The

The "Bad Man"

"The Bad Man" by O. Henry is a short story that humorously explores themes of mistaken identity and morality. Set in the Wild West, the narrative follows a notorious outlaw who is actually more benign than he appears. As various characters react to his reputation, O. Henry cleverly weaves a tale that reveals the complexities of human nature and the often deceptive nature of appearance versus reality. With his signature wit and twist ending, O. Henry invites readers to reconsider their judgments about good and bad.


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Submitted by davidb on February 24, 2025


								
A bold, bad man made a general display of himself in a Texas town a few days ago. It seems that he'd imbibed a sufficient number of drinks to become anxious to impress the town with his badness, and when the officers tried to arrest him he backed up against the side of a building and defied arrest. A considerable crowd of citizens, among whom were a number of drummers from a hotel close by, had gathered to witness the scene. The bad man was a big, ferocious-looking fellow with long, curling hair that fell on his shoulders, a broad-brimmed hat, a buckskin coat with fringe around the bottom, and a picturesque vocabulary. He was flourishing a big six-shooter and swore by the bones of Davy Crockett that he would perforate the man who attempted to capture him. The city marshal stood in the middle of the street and tried to reason with him, but the bad man gave a whoop and rose up on his toes, and the whole crowd fell back to the other side of the street. The police had a conference, but none of them would volunteer to lead the attack. Presently a little, wizened, consumptive-looking drummer for a Connecticut shoe factory squeezed his way through the crowd on the opposite side of the street to have a peep at the desperado. He weighed about ninety pounds and wore double glass spectacles. Just then the desperado gave another whoop and yelled: "Gol darn ye, why don't some of ye come and take me? I'll eat any five of ye without chawin', and I ain't hungry either--whoopee!" The crowd fell back a few yards further and the police turned pale again, but the skinny little man adjusted his spectacles with both hands, and stepped on to the edge of the sidewalk and took a good look at the bad men. Then he deliberately struck across the street at a funny hopping kind of a run right up to where the terror stood. The crowd yelled at him to come back, and the desperado flourished his six-shooter again, but the little man went straight up to him and said something. The crowd shuddered and expected to see him fall with a forty-five bullet in him, but he didn't. They saw the desperado lower his pistol and run his hand in his pocket and hand something to the little man. Then the desperado walked sheepishly down the sidewalk, and the little man came back across the street. "Bad man?" he said. "I guess not. He wouldn't hurt a fly. That's Zeke Skinner. He was raised on the farm next to me in Connecticut. He's selling some kind of fake liver medicine, and that's his street rig he's got on now. I loaned him eight dollars in Hartford nine years ago, and never expected to see him again. Thought I knew his voice. Pay? I reckon he paid me. I calculate I always collect what's owing to me." Then the crowd scattered and the twelve policeman headed Zeke off at the next corner and clubbed him all the way to the station house.
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O. Henry

O. Henry, the pen name of William Sydney Porter, was an American short story writer born on September 11, 1862, in Greensboro, North Carolina. He is best known for his clever, twist-ending narratives that often explore themes of urban life and human nature. His stories are characterized by witty dialogue, rich character development, and a keen observation of everyday life, illustrating the irony and complexity of human emotions. O. Henry's work has had a lasting impact on the short story genre, and he remains a beloved figure in American literature, with classic tales like "The Gift of the Magi" and "The Ransom of Red Chief" highlighting his unique storytelling style. He passed away on June 5, 1910. more…

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