the
third:

"My Friend; I am very unwell, ill in fact, and I cannot leave my bed.
The rain is beating against my windows, and I lie dreaming comfortably
and warmly on my eider-down coverlet. I have a book of which I am very
fond, and which seems as if it really applied to me. Shall I tell you
what it is? No, for you would only scold me. Then, when I have read a
little, I think, and will tell you what about.

"Having been in bed for three days, I think about my bed, and even in my
sleep I meditate on it still, and I have come to the conclusion that the
bed constitutes our whole life; for we were born in it, we live in it,
and we shall die in it. If, therefore, I had Monsieur de Crébillon's
pen, I should write the history of a bed, and what exciting and
terrible, as well as delightful moving occurrences would not such a book
contain! What lessons and what subjects for moralizing could one not
draw from it, for everyone?

"You know my bed, my friend, but you will never guess how many things I
have discovered in it within the last three days, and how much more I
love it, in consequence. It seems to me to be inhabited, haunted, if I
may say so, by a number of people I never thought of, who, nevertheless,
have left something of themselves in that couch.

"Ah! I cannot understand people who buy new beds, beds to which no
memories or cares are attached. Mine, ours, which is so shabby, and so
spacious, must have held many existences in it, from birth to the grave.
Think of that, my friend; think of it all; review all those lives, a
great part of which was spent between these four posts, surrounded by
these hangings embroidered by human figures, which have seen so many
things. What have they seen during the three centuries since they were
first put up?

"Here is a young woman lying on this bed. From time to time she sighs,
and then she groans and cries out; her mother is with her, and presently
a little creature that makes a noise like a cat mewing, and which is all
shriveled and wrinkled, comes from her. It is a male child to which she
has given birth, and the young mother feels happy in spite of her pain;
she is nearly suffocated with joy at that first cry, and stretches out
her arms, and those around her shed tears of pleasure; for that little
morsel of humanity which has come from her means the continuation of the
family, the perpetuation of the blood, of the heart, and of the soul of
the old people, who are looking on, trembling with excitement.

"And then, here are two lovers, who for the first time are flesh to
flesh together in that tabernacle of life. They tremble; but transported
with delight, they have the delicious sensation of being close together,
and by degrees their lips meet. That divine kiss makes them one, that
kiss, which is the gate of a terrestrial heaven, that kiss which speaks
of human delights, which continually promises them, announces them, and
precedes them. And their bed is agitated like the tempestuous sea, and
it bends and murmurs, and itself seems to become animated and joyous,
for the maddening mystery of love is being accomplished on it. What is
there sweeter, what more perfect in this world than those embraces,
which make one single being out of two, and which give to both of them
at the same moment the same thought, the same expectation, and the same
maddening pleasure, which descends upon them like a celestial and
devouring fire?

"Do you remember those lines from some old poet, which you read to me
last year? I do not remember who wrote them, but it may have been
Rousard:

    "When you and I in bed shall lie,
    Lascivious we shall be,
    Enlaced, playing a thousand tricks,
    Of lovers, gamesomely.

"I should like to have that verse embroidered on the top of my bed,
where Pyramus and Thisbe are continually looking at me out of their
tapestry eyes.

"And think of death, my friend; of all those who have breathed out their
last sigh to God in this bed. For it is also the tomb of hopes ended,
the door which closes everything, after having been the one which lets
in the world. What cries, what anguish, what sufferings, what groans,
how many arms stretched out towards the past; what appeals to happiness
that has vanished for ever; what convulsions, what death-rattles, what
gaping lips and distorted eyes have there not been in this bed, from
which I am writing to you, during the three centuries that it has
sheltered human beings!

"The bed, you must remember, is the symbol of life; I have discovered
this within the last three days. There is nothing good except the bed,
and are not some of our best moments spent in sleep?

"But then again, we suffer in bed! It is the refuge of those who are ill
and suffering; a place of repose and comfort for worn-out bodies, and,
in a word, the bed is part and parcel of humanity.

"Many other thoughts have struck me, but I have no time to note them
down for you, and then, should I remember them all? Besides that, I am
so tired that I mean to retire to my pillows, stretch myself out at full

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