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"Sundays of a Bourgeois" by Guy de Maupassant is a short story that explores the life of a wealthy bourgeois family in 19th-century France. The narrative delves into the monotony and superficiality of their Sunday routine, reflecting on themes of social class, materialism, and the emptiness of bourgeois life. Through vivid characterizations and keen observations, Maupassant critiques the moral and emotional vacuity that often accompanies affluence, offering a poignant commentary on the human condition and the nature of happiness.

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Submitted by davidb on February 02, 2025


								
Everything went well up to the dessert; lack of conversation went unnoticed. But after the coffee a discussion arose, and Monsieur Rade let himself loose and soon began to overstep the bounds of discretion. They naturally discussed love, and a breath of chivalry intoxicated this room full of bureaucrats; they praised and exalted the superior beauty of woman, the delicacy of her soul, her aptitude for exquisite things, the correctness of her judgment, and the refinement of her sentiments. Monsieur Rade began to protest, energetically refusing to credit the so-called “fair” sex with all the qualities they ascribed to it; then, amidst the general indignation, he quoted some authors: “Schopenhauer, gentlemen, Schopenhauer, the great philosopher, revered by all Germany, says: 'Man's intelligence must have been terribly deadened by love in order to call this sex with the small waist, narrow shoulders, large hips and crooked legs, the fair sex. All its beauty lies in the instinct of love. Instead of calling it the fair, it would have been better to call it the unaesthetic sex. Women have neither the appreciation nor the knowledge of music, any more than they have of poetry or of the plastic arts; with them it is merely an apelike imitation, pure pretence, affectation cultivated from their desire to please.'” “The man who said that is an idiot,” exclaimed Monsieur de Sombreterre. Monsieur Rade smilingly continued: “And how about Rousseau, gentlemen? Here is his opinion: 'Women, as a rule, love no art, are skilled in none, and have no talent.'” Monsieur de Sombreterre disdainfully shrugged his shoulders: “Then Rousseau is as much of a fool as the other, that's all.” Monsieur Rade, still smiling, went on: “And this is what Lord Byron said, who, nevertheless, loved women: 'They should be well fed and well dressed, but not allowed to mingle with society. They should also be taught religion, but they should ignore poetry and politics, only being allowed to read religious works or cook-books.'” Monsieur Rade continued: “You see, gentlemen, all of them study painting and music. But not a single one of them has ever painted a remarkable picture or composed a great opera! Why, gentlemen? Because they are the 'sexes sequior', the secondary sex in every sense of the word, made to be kept apart, in the background.” Monsieur Patissot was growing angry, and exclaimed: “And how about Madame Sand, monsieur?” “She is the one exception, monsieur, the one exception. I will quote to you another passage from another great philosopher, this one an Englishman, Herbert Spencer. Here is what he says: 'Each sex is capable, under the influence of abnormal stimulation, of manifesting faculties ordinarily reserved for the other one. Thus, for instance, in extreme cases a special excitement may cause the breasts of men to give milk; children deprived of their mothers have often thus been saved in time of famine. Nevertheless, we do not place this faculty of giving milk among the male attributes. It is the same with female intelligence, which, in certain cases, will give superior products, but which is not to be considered in an estimate of the feminine nature as a social factor.'” All Monsieur Patissot's chivalric instincts were wounded and he declared: “You are not a Frenchman, monsieur. French gallantry is a form of patriotism.” Monsieur Rade retorted: “I have very little patriotism, monsieur, as little as I can get along with.” A coolness settled over the company, but he continued quietly: “Do you admit with me that war is a barbarous thing; that this custom of killing off people constitutes a condition of savagery; that it is odious, when life is the only real good, to see governments, whose duty is to protect the lives of their subjects, persistently looking for means of destruction? Am I not right? Well, if war is a terrible thing, what about patriotism, which is the idea at the base of it? When a murderer kills he has a fixed idea; it is to steal. When a good man sticks his bayonet through another good man, father of a family, or, perhaps, a great artist, what idea is he following out?” Everybody was shocked. “When one has such thoughts, one should not express them in public.” M. Patissot continued: “There are, however, monsieur, principles which all good people recognize.” M. Rade asked: “Which ones?” Then very solemnly, M. Patissot pronounced: “Morality, monsieur.” M. Rade was beaming; he exclaimed: “Just let me give you one example, gentlemen, one little example. What is your opinion of the gentlemen with the silk caps who thrive along the boulevard's on the delightful traffic which you know, and who make a living out of it?” A look of disgust ran round the table: “Well, gentlemen! only a century ago, when an elegant gentleman, very ticklish about his honor, had for—friend—a beautiful and rich lady, it was considered perfectly proper to live at her expense and even to squander her whole fortune. This game was considered delightful. This only goes to show that the principles of morality are by no means settled—and that—” M. Perdrix, visibly embarrassed, stopped him: “M. Rade, you are sapping the very foundations of society. One must always have principles. Thus, in politics, here is M. de Sombreterre, who is a Legitimist; M. Vallin, an Orleanist; M. Patissot and myself, Republicans; we all have very different principles, and yet we agree very well because we have them.” But M. Rade exclaimed: “I also have principles, gentlemen, very distinct ones.” M. Patissot raised his head and coldly asked: “It would please me greatly to know them, monsieur.” M. Rade did not need to be coaxed. “Here they are, monsieur: “First principle—Government by one person is a monstrosity. “Second principle—Restricted suffrage is an injustice. “Third principle—Universal suffrage is idiotic. “To deliver up millions of men, superior minds, scientists, even geniuses, to the caprice and will of a being who, in an instant of gaiety, madness, intoxication or love, would not hesitate to sacrifice everything for his exalted fancy, would spend the wealth of the country amassed by others with difficulty, would have thousands of men slaughtered on the battle-fields, all this appears to me—a simple logician—a monstrous aberration. “But, admitting that a country must govern itself, to exclude, on some always debatable pretext, a part of the citizens from the administration of affairs is such an injustice that it seems to me unworthy of a further discussion. “There remains universal suffrage. I suppose that you will agree with me that geniuses are a rarity. Let us be liberal and say that there are at present five in France. Now, let us add, perhaps, two hundred men with a decided talent, one thousand others possessing various talents, and ten thousand superior intellects. This is a staff of eleven thousand two hundred and five minds. After that you have the army of mediocrities followed by the multitude of fools. As the mediocrities and the fools always form the immense majority, it is impossible for them to elect an intelligent government.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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