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"Sundays of a Bourgeois" by Guy de Maupassant is a short story that explores the life of a wealthy bourgeois family in 19th-century France. The narrative delves into the monotony and superficiality of their Sunday routine, reflecting on themes of social class, materialism, and the emptiness of bourgeois life. Through vivid characterizations and keen observations, Maupassant critiques the moral and emotional vacuity that often accompanies affluence, offering a poignant commentary on the human condition and the nature of happiness.

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Submitted by davidb on February 02, 2025


								
Patissot, in despair and in his turn seized with hunger, absolutely refused to move. She started off alone, promising to return in time for the dessert. He began to eat in lonely silence, not knowing how to lead this rebellious nature to the realization of his dreams. As she did not return he set out in search of her. She had found some friends, a troop of boatmen, in scanty garb, sunburned to the tips of their ears, and gesticulating, who were loudly arranging the details of the race in front of the house of Fourmaise, the builder. Two respectable-looking gentlemen, probably the judges, were listening attentively. As soon as she saw Patissot, Octavie, who was leaning on the tanned arm of a strapping fellow who probably had more muscle than brains, whispered a few words in his ears. He answered: “That's an agreement.” She returned to the clerk full of joy, her eyes sparkling, almost caressing. “Let's go for a row,” said she. Pleased to see her so charming, he gave in to this new whim and procured a boat. But she obstinately refused to go to the races, notwithstanding Patissot's wishes. “I had rather be alone with you, darling.” His heart thrilled. At last! He took off his coat and began to row madly. An old dilapidated mill, whose worm-eaten wheels hung over the water, stood with its two arches across a little arm of the river. Slowly they passed beneath it, and, when they were on the other side, they noticed before them a delightful little stretch of river, shaded by great trees which formed an arch over their heads. The little stream flowed along, winding first to the right and then to the left, continually revealing new scenes, broad fields on one side and on the other side a hill covered with cottages. They passed before a bathing establishment almost entirely hidden by the foliage, a charming country spot where gentlemen in clean gloves and beribboned ladies displayed all the ridiculous awkwardness of elegant people in the country. She cried joyously: “Later on we will take a dip there.” Farther on, in a kind of bay, she wished to stop, coaxing: “Come here, honey, right close to me.” She put her arm around his neck and, leaning her head on his shoulder, she murmured: “How nice it is! How delightful it is on the water!” Patissot was reveling in happiness. He was thinking of those foolish boatmen who, without ever feeling the penetrating charm of the river banks and the delicate grace of the reeds, row along out of breath, perspiring and tired out, from the tavern where they take luncheon to the tavern where they take dinner. He was so comfortable that he fell asleep. When he awoke, he was alone. He called, but no one answered. Anxious, he climbed up on the side of the river, fearing that some accident might have happened. Then, in the distance, coming in his direction, he saw a long, slender gig which four oarsmen as black as negroes were driving through the water like an arrow. It came nearer, skimming over the water; a woman was holding the tiller. Heavens! It looked—it was she! In order to regulate the rhythm of the stroke, she was singing in her shrill voice a boating song, which she interrupted for a minute as she got in front of Patissot. Then, throwing him a kiss, she cried: “You big goose!” A DINNER AND SOME OPINIONS On the occasion of the national celebration Monsieur Antoine Perdrix, chief of Monsieur Patissot's department, was made a knight of the Legion of Honor. He had been in service for thirty years under preceding governments, and for ten years under the present one. His employees, although grumbling a little at being thus rewarded in the person of their chief, thought it wise, nevertheless, to offer him a cross studded with paste diamonds. The new knight, in turn, not wishing to be outdone, invited them all to dinner for the following Sunday, at his place at Asnieres. The house, decorated with Moorish ornaments, looked like a cafe concert, but its location gave it value, as the railroad cut through the whole garden, passing within a hundred and fifty feet of the porch. On the regulation plot of grass stood a basin of Roman cement, containing goldfish and a stream of water the size of that which comes from a syringe, which occasionally made microscopic rainbows at which the guests marvelled. The feeding of this irrigator was the constant preoccupation of Monsieur Perdrix, who would sometimes get up at five o'clock in the morning in order to fill the tank. Then, in his shirt sleeves, his big stomach almost bursting from his trousers, he would pump wildly, so that on returning from the office he could have the satisfaction of letting the fountain play and of imagining that it was cooling off the garden. On the night of the official dinner all the guests, one after the other, went into ecstasies over the surroundings, and each time they heard a train in the distance, Monsieur Perdrix would announce to them its destination: Saint-Germain, Le Havre, Cherbourg, or Dieppe, and they would playfully wave to the passengers leaning from the windows. The whole office force was there. First came Monsieur Capitaine, the assistant chief; Monsieur Patissot, chief clerk; then Messieurs de Sombreterre and Vallin, elegant young employees who only came to the office when they had to; lastly Monsieur Rade, known throughout the ministry for the absurd doctrines which he upheld, and the copying clerk, Monsieur Boivin. Monsieur Rade passed for a character. Some called him a dreamer or an idealist, others a revolutionary; every one agreed that he was very clumsy. Old, thin and small, with bright eyes and long, white hair, he had all his life professed a profound contempt for administrative work. A book rummager and a great reader, with a nature continually in revolt against everything, a seeker of truth and a despiser of popular prejudices, he had a clear and paradoxical manner of expressing his opinions which closed the mouths of self-satisfied fools and of those that were discontented without knowing why. People said: “That old fool of a Rade,” or else: “That harebrained Rade”; and the slowness, of his promotion seemed to indicate the reason, according to commonplace minds. His freedom of speech often made—his colleagues tremble; they asked themselves with terror how he had been able to keep his place as long as he had. As soon as they had seated themselves, Monsieur Perdrix thanked his “collaborators” in a neat little speech, promising them his protection, the more valuable as his power grew, and he ended with a stirring peroration in which he thanked and glorified a government so liberal and just that it knows how to seek out the worthy from among the humble. Monsieur Capitaine, the assistant chief, answered in the name of the office, congratulated, greeted, exalted, sang the praises of all; frantic applause greeted these two bits of eloquence. After that they settled down seriously to the business of eating.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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